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CHRISTIE'S FINE MUSICAL INSTRUMENTS 4/2/07

$2,728,000 STRADIVARI
Item number: 290230000776
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CHRISTIE'S FINE MUSICAL INSTRUMENTS 4/2/07
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Ended:May-18-08 20:35:29 PDT
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CHRISTIE'S FINE MUSICAL INSTRUMENTS NY APRIL 2ND 2007 THIS CATALOG CONTAINS 72 PAGES AND 255 LOTS B-4 S-1 WITH: will be lead by a 1729 Stradivari violin known as the “Solomon, Ex-Lambert” (estimate: $1,000,000-1,500,000). Christie’s holds the world record price for any musical instrument sold at auction with the sale of “The Hammer” Stradivari which realized $3,544,000 May of 2006. The “Solomon, Ex-Lambert” derives its name from the late Seymour Solomon, co-founder of Vanguard records, and amateur violinist who bought the violin at auction in 1972, and from Miss Murray Lambert, a British concert violinist during the 1920-30s who was the previous owner. Made in Cremona by Antonio Stradivari in 1729, the violin emanates from his mature period and retains the bold outline, superb arching and quality materials which account for the power, sonority and tonal balance his work is recognized for. Provenance The first recorded owner of this 1729 Stradivari was the Berlin dealer and expert August Riechers who sold it to ‘Miss Price’, a student of the violin who was studying in Berlin at the time. From Miss Price the violin passed to the venerable English collector Robert Bower, one of the preeminent connoisseurs of his day who owned no fewer then twenty-four works by Stradivari. By 1922 the violin was sold through the London dealers of John and Arthur Beare to Ernest E. Winterbotham who paid the price of £1,600 and gave the violin to his wife Dorothy Mary Murray Lambert. Page 2 of 3 Known as Miss Murray Lambert, she was among the few British women of the 1920’s and 30’s who pursued a career as a concert violinist. A student of both Carl Flesch and Leopold Auer she was a champion of British contemporary composers and a prolific performer of the works of Sir Hamilton Harty. It is said that her performances of Frederick Delius’s Violin Sonata No.1 inspired the artist Hugh Riviere R.A. to create his final full length portrait entitled Delius Sonata. By the late 1930’s she withdrew from the concert stage to concentrate on teaching which she pursued through the 1950’s. Following her death the violin was offered at auction in 1972 where it was presented as The Property of Miss Murray Lambert and sold for £17,500 to Seymour Solomon. Unique to the sale is the fact that Seymour Solomon was not a member of the trade, but a private collector and talented amateur violinist with a discerning eye and equally good ear. He was also a lover of classical music and one of the major forces to advance its audience in the last half of the 20th century. Born in New York in 1922, Seymour Solomon attended the Julliard School majoring in Musicology and the violin. His studies were interrupted by World War II, and upon his return in 1946 he continued at New York University, concentrating on the music of Johann Sebastian Bach. Frustrated at the lack of recorded works of Bach and other baroque composers he set about changing that situation irrevocably in 1950 when he and his brother Maynard formed the Bach Society, aided by the new technologies of magnetic recording tape. In an improvised recording studio in the basement of Vienna’s Konzerthaus he completed the first of what would become five recordings of the Bach cantatas, using members of the Vienna Philharmonic along with soloists and the chorus of the Vienna State Opera. After the successful release of this first LP the Solomon brothers quickly realized the need to expand their horizons and include other classical works both chamber music as well as symphonic music. This was the birth of the Vanguard Recording Society and would be known to all audiophiles as Vanguard Records. With a catalogue of recorded artists such as Alexander Schneider, Antonio Janigro, Misha Elman and Joseph Szigeti the Vanguard label established itself as one of the premier independent record companies in classical recordings.

255 $2,728,000 £1,384,771 €2,035,820 $1,000,000-1,500,000 Anonymous

Antonio Stradivari, a violin known as The Solomon, Ex-Lambert, Cremona, 1729

243 $312,000 £158,376 €232,836 $150,000-200,000 European Trade

Giovanni Battista Guardagnini, a violin, Turin, 1779

11 $264,000 £134,010 €197,015 $100,000-150,000 Private American

C.F. Martin & Co. and Paul A. Bigsby, a guitar, style D-28, Nazareth, 1941, with later neck by Paul Bigsby,

from the collection of the late Merle Travis

WORLD AUCTION RECORD FOR THE MAKER

81 $204,000 £103,553 €152,239 $100,000-150,000 Private American

Alessandro Gagliano, a violin, Naples, 1702

WORLD AUCTION RECORD FOR THE MAKER

34 $180,000 £91,371 €134,328 $4,000-6,000 The National Music

A cittern, probably English, circa 1600 Museum at the Univ.

