Four volumes bound in red cloth with gilt titles to the spines and front boards with 15 colour plates in each volume and lots of black and white illustrations.
Percy Macquoid (1852 — 1925) was a theatrical designer and a collector and connoisseur of English furniture, and the author of articles, largely for Country Life, and of four books on the history of English furniture, the first major survey of the subject, which have been reprinted and are still of use today: The Age of Oak, The Age of Walnut, The Age of Mahogany and The Age of Satinwood, ending his surveys about the year 1800. He collaborated with Ralph Edwards on The Dictionary of English Furniture (three volumes, 1922-25).
The son of the book illustrator and watercolourist Thomas Robert Macquoid (1820-1912), his early career was as an illustrator and theatrical designer, whose illustrations in The Graphic Vincent Van Gogh praised to Anthon van Rappard in 1883 as "the non plus ultra of elegance and mild refined feeling". Macquoid was a favoured designer of the theatrical producer Herbert Beerbohm Tree, notably for Tree's 1906 productions of Shakespeare's Anthony and Cleopatra and Nero. In 1899 Macquoid produced decorations for the renovated St. James's Theatre, King Street, (demolished 1957-58) which were carried out by the leading London decorators Messrs. Morant and Co. For the great collector Lord Leverhulme, Macquoid designed the 'Adam Room' for the Lady Lever Art Gallery, Port Sunlight, Liverpool.
Following his marriage in 1891 to Theresa I. Dent, the couple built The Yellow House, Bayswater, London, to designs by Ernest George and Harold Peto. Summer and autumn he and his wife Theresa spent at Hoove Lea, overlooking the sea at Hove. In both houses there was Macquoid's collection of seventeenth-century and eighteenth-century English furniture, cared for by "a devoted and efficient staff" (Edwards 1974). Much of the furnishings collected by Macquoid— furniture, silver, paintings, porcelain— now form the Macquoid Bequest nearby, furnishing Pashley Manor, East Sussex.
CONDITION
The bindings are tight and firm. There is some wear to the extremities including bumping to the corners. The dustjacket to Satinwood is very unusually present though with three large closed tears to the spine, two large closed tears to the top of the front panel, a few handling marks, and a few small chips and tears to the edges. Internally the pages are generally clean and bright with a few spots to the endpapers. Overall the volumes are in very good condition with the dustjacket in good only condition.
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