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Music Theory Training

Containing 4 Comprehensive Manuals On Music Theory Training, this unique collection on pc & macintosh compatible cdrom provides you with all you need to know about Music Theory including Ear Training, Harmony Training, Music Form & Conducting as well as many many more lessons, full contents include...

Music Theory...

Chapter 1 - Nature of Sound	Characteristics of Musical Sound
Chapter 2 - Fubdamental Notation	Notation of Pitch, Notation of Duration
Chapter 3 - Meter
The Beat, Meter or Time Signature, Composite Meter,	MetricalStress Exceptions
Chapter 4 - Rhythm
Regular Rhythm, Irregular Rhythm, Rhythmic Phrase Initiation	Completion, Related Meters, Equivalent Meters
Chapter 5 - Scales and Tetrachords	Scales, Tetrachords, Scale Construction Using Tetrachords
Chapter 6 - Major Scales	Circle of Major Keys, Enharmonic Keys, Names of Scale
Sharp Scales, Flat Scales, Keys and Major Key Signatures,	Degrees, Scale Degree Activity in Major.
Chapter 7 - Minor Scales	Melodic Minor Scales and Keys, Circle of Minor Keys,
Natural Minor Scale, Harmonic Minor Scales and Keys,	Relative and Parallel Keys
Chapter 8 - Modal Scales
Lydian, Ionian, Mixolydian, Dorian, Aeolian, Phrygian, Locrian,	Comparison of Modal Scale Degrees to Major Scale Degrees
Chapter 9 - Chromatic, Whole Tone, and Pentatonic Scales	Chromatic Scale, Whole Tone Scale, Pentatonic Scales
Chapter 10 - Intervals
Qualities of Intervals, Interval Quality Relationships,	Compounding and Reducing Intervals, Consonant and
Chapter 11 - Triadic Chords	Triad, Consonant and Dissonant Triads, Inversion of Triads,
Major Triad, Minor Triad, Augmented Triad, Diminished	Diatonic Triads in Major and Minor Keys
Chapter 12 - Overtone Series
Characteristics of a Vibrating String, The Overtone Series,	The Overtone Series and Timbre
Chapter 13 - Transposition
Transposition by Scale Degree, Transposition by Interval,	Transposition by Change of Key Signature
Chapter 14 - Instruments	Saxophones), Brasswinds (Treble Clef Brass, Bass Clef
Woodwinds, Transverse Woodwinds, Double Reed	Brass), Percussion (Indefinite Pitch Percussion, Definite
Instruments, Single Reed Instruments (Clarinets,	Pitch Percussion), Keyboard, Rhythm Section Strings
Chapter 15 - Chord Symbols	Chord Symbol Interpretation, Chord Structures
Chapter 16 - Chord Scales
Major Sixth and Major Seventh Chord Scales, Minor Sixth	(Flat Five) Chord Scales, Augmented Seventh Chord
and Minor/Major Seventh Chord Scales, Dominant Seventh	Scales, Diminished Seventh Chord Scales, The Blues
Chord Scales, Minor Seventh Chord Scales, Minor Seventh	Scale, Pentatonic Scales
Chapter 17 - Swing Rhythm
Anticipation, Divided Beat in Swing Time, Short Percussive	Note, Long Percussive Note
Chapter 18 - Melody Construction	Chord Tones, Approach Tones
Chapter 19 - Extended and Altered Chords	The Ninth, The Eleventh, The Thirteenth, Specified Bass Note
Appendix A - Manuscript Techniques
Clef Signs, Key Signatures, Time Signatures, Leger Lines,	Slurs, Rests, Numerals, Repeat Signs, Accidentals,
Noteheads, Stems, Flats, Beams, Dots, Spacing, Ties,	Directions for Performance, Rehearsal Signs, Proofreading
Appendix B - Directions for Performance	and Accents, Jazz Expressive Devices, Tempo Indications,
Musical Abbreviations, Melodic Ornaments, Articulations	Dynamic Indications, Italian Terms (Three Lists)
Appendix C - Italian Terms	Explanation of Suffixes, Listing

Harmony Training...

