2 Strobe/Flash Portrait Lighting Kit! Brand NEW $180 NR

 Here's a GREAT New Starter Studio Package! All BRAND NEW!

Important: I just HATE IT when I buy a "kit" or "package," and then when I receive it, I discover that I can't use it because there's something else I need (usually at a substantial additional cost, too) to make it work (i.e., the "batteries not included" syndrome)! So I'd never do that to my (cherished) customers! With this fabulous package, absolutely everything is included (well, except a camera, film, and photographer, that is)! When this package arrives, all you'll have to do to start making great photographs, is open it up, unwrap your new goodies, put the strobes on the light stands, plug 'em in, point them at your favorite victims, and, baby, just like Elv*s, go ahead and rock and roll (fire away)! NO additional equipment or parts are needed to start using your new studio equipment!

What's the price?

 Want a whole professional 4, 5, 7, 8, 9, 10 or FIFTEEN strobe photographic lighting studio in one dynamic kit? Perhaps some Digital/Video Lamps? Maybe just some light stands? Only a strobe or two? Perhaps the NEW DIGITAL continuous lighting Lamps? Something really, really special for the photographer you love with all your heart (like, perhaps, yourself:)? Look no further!

You can find ALL these things right now in my other auctions (except for the luscious lovely to the left; I'm gonna keep that one for myself:)

<-Looks almost like natural light, doesn't it? Not completely! Strobes made this lovely image better. The give-away? The main light looks like it's coming from the left (which it is - for the main light - a window), but look at the catch lights in her eyes! That's coming from 2 strobes; one just behind and (barely) to the right of the camera, and the other just to the left of the camera (a Minolta Maxxum 7, btw)! From now on, whenever you're looking at pictures in magazines, notice the eyes for clues to the lighting setup - and where the catch lights appear in the models' eyes. The secret to ALL magnificent images? That's an easy one; it's the LIGHTING! A photographer is a LIGHT writer! See below for more information and lotsa photographic tips and tricks...

Shop with confidence!
Bid with confidence!
Buy with confidence!
From a Profoundly Proud
GOLD eBay PowerSeller!

This GOLD PowerSeller proudly provides a plethora of perfect photographic products - PLUS - pure, powerful, and peerless customer service!

NEW! No waiting for an Auction to end! Bid Now = Buy NOW!

Dear Visitor: Welcome to my eBay Fixed-Price or eBay Store auctions! This format allows you to make your purchases INSTANTLY! No bidding (and no chance of being outbid, no chance of the price increasing, and no chance of losing out on the auction). This is just like making any regular purchase; simply placing your bid, places your order! Order one item or package, and one gets shipped right away; order 2, and both get shipped right away.

So just decide how many of these fabulous packages you want, and as soon as you place your order (and pay), your new goodies will be on their way to you - right away! Personal/business checks will delay shipment 5-12 business days; orders paid for with e-checks will ship as soon as e-check clears.

The NEW BB-50 Strobe

This brand new Britek BB-50 is a great starter light for the beginning professional, the pro with tight budget constraints, or the advanced amateur who is ready to bring the professional look to his or her photographs (without mortgaging the house).

Why are photogs so in love with their studios? BECAUSE (in our studios) WE CAN CONTROL THE LIGHT! And a "studio" can be a corner of any room, as long as we can CONTROL THE LIGHT. In our studios, we can play God! We can make it daytime or evening or night; we can shoot 24 hours a day, 7 days a week. We can CREATE anything we can imagine - as long as we can CONTROL THE LIGHT!

After all, the word "photographer" itself (from Greek) actually means Light Writer, or "one who writes with light."

The term is meaningful because those of us who make photographs are slaves to light. Light is both our nemesis and our salvation (when we can control the light). Without the right types of lighting equipment, we can never progress to professional level studio pictures. Or location pictures.

Sure, we can make beautiful photos with available light... when the light's just right, at the exact time we need it, and at exact place we need it, if it's not raining, if it's not snowing, if it's not too cold, if it's not too hot, if it's not too dark, if everyone we need to make the photographs are available at the exact time the light's just right for our needs, under all the right conditions.... beginning to see now? When we can control the light, we can make the best photographs.

