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Bidding has ended on this item. Item:1915 THE SCARECROW OF OZ L FRANK BAUM 12 COLR ILLS 1ST$ |
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THE LAND OF OZ A SEQUEL TO THE WIZARD OF OZ
L. Frank Baum; 1915, Circa 1920; First Edition, Later Printing; The Reilly & Lee Co.; Illustrated by John R. Neill; 288 Pages; 6.9"x 9.4"; Rare!! Great for any Fan of the Wizard of Oz or Series or Collector. Highly Collectible, not to be confused with the later edition with 8 or No Color Plates!!! Attributes: A Charming, sleek grey cloth cover design with pretty pasted on color pictorial front, and pictorial/labeling to spine, with pretty b/w illustrative end pages, a gorgeous color frontispiece and title page design with 11 Other Required Brilliant Color full page Illustrations and around 100 excellent b/w illustrations throughout and a great Oz Classic; Hard to Come By, Nice Size!!! Summary: The Scarecrow of Oz is the ninth book set in the Land of Oz written by L. Frank Baum. Published on July 16, 1915, it was Baum's personal favorite of the Oz books and tells of Cap'n Bill and Trot journeying to Oz and, with the help of the Scarecrow, overthrowing the cruel King Krewl of Jinxland. Cap'n Bill and Trot (Mayre Griffiths) had previously appeared in two other novels by Baum, The Sea Fairies and Sky Island. Cap'n Bill, a sailor with a wooden peg-leg, and his friend, a little girl named Trot, set out from California on a calm day. The calm day suddenly turns dark and stormy and Cap'n Bill and Trot are washed overboard and are carried by mermaids (referred to but not seen) to a cave where they meet an ostrich-like flying bird called an Ork. Flying on the Ork's back, the Ork, Cap'n Bill and Trot strain to arrive at an island where a grim man calling himself Pessim the Observer points out that the Ork should not have eaten the light lavender berries growing on the island. The light lavender berries cause a person to shrink, and the dark purple berries cause a person to grow. Once the Ork resumes normal size, Cap'n Bill and Trot leave the island to escape the Observer's negative attitude—which drove the people in his homeland to exile him here in the first place. To reduce the load on the Ork, Cap'n Bill and Trot each eat a light lavender berry so they are small enough to carry in a handkerchief. Background: Lyman Frank Baum (May 15, 1856 – May 6, 1919) was an American author, poet, playwright, actor and independent filmmaker, best known today as the creator, along with illustrator W. W. Denslow, of one of the most popular books in American children's literature, The Wonderful Wizard of Oz. He wrote thirteen sequels, nine other fantasy novels, and a plethora of other works (55 novels in total (plus four "lost" novels), 82 short stories, over 200 poems, an unknown number of scripts, and many miscellaneous writings), and made numerous attempts to bring his works to the stage and screen. His works predicted such century-later commonplaces as color television, laptop computers (The Master Key), wireless telephones (Tik-Tok of Oz), and the ubiquity of advertising on clothing (Aunt Jane's Nieces at Work). With the success of Wizard on page and stage, Baum and Denslow hoped lightning would strike a third time and in 1901 published Dot and Tot of Merryland. The book was one of Baum's weakest, and its failure further strained his faltering relationship with Denslow. It would be their last collaboration. Baum would work primarily with John R. Neill on his fantasy work beginning in 1904, but Baum met Neill few times (all before he moved to California) and often found Neill's art not humorous enough for his liking, and was particularly offended when Neill published The Oz Toy Book: Cut-outs for the Kiddies without authorization. John Rea Neill (November 12, 1877 - September 13, 1943) was a magazine and children's book illustrator primarily known for illustrating more than forty stories set in the Land of Oz, including L. Frank Baum's, Ruth Plumly Thompson's, and three of his own. His pen-and-ink drawings have become identified almost exclusively with the Oz series. He did a great deal of magazine and newspaper illustration work which is not as well known today. Condition: Condition is Good+/Very Good. Some wear to edges, pages are very good, a few light blemishes here or there, hinges/text block are very good. Overall, for 85 years old its in Good+/Very Good Condition!!!
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