Chapter 1 - Introduction
Principles of Writing	Primary and Secondary Triads
Scale Degree Function	Voices
Chapter 2 - Melody Writing	Melody Guidelines
Melody	Form
Types of Motion	Rhythm
Chapter 3 - Vertical Structures	Adjacent Voice Spacing
Position	Low Interval Limits
Chapter 4 - Voice Motion
Voicing	Direct Motion
Indirect Motion	Objectionable Motion
Chapter 5 - Root Position Primary Triads	Chord Succession
Connecting Primary Triads	Analysis and Figured Bass
Doubling	Cadences
Key Establishment
Chapter 6 - Inversions of Primary Triads
First Inversion	Second Inversion
Chord Succession	Types of Second Inversions
Chapter 7 - Dominant Seventh Chords
Tritone Resolution	Figured Bass and Doubling
Approaching the Seventh	Chord Succession
Chapter 8 - Non-Harmonic Tones
Figured Bass	Cambiata
Diatonic Passing Tone	Échappée
Accented Passing Tone	Suspension
Chromatic Passing Tone	Appoggiatura
Double Passing Tone (melodic)	Anticipation
Chromatically Altered Passing Tone	Pedal
Upper Auxiliary	Simultaneous Non-Harmonic Tones
Lower Auxiliary	Chordal Sevenths
Changing Tones	Voicing
Chapter 9 - Secondary Triads	Leading Tone Triad
Chord Progression	Common Function Succession
Group 1	Supersonic Triad
Group 2	Submediant Triad
Group 3	Mediant Triad
Group 4	Subtonic Triad
Figured Bass	Subtonic Scale Degree
Chapter 10 - Diatonic Seventh
Leading Tone Seventh	Mediant Seventh
Supersonic Seventh	Tonic Seventh
Subdominant Seventh	Subtonic Seventh
Submediant Seventh	Diatonic Seventh Sequence
Chapter 11 - Extensions on Diatonic Chords
Major Ninth	Eleventh
Minor Ninth	Thirteenth
Chapter 12 - Simple Modulation	Pivot Chord
Keys	Establishing Keys
Chapter 13 - Secondary Chords	V/ii-V7/ii
Analysis	V/vi-V7/vi-V7/VI
Secondary Dominants	V/iii-V7/iii-V/III-V7/III
V/V-V7/V	V/VII-V7/VII
V7/IV-V/iv-V7/iv	Secondary Leading Tone Chords
Chapter 14 - Borrowed Chords	Borrowed from Minor
Borrowed Chords	Borrowed from Major
Chapter 15 - Chromatic Alterations	Lowered Fifth
Raised Fifth	Raised Root
Chapter 16 - Augmented Sixth Chords	French
Italian	German
Chapter 17 Neapolitan Sixth Chord
Chapter 18 Advanced Modulation
Diatonic to Diatonic	Chromatic to Chromatic
Diatonic to Chromatic	Enharmonic Modulation
Chromatic to Diatonic	Change of Mode

Ear Training...

Chapter 1	Section II - The Major Triad in Numeral Notation
Section I - The Divided Beat in Simple Time
Chapter 2
Section I - The Divided Beat in Compound Time	Section II - The Major Triad in Staff Notation
Chapter 3	Section I - The Subdivided Beat in Simple Time
Section IIB - The Minor Triad in Staff Notation	Section IIA - The Minor Triad in Numeral Notation
Chapter 4
Section I - The Subdivided Beat in Compound Time	Section II - Major and Minor Scale Activities
Chapter 5	Simple and Compound Times
Section I - Syncopation Involving Beat and Divided Beat	Section II - Intervals and Triads
Chapter 6	Diatonic Major and Minor Melodies in Simple and Compound Times with Divided Beat and Leaps of Thirds in Tonic Triad.
Chapter 7	Diatonic Major and Minor Melodies in Simple and Compound Times with Subdivided Beat and Leaps of Thirds and Fourths.
Chapter 8
Diatonic Major and Minor Melodies in Simple and Compound Times with Syncopation and Leaps of Thirds, Fourths, Fifths, Sixths	Octaves
Chapter 9
Non Diatonic Melodies in Simple and Compound Times with Divided Beat, Subdivided Beat, and Syncopation & Melodies	Contain Leaps of Thirds, Fourths, Fifths, Sixths, and Octaves
Appendices
Time Beating Patterns	Performance Procedures
Counting System	Performance Guidelines