1 ORIGINAL 1980 PRESS KIT FOR BOC's "CULTOSAURUS ERECTUS" and 5 RECORD CO. PROMO BUTTONS AND ONE BOOTLEG BUTTON.
ALL OF MY ROCK MEMORABILIA WAS AQUIRED AT THE "ROOSEVELT HOTEL" in HOLLYWOOD - RECORD SWAPMEETS IN THE EARLY 80's
$5.00 HANDELING CHARGE FOR ALL INTERNATIONAL ORDERS.
For Mirrors, instead of working with previous producers Pearlman (who instead went on to manage Black Sabbath) and Krugman, Blue Öyster Cult chose Tom Werman, who had worked with acts such as Cheap Trick and Ted Nugent. However, the resulting album sales were disappointing.
Pearlman's association with Black Sabbath was tapped for the next Blue Öyster Cult album, which resulted in Sabbath's Heaven and Hell producer Martin Birch being hired for the next Blue Öyster Cult record. The result was positive, with Cultösaurus Erectus (1980) receiving good reviews. The album went to #14 in the UK, but did not do as well in the U.S. One of the notable songs on the album was the song "Black Blade," which was written by Bloom with lyrics by sci-fi and fantasy author Michael Moorcock. The song is a kind of retelling of Moorcock's famous Elric of Melniboné-Saga. The band also did a co-headlining tour with Black Sabbath in support of the album, calling the tour "Black and Blue."
Birch produced the band's next album as well, Fire of Unknown Origin (1981). The biggest hit on this album was the Top 40 hit "Burnin' for You," a song Dharma had written with a Richard Meltzer lyric. He had intended to use it on his 1982 solo album, Flat Out, but he was convinced to use it on the Blue Öyster Cult album instead. The album went platinum, and contained other fan favorites such as "Joan Crawford" (inspired by the book and film Mommie Dearest) and "Veteran of the Psychic Wars", another song co-written by Moorcock. Several of the songs had been written for the animated film Heavy Metal, but only "Veteran of the Psychic Wars" (which, ironically, was not written for Heavy Metal) was actually used in the movie. After this album, Albert Bouchard had a falling out with the others and left the band, and Rick Downey (formerly the band's lighting designer) replaced him on drums