Why do photographers want powerful flash equipment (strobes)? Because (both indoors and outdoors) with strobes, WE CAN CONTROL THE LIGHT! Sound familiar? Starting to get the picture, now? (sorry, I just couldn't resist ;-)

Hmmm... Light!

What the heck is a "Watt Second?" And what's a "GN?"

As we can see from this view, with the reflector removed, the New BB-50 is well-stocked with controls and comes with many of the extras already built-in.

With these units, everything you'll need to start working with them is included; the strobe itself, flash tube, a removable reflector, a Tilt/Swivel Bulb Holder, power cord, and a sync cord; just plug them in, and fire away!

The "ready" light goes on to let us know when the strobe is charged and ready to fire; the "test" button lets us fire the strobe to test its proper functioning; the "sync" terminal lets us attach a sync (or PC) cord to the sync terminal on our cameras to control the firing of the strobe with the shutter button on our cameras; and the "optical slave sensor" lets us fire the strobe automatically with the flash of any other strobe or flash unit.

Complete: Each of these BB-50s comes complete with a removable reflector, sync cord, AC cord, Flash Tube, Tilt/Swivel Bulb Holder with a built-in umbrella holder, and standard light stand connector; it's ready to plug in and fire away! Since these strobes are A.C. units, they're ready to rock! No batteries or powerpacks or light heads or connector cords are needed; just plug 'em in, and (just like Elvis) you're ready to rock and roll.

This view shows the BB-50 with its reflector removed (a great way to light large 180 degree ares, such as backgrounds).

These are brand new, 100% guaranteed, with the manufacturer's full one year warrantee . These are NOT seconds, blemishes, or anything other than brand new, absolutely perfect, current models! Just 'cause the price is great, doesn't mean these are in any way less than perfect! Questions? Requests? just e-mail any questions or requests, to me at PhotoSource3@pss3.com

Point of Information: Why, you might be asking yourself, have virtually all photographers switched to using strobes, when "regular" continuous lights (photographers call them "hot" lights) are everywhere, and it's easier for us to see how the lighting will look with them? Well, the continuous lights, like the ones in our houses (tungsten lights), or halogen (and similar) are called "hot lights" for a reason: they get hot. Really hot! And the special photographic hot lights get twice as hot as household bulbs! This tends to make certain things, like flowers, foods, animals, and those darn pesky models, wilt. Especially models. They get very, very, unhappy when they wilt. Whine, gripe, groan; you'd think a little melting makeup, and running mascara, limp hair, and sticky lipstick, and beads of sweat running down their lovely curvaceous (umm, let's say noses) was a big deal or something, the way they complain! ;-)

Next, there's a little problem with the "color temperature" being way off with hot lights, so we have to use special films (3200K or 3400K) or filters, or special photographic bulbs, when using them (strobes are perfectly balanced at 5500K to simulate sunlight, so we can use all the regular daylight films we've come to love/hate over the years). You'll notice that most of your pictures taken indoors without using a flash turn out with a yellowish color cast; that's because household lights are loaded with yellow and red light. The solution is to either use special films, or special filters. But why create more problems for yourself? Using strobes eliminates all these headaches (and heat!). But if you're into videos and/or shoot with a digital camera, don't buy anything until you check out my fabulous NEW continuous lighting equipment - super-powerful 1,000 Watt units or 200 watt lamps or 650 watt lamps. Check my eBay store for more on continuous lighting equipment. Additionally, with strobes, we can control the light much better! We can adjust the power output with the flick of a switch. We can modify the light with umbrellas, softboxes, softcases, filters, scrims and gobos, doo-dahs, and thingamajigs, etc., etc. We can direct the light with barn doors, snoots, honeycombs, and many other accessories. In short, with strobes, we can play God with our photography; WE CAN CONTROL THE LIGHT! And we can do it 24 hours a day, 7 days a week, whenever we want, no matter what the weather is, and without regard to daylight or night. There are yet other, more esoteric, as well as mundane reasons why strobes are the preferred means of photographic lighting in the modern world, but we'll pass on those things for now. You've probably had enough information shoved down your throat already (sorry, but I can't resist trying to educate everyone about photography).

