Chinaboise THE GREATEST STORY EVER TOLD (Gulcher 426)

Chinaboise
THE GREATEST STORY EVER TOLD
(Gulcher 426)

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Back at the dawn of No Future, before mid-70s boredom turned into late-70s hate, Rich Stim and Dave Mahoney were two young guys living in a trailer park. This trailer park was located in the midwest college town of Bloomington, Indiana. Rich was a newspaper writer by profession (ombudsman, obituaries, and music reviews), but longed to be a musician. He could play sax, bass, guitar, and other assorted instruments. Dave was a drummer, who even did gigs with a local country band. They both sang. In 1975, they began working up a batch of songs composed by Rich. They called their project Chinaboise. In the very same trailer park lived Rich Fish, who soon moved into a house where he built a tiny studio in an empty bedroom (the teenage Gizmos would record there in '76 and '77). Rich Stim and Dave Mahoney joined their former neighbor at Home Grown Studios, where Chinaboise recorded a handful of tracks over a few months in '75. Stim asked guitarist Bruce Anderson to join them in the studio for a few songs. Bruce was invited because he was the driving force behind MX-80 Sound, the high-energy avant combo which Stim considered local gods. It turned out Bruce had been thinking about moving MX-80 Sound closer to rock music, and the Chinaboise duo would soon join MX-80 to record the classic BIG HITS EP in 1976. But back in '75, things were still kinda like the early 70s, and that's nowhere more evident than on this new Gulcher CD of Chinaboise music. If MX-80 '76 is like a pissed-off art punk finally lashing out, Chinaboise '75 is the punk's older boho brother smirking cynically and blowin' his horn. "The Greatest Story Ever Told" was released on the BLOOMINGTON 1 comp LP (BRBQ Records '75), but none of the other Chinaboise material ever came out officially. Well, Rich says they "handed out cassettes to some people in town." "The Greatest Story Ever Told" is a great track. Stim's deadpan vocal and lyric combine with Bruce's jagged avant-metal guitar and Dave's drumming to sound not unlike the "new" MX-80 Sound of '76. Except this also has female vocals by Carolyn Boner and Kim Torgerson (who took photos of MX-80 over the years). Bruce Anderson also appears on the ever-timely oil crisis ditty "Living On Oil," the angular MX-80-like "Take Two," and "Self-Conscious Pisser" (vocal by Steve Hoy), which became an MX-80 instrumental, abbreviated "SCP." There's also an early version of MX-80's "Myonga Von Bontee," done here as a sax-and-drums duet by Rich and Dave. "Partners In A Crime" was also re-arranged as an MX-80 song; the Chinaboise precursor features vocals by Stim, Dave, and Rich Fish, with only piano accompaniment. There are a few tunes dominated by a sort of (pseudo-)beatnik campfire vibe--just Rich and Dave interacting like the doob's been passed for awhile. "Girl You Got It (So Go Get It)" and "Demons In The Lone Star State" both feature Rich on recorder! "Sodium Nitrate" is filled with back-and-forth hepster dialogue plus bebop sax. "Caught Between Dreams" moves the action to a jazzy little tavern just down the street. "Working Girl" has Stim's typical workaday lyrics turned inside out, from the woman's point of view, with a lovely vocal by Holly Thomison. "Dear Tears" has a similar feel, with Kim Torgerson singing. These two tracks remind me of Stim's work in the 80s with Angel Corpus Christi (Mrs. Stim). The most surprising sounds here are two tracks of spoken-word humor done in the Firesign Theatre style. "Breakfast At The Gables" has Rich Stim, Rich Fish, and Carolyn Boner doing a mock morning radio show, complete with sound effects and fake commercials. On "In The Sahara" Stim is a bad stand-up comedian, Carolyn and Kim are drunk audience members, Fish an announcer and a drunk, and drummer Brad Fox provides rimshots for Stim's jokes. Yep, this is a weird one, Gulcher mulchers--lots of DIY fun, interesting musical approaches, and underground history in the making. The CD package includes cool early pix of the MX-80 boys and the rest of the crew, and an interview with Rich Stim. (Eddie Flowers, Slippy Town)