Description   All You Can Eat  Stock Photo   Item Specifics - Music: CDs     Artist: K.D. Lang     Release Date: Oct 10, 1995     Format: CD     Record Label: Warner Bros. Records     Genre: Country     UPC: 093624603429     Sub-Genre: Mainstream     Album Type: Full-Length CD             Condition: Used         Portions of this page Copyright 1948 - 2006 Muze Inc. All rights reserved. Additional information

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	Additional Information about All You Can Eat Portions of this page Copyright 1948 - 2006 Muze Inc. All rights reserved.   Track listing 1. If I Were You 2. Maybe 3. You're OK 4. Sexuality 5. Get Some 6. Acquiesce 7. This 8. World Of Love 9. Infinite And Unforeseen 10. I Want It All   Details Playing time: 36 min. Producer: Ben Mink, K.D. Lang Distributor: WEA Recording type: Studio Recording mode: Stereo SPAR Code: n/a   Album notes Personnel: K.D. Lang (vocals, banjo, ukelin, harp, keyboards, loops); Ben Mink (guitar, E-bow, ukulele, violin, viola, urhu, strings, keyboards, synthesizer, loops); John Friesen (cello); Ingrid, Isabel (strings); Teddy Borowiecki (piano, organ, pipe organ, Fender Rhodes electric piano, keyboards, synthesizer); David Piltch (bass); Randall Stoll (drums); Graham Boyle (percussion). Recorded at Placebo Sound, Vancouver, Canada. After the success of INGENUE, K.D. Lang and long-time music collaborator Ben Mink picked up and moved shop from glamorous L.A., returning to their native Canada to formulate the smoothest and most organic album of Lang's pop era. The cunningly titled ALL YOU CAN EAT shows Lang's emerging openness ("Sexuality"), but reflects a wariness of being a pop commodity. There is also the sensation that this is a self-realized album--not the gear-up for another Grammy, not a song-cycle directed to the hip confines of Los Angeles, but something of her own making. ALL YOU CAN EAT jaunts through "the warm scent of lust" where "the world of love begins" to show Lang's musical diversity through the different stages of romance. The delicate string arrangement behind "Infinite And Unforeseen" offers Lang's soaring vocals the chance to move in its ambience, and "I Want It All" is all dance-floor stride through soulful and modern R&B textures, with a bigger beat than much of her previous material. ALL YOU CAN EAT again proves Lang's grip on what makes contemporary pop work. The slickness behind the dance grooves combines assurance with a willingness to experiment, while her voice carries the material to its fullness. ALL YOU CAN EAT might not make her the "queen of popularity" ("If I Were You"), but it certainly covers many of the bases.