Prevent smearing, resisting, and bleeding on
vellum and other challenging surfaces with these awesome printing pouches.
The Perfect Printing Pouch allows you to get flawless ink
application by simply wiping the surface with the pouch before printing
The pouch works by releasing a fine coating of powder that bonds the ink to the
paper. These powders also contain a drying agent so the ink dries almost
instantly.
The Perfect Printing
Pouch is fantastic for:- embossed, pearlized and colored vellum
-
shiny or glossy paper and carstock
- twill tape
- textured cardstock
- shrink plastic
- mulberry paper
-
muslin fabric
- specialty art papers
- postage stamps
- ribbon
-
transparencies
- Polymer Clay
- Paper Clay
Here's an easy way to improve your digital printouts!
Also use when applying ink with markers, stamps, gel pens,
or an
inkjet printer set for normal, plain paper.
The Perfect Printing Pouch is the solution for printing on difficult
surfaces with an ink jet printer, markers, gel pens or stamping dye ink.
It eliminates smearing, bleeding, and
resisting on all kinds of vellum and other materials including shiny papers,
textured cardstock, transparencies, twill tape, ribbon, muslin fabric,
shrink plastic, wood, postage stamps, mulberry paper and more.
It also dries the ink quickly.
The Perfect Printing Pouch can be described as a
felt 'ravioli' filled with a special formula of acid-free, talc-free,
non-toxic powders. It comes in two styles and four color combinations.
The Original is about 2 ½" x 3 ½" and is held upright to neatly treat
smaller areas such as titles, ribbons and journaling boxes.
The Strap'n'Tap is 3 ½" x3 1/2", lays flat, and makes treating larger
surfaces like whole sheets of paper faster and easier. It's perfect for
wedding invitations and baby announcements. Both styles are lined to prevent
messy powder contact with hands. The MSRP for the Original Pouch is $8.00
and $11.00 for the Strap'n'Tap.
USE:
Prior to printing, treat the printing surface by lightly tapping the
pouch onto the printing surface to release the powders. The pouch is then
used to evenly spread the fine coating of powder across the printing
surface. The powder bond the ink to the surface
while it speeds drying.
Steps for Inkjet
Printing on Vellum, Transparencies, and Other Difficult Surfaces*:
If using a whole
sheet of vellum or specialty paper, skip to step 3.
1. Print out title,
journaling or message on inkjet paper in any font/size using word
processing or specialty software. Focus on how you want the print to
look; do not worry about location on the paper.
2. Cut vellum or
printing substrate to desired size and adhere it to the paper directly
over the printing with a temporary adhesive, such as spray adhesive or
masking tape. Spray adhesive is preferred on vellum, ribbon and
and fabrics, whereas tape is recommended on delicate or stiff or thicker
materials.
3. Tap Tap Tap the
Perfect Printing Pouch. Gently wipe the surface with the pouch to
evenly distribute the powders onto the printing surface. Shake or blow
to remove any excess powder.
4. Make sure your
printer is set for normal paper and print quality. The transparency
setting puts out a minimum of ink and you want it bold and dark, right?
Send the paper through the printer so it prints directly onto the
treated surface.
5. Let dry. If a
spray adhesive was used to temporarily adhere the vellum to the inkjet
paper before printing, it may still be tacky enough to go directly onto
your project without additional adhesive. You will probably
be able to work with it almost immediately, although it is possible to
smear it before it is totally dry.**
6. At this point although the printing
looks good, it may rub off from transparencies***, clay, and other VERY
slick, non-porous surfaces. To set the ink permanently, spritz
with a fixative, which I list separately.
Notes:
*ScraPerfect is not
responsible for damage caused to your printer resulting from printing
onto materials not specifically recommended for your printer.
**If the powder is
very noticeable after printing, try one of the following methods:
1. Dab a wet cloth
or baby wipe to completely remove the powder. This is possible on
some surfaces with some inks, such as waterproof markers on pearly
vellum.
2. Gently remove
powder with your finger or soft cloth. Often, simply feathering along
the edge of the powdered area is enough.
3. On
transparencies. let the ink dry thoroughly before removing powder with a
very soft paintbrush.
