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7 Save It Pretty Mama (Denniker – Davis – Redman) (b)
8 Do You Know What It Means To Miss New Orleans (Alter-DeLange) (b)
9 Before Long (Catlett-Sigman) (d)
10 Lovely Weather We're Having (DeVries-Bushkin) (d)
11 On The Sunny Side Of The Street (Fields – McHugh) (e)
12 You Can Depend On Me (Carpenter – Dunlap – Hines) (g)
13 Blueberry Hill (Lewis – Stock – Rose) (h)
14 Basin Street Blues (Williams) (h)
15 I Surrender Dear (Barris - Clifford) (f)
CD9
Charlie Parker
1) Summertime (Gershwin) (g) 2:47
2) I Didn’t Know What Time It Was Rodgers – Hart) (g) 3:13
3) All The Things You Are (Kern – Hammerstein) (a) 2:46
4) These Foolish Things (Marvell – Strachey – Link) (p) 3:22
5) Laura (Raskin – Mercer) (k) 2:58
6) East Of The Sun (Bowman) (k) 3:39
7) Embraceable You (Gershwin) (b) 3:48
8) I Can’t Get Started (Gershwin – Duke) (o) 3:08
9) Just Friends (Lewis – Klenner) (g) 3:31
10) If I Should Lose You (Rainger – Robin) (g) 2:47
11) My Funny Valentine (Rodgers) (r) 6:34
12) Don’t Blame Me (Fields – McHugh) (c) 2:48
13) Easy To Love (Porter) (k) 3:30
14) I’m In The Mood For Love (Fields – McHugh) (k) 3:34
15) How Deep Is The Ocean ( Berlin ) (d) 3:24
16) Stella By Starlight (Washington – Young) (n) 2:57
17) Star Eyes (Raye – DePaul) (i) 3:28
18) My Melancholy Baby (Burnett – Norton) (j) 3:24
19) Bird Of Paradise (Parker/Kern)
CD 10
Dizzy Gillespie
1) I Cover The Waterfront (Green – Heyman) (i)
2) Hurry Home (Gillespie) (i)
3) She’s Funny That Way (More – Whiting) (j)
4) Sweet Lorraine (Parish – Burwell) (j)
5) Everything Happens To Me (Dennis – Adair) (j)
6) I Don’t Know Why (Turk – Ahlert) (j)
7) Ballad Medley (o)
I’m Thru With Love (Malneck – Livingston – Kahn)
Can’t We Be Friends (Swift – Warburg)
Don’t You Think (Smith)
I Don’t Know Why (I Just Do) (Ahlert – Turk)
If I Had You (Shapiro – Campbell – Connelly)
8) They Can’t Take That Away From Me (Gershwin) (k)
9) I Can’t Get Started (Gershwin – Duke) (k)
10) My Man (Mon Homme) (Yvain – Pollock) (l)
11) Moon Nocturne (Gillespie) (l)
12) This Is The Way (Gillespie) (l)
13) Ballad Medley (n)
The Man I Love (Gershwin – Gershwin)
Tenderly (Lawrence – Gross)
Imagination (Burke – VanHeusen)
I’ll Never Be The Same (Malneck – Signorelli – Kahn)
Stardust (Parish – Carmichael)
In jazz and popular music, the term ballad denotes a short song in a slow tempo, usually with a romantic or sentimental text, though the term is also used for instrumental pieces. Ballad is also used in modern pop and folk music for a (usually faster) strophic narrative song, analogous to the older poetic term ballad. The latter usage is usually meant when the word ballad appears in the song's title.
Ballads form an important part of the jazz repertory especially, and a pop or jazz set or act (period between breaks) will usually contain one or two ballads to provide a relaxed, intimate change of pace from faster material; or to feature a singer or instrumental soloist. As noted above, the introduction or verse is most often omitted, even by singers; though some ballads, for instance "Lush Life" or "'Round Midnight", traditionally retain their introductions. Repetitions of the chorus tend to be relatively few—often only the second half (BA) of the song-form is repeated—and improvisation, beyond ornamentation of the melody, is usually limited, though the singer or soloist often interpolates an improvised cadenza before the final note of the song. Occasionally a ballad will be reinterpreted as an up-tempo number (and vice-versa), especially by instrumentalists. "Autumn Leaves", for instance, will sometimes receive both treatments in a single performance (as well as being sung in two languages). Thus the identification of a particular song as a ballad can be contingent on the performer, and ballad can sometimes refer to the performing style rather than the song itself.
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