 | | | | | | Chicago | 
Stock Photo | | Item Specifics - Music: CDs | | | Artist: | Original Soundtrack | | Release Date: | Jan 14, 2003 | | | Format: | CD | | Record Label: | Epic (USA) | | | Genre: | Soundtrack, Theater | | UPC: | 696998701823 | | | Sub-Genre: | -- | | Album Type: | Full-Length CD | | | | | Condition: | New | | | |
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| Portions of this page Copyright 1948 - 2008 Muze Inc.  All rights reserved.
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CHICAGO - CATHERINE ZETA JONES - SOUNDTRACK - NEW CD
Hello and Welcome ! We are offering :
Brand New / Factory Sealed CD !
We only sell original products. All of our items come directly from authorized distributors, wholesalers and manufacturers. We do not sell bootlegs, copies, or anything illegal.
| Shipping & Handling |
Buyer pays : (Handling portion includes the cost of labor, shipping supplies and other costs associated with getting your order delivered to you)
- USA (USPS First-Class Mail):
$4.00 for first CD. $2.00 for each additional CD
USPS Priority Mail: $7.00 for first CD. $2.00 for each additional CD
(Insurance is available within United States for $2.00 upon request)
Canada (USPS First-Class Mail): $4.00 for first CD. $2.00 for each additional CD
International (USPS First-Class Mail): ( Sorry we no longer ship to Italy )
CDs shipped IN Jewelcases : $6.00 for first CD. $3.00 for each additional CD
CDs shipped WITHOUT Jewelcases (available only on orders of 3 CDs or more) : $4.00 for first CD. $2.00 for each additional CD |
| Payment |
We accept the following forms of payment :
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- U.S. Personal Check ( please allow 10 business days for clearance )
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We will gladly combine CDs won and Buy It Now in the same 7-day period into a single shipment. Please pay all auctions with ONE payment in order to qualify for combined shipping discounts. |
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We stand behind all our products as NEW, UNPLAYED CDs . In the event that you receive a defective or incorrect item, please let us know before leaving feedback and we will correct the situation in a timely manner. |
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| | | | Additional Information about Chicago
Portions of this page Copyright 1948 - 2008 Muze Inc. All rights reserved.
| Track listing | 1. Overture / All That Jazz
2. Funny Honey
3. When You're Good to Mama
4. Cell Block Tango
5. All I Care About
6. We Both Reached For the Gun
7. Roxie
8. I Can't Do It Alone
9. Mister Cellophane
10. Razzle Dazzle
11. Class - (bonus track)
12. Nowadays (Roxie)
13. Nowadays / Hot Honey Rag
14. I Move On
15. After Midnight - Daany Elfman
16. Roxie's Suite - Danny Elfman
17. Cell Block Tango (He Had It Comin') - Queen Latifah/Lil' Kim/Macy Gray
18. Love Is a Crime - Anastacia
| | Details | | Producer: | Randy Spendlove, Rick Wake | | Distributor: | Sony Music Distribution ( | | Recording type: | Studio | | Recording mode: | Stereo | | SPAR Code: | n/a |
| | Album notes | Music and lyrics written by John Kander and Fred Ebb.
Original score composed by Danny Elfman.
CHICAGO won the 2004 Grammy Award for Best Compilation Soundtrack For A Motion Picture, Television Or Media. "I Move On" was nominated for Best Song Written For A Motion Picture, Television Or Other Visual Media.
Includes a bonus DVD disc.
Includes liner notes by Kander & Ebb.
CHICAGO won the 2004 Grammy Award for Best Compilation Soundtrack For A Motion Picture, Television Or Media. "I Move On" was nominated for Best Song Written For A Motion Picture, Television Or Other Visual Media.
Original score composed by Danny Elfman.
This is a multi-channel Super Audio CD playable only on Super Audio CD players.
CHICAGO won the 2004 Grammy Award for Best Compilation Soundtrack For A Motion Picture, Television Or Media. "I Move On" was nominated for Best Song Written For A Motion Picture, Television Or Other Visual Media.
CHICAGO has a long and varied history; it began life in the '20s as a play about a showgirl named Roxie Hart, the character whose name was used as the title for a '40s movie inspired by the show. In the '70s, Broadway composers Kander and Ebb (CABARET, NEW YORK, NEW YORK) wrote the songs for a musical version focusing on the '20s-jazz angle and capitalizing on the murder-and-sex theme, and Bob Fosse fleshed the whole thing out to great success. The late-'90s Broadway revival of the show was even more successful and gave rise to a film version featuring Richard Gere, Renee Zellweger, and Catherine Zeta-Jones, movie stars not known for singing.
The film turned out to be a huge hit, and the actors handle their vocal chores admirably, as borne out on this soundtrack disc. Zeta-Jones and Zellweger handle their respective roles of vamp and showgirl well. While Gere will probably never have a solo singing career, his quirky, character-filled singing is perfectly in the style of many male vocalists of the '20s and works just fine. The songs are full of surprise left hooks and catchy refrains, melding early jazz with showtunes in a seamless manner. While the contemporary pop tunes by Anastacia and Queen Latifah tacked onto the end mar one's suspension of disbelief somewhat, this is nevertheless an impressive and entertaining affair.
CHICAGO has a long and varied history; it began life in the '20s as a play about a showgirl named Roxie Hart, the character whose name was used as the title for a '40s movie inspired by the show. In the '70s, Broadway composers Kander and Ebb (CABARET, NEW YORK, NEW YORK) wrote the songs for a musical version focusing on the '20s-jazz angle and capitalizing on the murder-and-sex theme, and Bob Fosse fleshed the whole thing out to great success. The late-'90s Broadway revival of the show was even more successful and gave rise to a film version featuring Richard Gere, Renee Zellweger, and Catherine Zeta-Jones, movie stars not known for singing.
The film turned out to be a huge hit, and the actors handle their vocal chores admirably, as borne out on this soundtrack disc. Zeta-Jones and Zellweger handle their respective roles of vamp and showgirl well. While Gere will probably never have a solo singing career, his quirky, character-filled singing is perfectly in the style of many male vocalists of the '20s and works just fine. The songs are full of surprise left hooks and catchy refrains, melding early jazz with showtunes in a seamless manner. While the contemporary pop tunes by Anastacia and Queen Latifah tacked onto the end mar one's suspension of disbelief somewhat, this is nevertheless an impressive and entertaining affair.
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