*** Polyester film,
such as film negatives and "write-on" transparencies are acid free and
archivally safe. However, most ink jet transparencies are treated with
acid to make the matte surface and are not acid free. Copier films are
acid free but the coating may not be archival safe. If archival-safe is
important to you, use uncoated "write on" film, or make sure the film
specifies archival-safe. You may still choose to use copier
transparencies knowing that it is acid-free but may not be archival
safe, or use inkjet transparencies which may be neither acid-free, nor
archival safe.
2. What is 'vellum'?
Vellum
is a slick, translucent paper which looks great for titles and journaling in
scrapbooks, and adds elegance and whimsy to cards. While some vellums are
sold specifically for ink jet printers, most of the colorful, pearlescent,
metallic, coated, or embossed vellums are not ink jet friendly. In olden
days, vellum was made from animal skins, but today it is a paper product.
3. Why would I need The
Perfect Printing Pouch?
1. You like the
look of printing on vellum and shiny papers, but your results are
imperfect.
2. you were told that
imperfect, inconsistent printing is to be expected when printing on slick
surfaces like vellum and shiny papers. It was suggested
that you try a different brand of paper, ink or to use the "right" side of
the paper.
3. You've tried to
print on patterned, embossed vellum but the ink won't stick to any of the
patterns.
4. You've tried to
stamp or use your printer on materials such as twill tape, satin ribbon and
muslin, mulberry/tissue papers or wood, but the ink bleeds.
5. You'd like to try to
print on surfaces like flocked, basketball bumpy, or acrylic papers, but it
doesn't look good.
6. You've tried to
print on transparencies or shrink plastic but the ink beads up.
7. You print on
textured cardstock, and the ink doesn't get into the nooks and crannies.
8. You don't have special vellum markers and gel
pens and yours bubble and smear on vellum and shiny papers.
9. Your stamping on
vellum looks okay, but it smears and takes so long to dry.
10. You get frustrated and waste lots of time
and money reprinting your work, and you want perfect printing to be easy,
neat and affordable.
The Perfect Printing Pouch improves most any
paper crafts where your printing is less than perfect. This includes
scrapbook titles and journaling blocks, embellishments, baby shower and
wedding invitations, birth and graduation announcements, party invitations,
holiday cards, and altered art projects.
4. Does
The Perfect Printing
Pouch really improve printing on
difficult surfaces?
Yes! A sticky-backed
vellum, recommended for laser printing only by the manufacturer because it
prints so poorly with an ink jet printer, prints perfectly when treated with
the pouch. 'Pearlescent Swirl', an almost unprintable wax coated, textured
paper prints fine with the pouch as does a bumpy, basketball paper.
Whenever you find a printing challenge, try the Perfect Printing
Pouch!
Note:
Just because you can use your printer to print perfectly on most any
surface, doesn't mean you should. Tortillas are delicious and may even be
printable but your printer was designed for paper. Treat your printer with
care and use some restraint. If you want to print
on wood, use a marker. Wood just isn't a good idea
for inkjet printers!
5. What kind of printer
should
The Perfect Printing Pouch be used
with?
The pouch can be used with any brand of ink jet
printer on surfaces which cause the ink to resist, smear, bleed, or dry too
slowly.
6. Is
The Perfect Printing
Pouch helpful only for printing with
inkjet printers?
No. The Perfect
Printing Pouch improves printing and speeds drying with many inks.
There is no need to purchase a whole new set of vellum markers since
the pouch makes writing with markers perfect.
Customers are using the pouch with gel pens, dye ink for rubber stamping
projects, and to stop permanent markers from bleeding into wood. We'd love
to hear what you can print on now.
7. Will
The Perfect Printing
Pouch hurt my printer?
Here's what Epson Printers says about the
pouch:
Hot tip:
For any
vellums you encounter which resist being printed, we recommend you try "The
Perfect Printing Pouch." It is a pouch filled with
a formula of acid-free, talc-free, non-toxic powders.
Prior to printing, lightly tap the pouch over the area where you wish to
print to release the powder onto the vellum surface.
The powder makes the ink adhere to the paper and speeds drying.
It works well on patterned, coated, and colored vellum as well as on many
glossy, textured, handmade and coated papers. We
recommend that after using the pouch, run a plain sheet of paper through
your printer to remove any excess powder from the inside of your printer.
~ Reprinted from the Epson Print Lab Series
Booklet
8. Does
The Perfect Printing
Pouch work on transparencies made for
copiers?