Specifications: BB-50 Pro Studio Flash

Here's just a small sample of the variations you can get from putting a color filter over your background light (or any strobe). The point is to let you know that owning strobes with capabilities of accepting additional, optional light-modifying accessories (like these great strobes) is always better than buying lights that cannot be accessorized or expanded. A custom set of color filters or barndoors, or other accessories are always available to you (most for less than $20). The translucent white filter is like having a softbox! Just pop the white filter over your main light, and you'll soften the light as well as eliminating any possible "red-eye" problems! The point is to let you know that owning strobes with capabilities of accepting additional, optional light-modifying accessories (like these great BB-50 strobes) is always better than buying lights that cannot be accessorized or expanded. The background on all the shots above was a pure white muslin. The color intensities can range from a heavy, deep color, to a light tint, depending upon the settings you choose, the angle of your background light, and the distance of the background light from the backdrop. I made these exposures with a relatively light tint (and I purposely included the strobe in the shots, something we usually don't want!), so you could see it (we usually place the background strobe behind our subject, and hidden from the camera's view). If you'll notice, in the blue exposure (on the right), how I angled the BB-50 (by pointing it up), resulting in a tonal gradation of deeper color at the top, and lighter color at the bottom, to show you one of the many techniques you can use to give you all sorts of different coloration effects. Also be aware that these shots were made with a cheapie digital camera; your 35MM or mega-pixel digital camera pictures will have much better results. Heck, you can spend a whole week just playing around with this stuff! Just be sure you keep careful notes (you DO keep notes on your exposures, don't you?) so you'll be able to duplicate your favorite effects! Just to be 100% clear on this, these Color Filters (Gels) are now INCLUDED with this package as a FREE bonus! The barndoors below, however, are NOT included. Back to top of page ------ Back to the "Be Careful" text
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BARNDOORS

Ah, here's one of every photographer's favorite accessory. The barndoors is a wonderful, inexpensive, and easy way to modify and direct the light.

As you can see from this image, and the one below, we simply open and close the barndoors' four "doors" to control exactly where we want the light to go (and, of course, by extension, where we don't want the light to go).

NOTE: These barndoors do not come with this package; it's simply an example of the expansion capabilities of these strobes.

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Sometimes we don't want any light to appear somewhere in our frame; one common example is when we don't want any light "spillover" to reach out backdrop (especially when we're after the solid black "dropout" effects so popular today). Conversely, when we're using a strobe as a backlight - to light our background - we often want to keep the light confined to our backdrop, and not illuminating the rest of our workspace; so we use the barndoors to restrict our light to the backdrop.

Other times, we want to keep the light directed onto a certain part of our subjects (like when we want to highlight the face of our portrait subject, or a product). There are a million used for barndoors, and as your photographic talents increase, I have no doubt you'll add a couple of barndoors to your studio equipment.

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Shop with confidence!
Bid with confidence!
Buy with confidence!
From a Profoundly Proud
GOLD eBay PowerSeller!

This GOLD PowerSeller proudly provides a plethora of perfect photographic products - PLUS - pure, powerful, and peerless customer service!

Here's a fabulous deal on an excellent quality light stand. This Brand New Britek light stand extends to a height of 6 1/2 Feet, and folds down (fully assembled) to only 2.8 feet for easy packing and transport.

These stands have a black finish which reduces unwanted glare; three vertical sections (19mm, 16mm, 13mm), and three double-braced legs (16mm), which provide excellent stability in the studio or on location. They're topped with a standard 3/8" stud with 1/4" thread, type A. Sturdy as all get out, yet only weigh about 3 lbs. (so you can pack up a set of three stands for under 10 lbs. for location shoots - believe me, schlepping around anything heavier can give you a hernia, especially when added to all your other gear). Yet these babies can be folded up and put in the corner of your closet and take up very little space.

