durerpulp
ORIGINAL WOODCUT FROM
THE SHIP OF THE FOOLS
WRITTEN BY SEBASTIAN
BRANT
PRINTED IN STRASBURG IN 1520
AND ATTRIBUTED TO
THE YOUNG ALBRECHT DÜRER (1471
- 1528)
AND HIS SCHOOL
1520

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ORIGINAL 1520 WOODCUT BY
ALBRECHT DÜRER ( 1471 - 1528) AND HIS SCHOOL.
K. A. KNAPPE, in his
famous book published in 1964, attributes most of the woodcuts done for
SEBASTIAN BRANT'S " Ship of the Fools" to the young DÜRER or his school:
"The bubbling of life is intense in The
Ship of Fools, one of the great themes of the day,
demonstrating human stupidity, as shown here through word and image. The wide
variety of characters, coming from different levels of society and professions,
each of them wears a fool’s cap, appearing in scenes from this "bonfire of the
vanities". Dürer manages to distinguish the various types of men with evident
skill. He varies his method of representing this fundamental issue. The message
is reinforced and, with this, the psychological impact, the expressive force of
the faces and gestures." Cited from "K. A. KNAPPE, Dürer 1964"
Notes on SEBASTIAN BRANT,
Das Narrenschift translated from Dürer, L'opera incisoria by Marco
Michieli:
"Sebastian Brant, born in Strasbourg (1457-1521) and professor of law in
Basel, was a humanist whose interests spanned from Virgil and Petrarch to Latin
poems by the doctors of the Church. Dürer made a portrait of him in Antwerp in
1521. Das Narrenschift is his best-known poem, written in Alsatian
dialect and then translated into Latin as Stultifera navis mortalium
(Basel, 1497) and then into English, French, and Flemish. The work, which
inspired many Northern European artists, is both didactic and satirical. A boat
filled with fools travels to the land of Narragonien
only to sink at the end of the tale.
The poem contains 116 illustrations, 75 of which have been attributed to Dürer.
Others probably made the woodcarvings after the artist left Basel. The woodcuts
are in keeping with its spirit in that they condemn and illustrate the
ridiculousness of vanity and human stupidity, caused both by cardinal sins as
well as by weaknesses and beliefs that are apparently innocuous. The key motif
in each depiction is the jester’s cap that highlights the fool and his blindness
to morality and his actions. At times, the layout and the composition of the
images bring to mind popular provincial tarot cards."
VERY IMPORTANT :
THIS IS A GENUINE LIFETIME IMPRESSION
The last photo shows the colophon from the book that the page was taken. It
shows the printing date, 1520, and the city, Strasbourg. A photocopy of the
colophon page will be shipped along with the original woodcut page.
Page Size: 14.50 in. x 10.50 in.
Woodcut size: 4.50
in. x 3.25
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NOTE: Domestic Priority Mail
shipping costs a flat rate of $7.00 no matter how many pages in this series you
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many pages in this series you purchase. Please see my other auctions for more
leaves from this book.
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