Yes, but it may require an extra step.
Although the pouch may improve the print quality on transparency
film, a spray fixative is necessary to prevent the ink from rubbing off.
After treating the transparency with the pouch and printing on normal
settings, let the ink dry thoroughly. To set the
ink, lightly spray the printed transparency with the fixative spray . In
spite of the fact that you will be able to see the powder, it may not be
noticeable on your project. However, if
you want to remove the powder, use a soft paint or make-up brush after the
ink is completely dry before spraying the fixative.
Note:
Polyester film, such as film negatives and "write-on" transparencies are
acid free and archival safe. Most ink jet transparencies are treated with
acid to create the matte surface and are not acid free. Copier films, while
acid free may have a non-archival safe coating. If archival-safety is
important to you, use uncoated "write on" film, or make sure the film
specifies "archival-safe". You may still choose to use copier film knowing
that it is acid-free but may not be archival safe, or to use inkjet
transparencies which may be neither acid-free, nor archival safe.
9. What's the weirdest
surface you've printed on with your printer?
Hmmm... Bake & Bend Polymer Clay or Makin's
Clay. Users should be aware that printers were not
designed to print on clay, and ScraPerfect takes no responsibility for
misuse of your equipment. That said, If you choose to print on bendy polymer
clay, roll it as thin as cardstock and bake until it's totally flexible.
Adhere it to printer paper with tape along all the edges of the clay. Treat
with the pouch, print, and then spritz with a fixative (sold separately) to
set the ink.
10. Why does
The Perfect
Printing Pouch comes in different
colors?
The different colors of the pouch are for fun
not function as the contents of the pouches are all the same. Since we
believe variety is the spice of life and to each his or her own, we make it
available in an assortment of colors. (Purple lovers rejoice!)
11. How long does
The
Perfect Printing Pouch last?
Since very little is used in each application,
it lasts a very long time. It's hard to say how
long as it depends upon how much and how often it is used so It could last 6
months, a year or more. We recommended the plastic bag for storage
12. Should I select a
transparency, economy, draft, or fast printer setting or use a heat gun and
embossing powder so the ink doesn't smear?
No. Use the pouch and set the printer for plain
paper and normal print quality.
In trying to speed drying and reduce smearing,
the other settings lay down the least amount of ink possible. If you want
the dark, full bold lettering and still have quick drying ink, use the
pouch. The pouch contains a drying agent so you will not have to use a heat
gun or do anything special to speed the drying.
13. Some people say they
have no problems printing on vellum. Why do I?
Some people haven't yet run into
difficulty if they haven't tried fancier papers such as pearly vellums or
mulberry paper, and some people say don't think they have a problem but they
don't realize their printing could be greatly improved.
Also, there are significant differences between ink and
paper brands in how they work and how long they take to dry.
Different ink types yield very different results. One customer would
purchase only office supply vellum because it was the only one which gave
her no problems; since discovering the pouch she is ecstatic to be able to
use any pretty vellum she finds.
And if we think we have problems with vellum
today, let history give us some perspective:
Printing on parchment
is sometimes troublesome because of the animal fat that remains in the
parchment. By rubbing the sheet over with a piece of cotton, dampened with
purified benzene, previous to printing, a good impression can be had.
In 1902,
William Bowden from Kelmscott Press, suggested, "It is necessary that
the vellum should have just a little more than a suspicion of dampness.
Well wet down half a ream of good stout white paper (equivalent in
weight to 60 lb). This should be well turned for about 3 or 4 days, and kept
in a damp cellar.
When the vellums are
to be printed, this paper should be brought out, and a skin put in about the
middle; a flat board should be placed on top, and a ream of paper on top to
act as a weight.
After the skin has been between the damp sheets from 30 to 45
seconds, it should be printed at once and not waved in the air more than can
be helped. Print the rough side of the vellum first
on the inner forme. This is important as the skins spoil on the rough side
more frequently than on the smooth. It is best to
work off both sides of the skin in black first, before printing the red, as
red ink has a great tendency to run on damp skin. The red should be printed
when the skin is quite dry.~ Oscar Henry Harpel from Harpel's Typograph, In
1870,
14. What are the Steps
for Inkjet Printing on Vellum, Transparencies, and Other Difficult Surfaces:
1. Design title, journaling or message using
word processing or specialty software.