WORLD AUCTION RECORD FOR THE MAKER of South Dakota

225 $150,000 £76,142 €111,940 $20,000-30,000 European Trade

Attributed to Pietro Antonio Della Costa, a violin, Italy, circa 1750

253 $144,000 £73,096 €107,463 $80,000-120,000 European Trade

Nicola Gagliano, a violin, Naples, circa 1775

40 $120,000 £60,914 €89,552 $30,000-50,000 Private American

Enrico Rocca, a violin, Genova, 1904

WORLD AUCTION RECORD FOR THE MAKER

99 $96,000 £48,731 €71,642 $5,000-7,000 U.S. Trade

In the manner of Lorenzo Storioni, a violin, labeled Laurentius Storioni fecit/Cremona 1776, circa 1900

37 $72,000 £36,548 €53,731 $30,000-50,000 Private American

Carlo Antonio Testore, a violin, Milan, circa 1741

GUITARS FROM THE COLLECTION OF THE LATE COUNTRY MUSIC HALL OF

FAMER MERLE TRAVIS

Influential to

many musicians, Travis was recognized for his unique finger-picking guitar style, called “Travis

Picking.” Because of his prolific writing and performing he was inducted into the Country Music

Hall of Fame as well as the Nashville Songwriters Hall of Fame.

Martin and Gibson

Both the Gibson electric arch-top guitar, Style Super 400 (estimate: $15,000-20,000) and the C.F.

Martin D-28 (estimate: $100,000-150,000) represent a unique partnership between the artist, Merle

Travis and artisan Paul A Bigsby, which culminated in some of the most important design

innovations in American guitar making in the years following World War II.

In 1946, Merle Travis commissioned an electric guitar to be made by the machinist and inventor

Paul A. Bigsby and the result is often referred by some as the first solid-body electric guitar. Today

the guitar resides in the Country Music Hall of Fame. Enamored by the feel and playability of the

neck Travis returned to Bigsby requesting that a custom neck be fitted on his Martin D-28. This

resulted in the first re-necking done by Bigsby on another manufacturer’s guitar. It would be

followed by countless other requests from performers including Lefty Frizell, Zeke Clements and

Hank Thompson. This guitar, which accompanied Travis through the majority of his career, was

used to compose such hits as Sixteen Tons, and Dark as a Dungeon.

The Gibson Style Super 400 offered in for auction is an original production example made by

Bigsby and was personally given to Travis by Bigsby. The original Gibson tailpiece was removed by

Travis and replaced with the “Patent Pending” Bigsby tailpiece that it now carries. Also noteworthy

is that this example from 1962 is custom fitted with two single coil P-90 pickups, rather then the

Humbucking pickups, standard for many Gibson electrics by 1962.

Merle Travis

Born in 1917 in Rosewood, Kentucky, Merle Robert Travis was immersed in the rural music of

western Kentucky and the finger-picking styles of Muhlenberg County guitarists including Kennedy

Jones, Mose Rager, and Ike Everly. Rather then using a flat-pick, these players would pick the

melody with the index finger of the right hand while the thumb supplied the rhythm on the bass

strings. In the tradition of American colloquial music Merle Travis would mold and stylize this

technique of playing. By adding a syncopated rhythm along with Blues and Jazz over-tones he made

the style uniquely his own.

His first public performance would be on a local radio amateur hour in Cincinnati, Ohio in 1936. It

lead to multiple job offers and then a permanent position on Cincinnati’s WLW, which was then the

Mid-West’s foremost radio station for Country Music programming. A move to Hollywood,

California in 1944 began his national exposure with work in film, live performance and a recording

contract with Capital Records. In 1947, he wrote his first hit made by popular Tex Williams, Smoke!

Smoke! Smoke! (that Cigarette). In 1953, his next break came when he won the role of the guitar

picking GI in the film From Here to Eternity where he performed the movie’s signature song Re-

Enlistment Blues. In 1955, Tennessee Ernie Ford covered an earlier Travis composition, Sixteen Tons

which quickly became a national cross-over hit furthering his recognition.

From 1944 to 1982, Travis appeared in 16 films and made countless recordings as both a solo

musician and a session player. His unique style of finger-picking guitar would come to be known as

Travis Picking and influence the likes of Hank Thompson, Scotty Moore, Doc Watson and the great

Chet Atkins, all of whom acknowledged his contribution.

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