I've been using these same stands for over 2 years now, and couldn't be happier! You'll probably love 'em, too. They're sized perfectly for multiple uses: with a low height of under 3 feet, they're great for background lighting; at their full 6.5 feet, they're perfect for lighting standing subjects, lighting from above for kids or sitting subjects, or even hairlights; and adjusting them anywhere in-between, they're perfect for subject-level lighting, whether you're photographing kids or adults (or things)! BTW, as stated above, you'll be buying brand new stands here, NOT my used ones (those are mine! you can't have them; I like them, and I'm gonna keep them; you go buy your own! (hey, at this great price, buy several. :).

Reality Check: Hey, if you're rich, I'd suggest buying a set of bigger, heavier (& more expensive) stands for your pro studio setup, and another set of lightweight stands for location shoots; but my studio is in my house, and I don't have 20 foot ceilings for the 15' stands anyway, so these stands work just fine for me. 6.5 feet is plenty high for most uses, and we have larger stands should you need more height. And they're sturdy enough for studio work, and light enough for location work. Realize, though, that these stands, while certainly a great deal and a marvelous value, are the working photog's Chevys and Fords; not Rolls Royces. Treat them with minimal respect, and they'll see you through to old age; but if you're looking for the Ferraris of light stands, go buy something else. This sturdy light stand is rated to hold a load of 10 pounds (but, personally, I try to keep the load under 9 lbs when it's fully extended) either way, it's likely to be able to hold darn near any lighting unit you're using. Of course, there are bigger and heavier stands, too.

All the sections of these stands are quality tubular stock, NOT the cheapie solid ones (which are heavier and less versatile, as well as cheaper). The only "cheap" part of these stands is the price - not the quality! Bid now, while they're still in stock.
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10 Top Questions about this Auction! | Back to top of page | Back to Contents List

From whom should you buy your photographic equipment? Hey, it's your hard-earned money, so you should buy from anybody you darn well like! However, one of the advantages of buying from another photographer is that, unlike "salesmen," who just want to "sell" things to you, a photographer will know what you need, and what you don't need; a photographer will know why you'll need something, and why you won't need something; a photographer will have actually used the equipment being sold, and will be able to offer advice based on real-life experience. Of course, the facts that photographers (like us) are usually much better-looking, a lot smarter, definitely kinder, and unquestionably much more creative than other folks, doesn't hurt either, does it? ;-)
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Unlike the others who try to cover up their own photographic illiteracy with not-so-vague warnings cautioning you against buying from anyone else (but them, that is:), I won't stoop to such reprehensible behavior; I guess I'm just not greedy enough to do such things. In addition, I trust you to be smart enough to make up your very own mind, without my self-serving advice, telling you who you should and shouldn't patronize. Sure, I'm in business to sell photographic equipment, but I'd rather lose a few sales than insult my customers' intelligence with admonitions like: "Buy from me! Don't buy from the other guy!" So go ahead and check out what's available, compare prices, quality, and customer service philosophies; see who you think will provide more help and support. Then, check out the feedback profiles; go look to see what the other "photographic experts" were selling a few months ago (that'll be a revelation:). Next visit the web sites, of your potential suppliers (especially those who claim to be photographers with "100 years experience," and see how much they really know about photography). Then, in addition to the usual, logical, informed, procedures for making your purchasing decisions, check with the old standby that's almost always right, your gut feelings. You might also want to consider the "Power Fallacy" before making your purchasing decisions. Check things out; make up your own mind. Then, without doubt, you'll come to the right conclusion. [However, - just in the interest of saving you time and trouble ;-) the conclusion you'll surely come to is that "PhotoSource3" on eBay (who is also the beloved founder and talented creator of MyPhotoHome and Photographer'sSupplyStation) is "Da Man" from whom to buy your photographic goodies! =:-) ] Thank you for being kind enough to view this auction (I hope you realize that my humor is meant to be fun, and is intended with good will), may you have the best of luck, and don't forget, as always, no matter who you choose to honor with your photographic purchases, take (or better yet, "make") lots of great pictures! And remember, you can't get good - unless you get started.
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Don't get stuck with what someone else wants to sell you!
At Photographer's SupplyStation, YOU make the choices!
Choose the equipment that fits YOUR needs!