HINT: If you do
not need a whole sheet of vellum, focus on the font and size but do not
worry about location on your page. Print out title on inkjet paper. Cut
vellum or printing substrate to desired size and adhere it to the paper
directly over the printing with a temporary adhesive, such as spray adhesive
or masking tape.
Spray adhesive is recommended on vellum, ribbon and and fabrics,
whereas tape is preferred for delicate, stiff or thick materials. If a spray
adhesive is used, it may remain tacky enough to go onto your project after
printing without additional adhesive.
2. Tap Tap Tap the Perfect Printing Pouch.
Gently wipe the surface with the pouch to evenly distribute the powders onto
the printing surface. Shake or blow to remove any excess powder.
3. Make sure your printer is set for normal
paper and print quality. The transparency setting puts out a minimum of ink
but you want it bold and dark. Send the paper through the printer so it
prints directly onto the treated surface.
4. Let dry. Although you may be able to work
with it immediately, the printing can be smeared if not totally dry.
HINT: If the powder is too visible
after printing, try one of these methods:
* Simply feather the edge of the powdered area with your finger or soft
cloth.
* Remove powder with a soft paintbrush or make-up brush.
* Dab with a damp cloth or baby wipe if using
waterproof ink on slick surfaces,
5. At this point although the printing looks
good, it may rub off from transparencies, clay, and other very slick,
non-porous surfaces. To set the ink permanently, spritz with a spray
fixative.
ScraPerfect is not responsible for damage caused
to your printer resulting from printing onto materials not specifically
recommended for your printer.







15. Can you suggest other
ideas/tips for using vellum?
ADHESIVE: Spray
adhesives are quick and easy, do not show through the vellum, and have very
little overspray. Bonus: If you use a spray to temporarily affix the
vellum to the printer paper before applying the pouch, you can usually
remove the vellum after printing and place it directly onto your project
without any additional adhesive. Spray the vellum over a trash can or
newspaper. Of course you can use mechanical means to
attach vellum such as sewing, using eyelets or brads, or hiding the adhesive
behind buttons, stickers or other embellishments.
ADDING COLOR TO VELLUM: Some brands of
color printer inks work much better than others. Nonetheless, there
are many other pretty ways of adding color.
Use chalk, rub-ons, powders; markers; gel pens;
watercolor crayons, pencils or paints (but use liquid sparingly to avoid
curling); colored pencils or crayons; and paint. Experiment with putting
color on the back side of the sheet to avoid smearing the printer ink.
DRY EMBOSSING:
A very pretty effect can be created by dry
embossing vellum!
Try placing the vellum on top of a soft surface
like craft foam or a mouse pad and then use a stylus to draw, either
freehand or following a pattern or template. This is great for adding
leaf veins, hearts, stars, swirls and other details to your vellum.
Print over a stamped background:
Stamp a background onto vellum to make your own
patterned vellum to complement a holiday, season or event. Let dry.
Apply The Perfect Printing Pouch. Send back through through the
printer to print over stamped background. The Perfect Printing Pouch
prevents the stamp ink from resisting the printer ink.
MORE COOL THINGS:
Try printing on both sides of the vellum.
Make translucent envelopes to be able to see the
contents.
Overlap different pieces or colors of vellum.
Mask photos to hide unwanted parts with vellum
and rip a "window" for your subject.
Tear vellum to get soft edges. Chalk the edges
for an even prettier effect.
Print on vellum and use a photo as a subtle
background behind the words.
Print a photo on vellum
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Here's what Perfect Printing Pouch users
write. |
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"The
first time I saw an ad for this product, I thought "Ha, probably
doesn't do a thing!" Then I actually used it and was I ever
amazed! This little pouch will get you the clearest print ever.
Not only on vellum, but transparencies and even cardstock. Try
it, you'll be thrilled with the results. This has been a
standard on the counter of my scrapbook store since it came out,
and they sell like hotcakes if you keep a couple of "with and
without" samples at the counter.
P.S.
