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1542 Italian Renaissance Luigi Alamanni Tuscan Opera Italy
EX Rare & Valuable Opere Toscane / Venice Giunta edition
This is a wonderful and rare offering of the following work written in Italian
Main author: Alamanni, Luigi, 1495-1556.
Title details: Opere Toscane di Luigi Alamanni...
Published: Venetijs (in Vinegia) : apud haeredes Lucae Antonij Iuntae (Stampato per Pietro Scheffer (Sceffer) Germano Moguntino (Maguntino), ad instantia delli heredi di M. Lucantonio giunta), 1542.
Other names: Giunta, Lucantonio I, heirs of, fl. 1538-1566, [publisher.]
Schoeffer, Peter II, fl. 1522-1542, [printer.]
Genre: Poetry
Poems - Italy - 16th century.
Language: Italian
This is a wonderful volume with fantastic contents and would make a great addition to any collection. I have recently been so pleased by hearing how much my books have been delightful gifts for others. Therefore, I encourage you to think ahead…Anniversary, Birthday, Father’s Day, Mother’s Day, or any other special occasion! As a book lover there is not much I would rather receive as a gift. This is one of several such works I am listing, so be sure to check out my other listings.
I have included a biography at the end of the listing for those interested.
Wear: wear as seen in the photos; see photos
Binding: tight and secure vellum binding
Pages: complete with all 295 pages; plus indexes, preface, and such; generally free from marking or foxing
Publisher:Venetijs (in Vinegia) : apud haeredes Lucae Antonij Iuntae (Stampato per Pietro Scheffer (Sceffer) Germano Moguntino (Maguntino), ad instantia delli heredi di M. Lucantonio giunta), 1542.
Unique features:rare and excellent contents; ~ 6.5in X 4in (16cm x 10.5cm)
Please understand that I am not an expert on every matter of my books, but am only a lover of old books. I have done my best to describe these books based on my current knowledge, but nobody is perfect. I welcome any questions you may have about contents or condition. I know that the pictures do not usually do justice to the books.
I am not using a reserve price and hope that whoever wins considers this a treasure. Thanks again and happy bidding!
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Luigi Alamanni (sometimes spelt Alemanni; 6 March 1495 – 18 April 1556) was an Italian poet and statesman.[1] He was regarded as a prolific and versatile poet, and is credited with introducing the epigram into Italian poetry.
[edit] Biography
Alamanni was born in Florence. His father was a devoted adherent of the Medici party, but Luigi, smarting under a supposed injustice, joined with others in an unsuccessful conspiracy against Giulio de' Medici, afterwards Pope Clement VII. He was obliged in consequence to take refuge in Venice, and, on the accession of Clement, to flee to France. When Florence shook off the papal yoke in 1527, Alamanni returned, and took a prominent part in the management of the affairs of the republic.
On the restoration of the Medici in 1530 he had again to take refuge in France, where he composed the greater part of his works. He was a favourite with Francis I, who sent him as ambassador to Charles V after the Peace of Crepy in 1544.
As an instance of his tact in this capacity, it is related that, when Charles interrupted a complimentary address by quoting from a satirical poem of Alamanni's the words:"l' aquila grifagna, Che per piu devorar, duoi rostri porta" ("Two crooked bills the ravenous eagle bears, The better to devour"), the latter at once replied that he spoke them as a poet, who was permitted to use fictions, but that he spoke now as an ambassador, who was obliged to tell the truth. The ready reply pleased Charles, who added some complimentary words.
After the death of Francis, Alamanni enjoyed the confidence of his successor Henry II, and in 1551 was sent by him as his ambassador to Genoa. He died at Amboise on April 18, 1556.
He wrote a large number of poems, distinguished by the purity and excellence of their style. The best is a didactic poem, La Coltivazione (Paris, 1546), written in imitation of Virgil's Georgics. His Opere Toscane (Lyon, 1532) consists of satirical pieces written in blank verse. An unfinished poem, Avarchide, in imitation of the Iliad, was the work of his old age and has little merit.
It has been said by some that Alamanni was the first to use blank verse in Italian poetry, but the distinction belongs rather to his contemporary Giangiorgio Trissino.
[edit] Bibliography
A poetical romance, Girone il Cortese (Paris, 1548)
A tragedy, Antigone
A comedy, Flora
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