Here's a great little accessory that all photographers always need more of: a tilt / swivel / panning light head holder with built-in umbrella holder! It's hard to wax philosophic about a photographic accessory, but anyone who's ever worked with lights knows that these little tools are absolutely indispensable. For example, even a super-duper, antique, $100,000.00 table lamp isn't going to do anyone much good without a light bulb that works. And this little baby works, and keeps on working. You'll need one of these for every standard e-26 Edison base strobe (or continuous light) you'll ever work with (the E-26/7 is the standard household light socket size, so you can use "regular" lights with it too, if need be). Plus, this little baby has an integral umbrella holder, which saves you from having to buy an additional umbrella adapter, whenever you might want to "bounce" the light off of (or through) an umbrella. This great unit is used with your BB-50 Strobes. Hey, all well-designed photographic packages come with everything you'll need to fully use all the equipment included. Just one more reason why you're better off buying from another photographer (especially a handsome, brilliant, and wonderful one, too ;-). So ask yourself: Who da man? PhotoSource3 da man, of course! ;-) You'll get two of these great Tilt/Swivel Bulb Holders with this package.

Specifications:
Single standard E-26 bulb socket
On / Off switch
10 foot power cord
Ceramic-surround Bulb Holder

Where? Photographer's SupplyStation of course!

"PhotoSource3" on eBay
Photographer's SupplyStation | MyPhotoHome | PhotoBackdrops
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Ever have your cellular phone fail to find a signal when you really needed it? Those of us who have cell phones, have them because we never know when we'll find ourselves in a situation where it will save our butts (or those of our spouses, kids, or friends) from some emergency.

Other times, when we're on our cell phone with an important call, we discover that we've just "dropped" the call during the most important part of our conversations. It's happened to all of us, and I really hated it when it happened to me!

We've all seen the ads on TV and in the magazines and newspapers for these Cell Phone Antenna Boosters, and hundreds of thousands have been sold for $19.95 each! And, yes, they DO help (I've tried them on my own cell phones). They're easy to install (just peel and stick them on the phone behind the battery). To be perfectly honest, though (and I always am:), they're nowhere as "Wonderful" as the TV ads make them out to be (what is?:), but they really do help pull in the cell signals when you're in a "fringe" area or inside buildings. I certainly don't think they're worth $20, but in an emergency, these little antenna boosters could make the difference for you. And one thing's for sure: you can't beat the price! It's FREE!

I just happened to come upon a fabulous deal for these cellular phone antenna boosters, and I feel that it's something we should all have - after all, when an emergency happens to us, we'll NEED to have a connection that will work (but no guarantees:)!

Sure, I could have sold these for five (or maybe even ten) dollars each (as others are doing) and I could have made a great profit on them - but I'm NOT the average eBay seller (you might care to review my business philosophy, here), and I feel that if you're kind enough to purchase this great pro lighting equipment from me, the least I could do would be to give you one of these as a FREE gift! So I'm including one of these Cellular Antenna Boosters with EVERY order. For FREE! Just my way of saying: "Thank you for your patronage!" So "Who da man?" Huh? Who da man? ;-)
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NEW! No waiting for an Auction to end! Bid Now = Buy NOW!

Dear Visitor: Welcome to my eBay Fixed-Price or eBay Store auctions! This format allows you to make your purchases INSTANTLY! No bidding (and no chance of being outbid, no chance of the price increasing, and no chance of losing out on the auction). This is just like making any regular purchase; simply placing your bid, places your order! Order one item or package, and one gets shipped right away; order 2, and both get shipped right away.

So just decide how many of these fabulous packages you want, and as soon as you place your order (and pay), your new goodies will be on their way to you - right away! Personal/business checks will delay shipment 5-12 business days; orders paid for with e-checks will ship as soon as e-check clears.

 Here's a GREAT New Starter Studio Package! All BRAND NEW!