I made samples using the pouch on everything I could lay my
hands on. It is especially good on all those textured cardstocks
out there (like Bazzill) because the ink doesn't reach as well
to the recessed areas of the paper due to the texture. The pouch
makes a huge difference. I've also used it on photos and gotten
an embossed effect on the glossy photos-- a beautiful result. It
is also helpful on printing on ribbon or twill tape. Very
absorbent things (believe it or not I've printed on napkins and
such) have much better results as well (less bleeding). And this
from a complete skeptic at first!" |
"I
was totally amazed at how great this worked. It takes no time at
all to rub your paper lightly with the little pouch and then run
it through the printer. It causes your printer ink to adhere to
slick papers almost like StaZon (by Tsukineko). It dries
fast too.
If
you use transparency or vellum on your layouts and projects, I
would highly recommend you buying this product. You won't be
disappointed.
P.S.
My sister came over and was telling me that she had been trying
to get her printer to print on transparency, but it would either
smear on the way through the printer, or it wouldn't dry. I told
her about your pouch and let her take it home to try out. An
hour later she called me and was so excited because after using
the pouch, it printed on the first try! She was equally amazed
at the ability of the 'magic powder.' "
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"I
am IN LOVE with this product - I use it on a lot of different
papers. Even semi-glossy. Everything comes out so
rich and deep - it's the only way to go to print on vellum or
glossy surfaces. I recommend this product without
reservation." |
"The
pouch is the best addition to my scrap book and desk top
publishing
supplies! I have used the pouch for many different
applications including
vellum
and muslin printing. All its claims of clearer printing
and no more
bleeding print are 100% accurate. Thank you for solving my
printing
problems."
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"I
received this about two hours ago and just used it. This is the
most AMAZING thing I have ever used. Oh my goodness. I used it
on some Anna Griffin vellum and the ink is darker than it EVER
is otherwise and it was practically dry after coming out of the
printer!
Thank you...AWESOME PRODUCT and I will be
using this all the time!
Also,
I just found a new use....I used it on a surface that usually
doesn't take well with regular stamp ink (the surface: old
postage stamps). The ink usually smears and doesn't dry very
well. It also tends to bubble up. Well, I used the pouch and
stamped... IT WORKED GREAT!"
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"I've
been working with it the last couple days and it's AWESOME!!!
I've only used it on vellum so far - but haven't had even
one smear (the ink dries SO quickly!), and it prints smooth and
dark too! I will definitely be
recommending this to my friends and my local scrapbook stores!
It's been really great for me - I've been printing in
both black and pink ink, and both have done great.
I'm VERY impressed! And I can't
wait to try it on other paper types too - I'm sure it's going to
be great! My only question is - WHAT IS
THIS AWESOME STUFF???" |
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"I
am a mixed media/collage artist and am forever pushing the
limits of what my printer will print on.
I've tried it all, from aluminum foil to clay and canvas.
I find the Perfect Printing Pouch to be an invaluable
tool! I keep it right beside my printer
so when the next creative urge hits (much to my husband's
dismay) I know just where to find it."
"I love this
pouch!
I use it with
the adhesive vellum and other adhesive papers from the Paper
Palette which are often very difficult to print on. It works
awesome!" |
"This
little item is the ONE thing i cannot live without
lately....when i first received it, i kind of fluffed it off and
thought, "goofy, i don't need this"
how
wrong i was.....
I
can print on just about ANYTHING now....anything!
if
you don't have one of these, you need it
if
y'all know me, i am not easily impressed and RARELY by anything
having to do with printing....but i don't know what is in that
little pouch...magic fairy dust for all i know...but it totally
works!"
|
| "I
have used the perfect printing pouch when designing
embellishments, titles and/or journaling for my layouts and
cards. It definitely improves the printing quality on
vellum, transparencies and ribbon. I am impressed with the
difference it makes in the clarity of print and it is very easy
to use." |
"Thank
you so very much for that little wonder! I do not understand why
it works but WOW! I have found that the
pouch is especially helpful when printing on different types of
canvas sheets in my inkjet printers." |
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"I
LOVE this pouch!! I have always wanted to be able to print
on vellum and was never successful before. Thank you for opening
a new world of possibilities!! I hope you are wildly successful
with this fantastic product!"
|
"I
absolutely
love
it. We recently lost a good share of our personal
belongings in a
house fire. This was one item at the top of my list of
things to replace. Your product does everything you say it does
and no one should be without it!" |
|
"This is one of
those must-have products that does exactly what it says it will.
So reasonably priced."
|
"I've
been using this product since the summer of 2004 and love it.
I've told
so
many people about it. Thank you!" |
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