You are viewing a brand new, shrink-wrapped, 73 minute Native American Flavored / Relaxation / New Age CD, "Coyote Oldman ~ In Beauty I Walk", featuring the best of Coyote Oldman. A sampling from each of the previous decade's Coyote Oldman releases. An ideal starting point for those unfamiliar with Coyote's work. Enjoy Native American flutes, Incan panpipes, and classical bass flute combined with electronic effects, creating shadow echoes and subliminal melodies like a pipe organ blowing across an infinite canyon. Listen to a few sound clips... We carry many Coyote Oldman, Native American and New Age CDs.

Coyote Oldman ~ In Beauty I Walk CD

In Beauty I Walk is a collection of Coyote Oldman's work from 1986 through 1995 and it's a perfect way to become immersed in the sound of this unusual group. It includes "Night Forest," a song that shows their Native American influences and ends up with "Compassion," featuring Japanese soprano Hui Cheng.

They don't play Native American music, but their slow-motion melodies seem born from the American plains.

...click on link to hear a short sample... and see if this CD is right for you...

Complete Track Listing and Audio Samples

01. Ancient Light (3:35)
02. Night Forest (7:58)
03. People of the Glacier (9:00)
04. Rolling Earth (3:17)
05. Iron Wood (6:02)
06. Tear of the Moon (9:56)
07. Dawn Procession (4:28)
08. Lunar Symphony (6:30)
09. Compassion 5:20)
10. Thunder Chord (5:26)
11. The Shape of Time (8:38)
12. A Splendid Sky (2:36)

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Coyote Oldman ~ In Beauty I Walk CD
Retail Price: $16.99 + State Tax and Shipping
Total Time:  73:14
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What They Say About Coyote Oldman ~ In Beauty I Walk

In Native American mythology, Coyote Oldman is a trickster. It's also a long-lived duo that takes Native American flutes and sends them through prairie cathedrals on wings of digital reverb, delays, and harmonization. Michael Graham Allen makes the flutes and plays them along with Barry Stramp, who routes the flutes' windblown melodies through a maze of effects. Their music is born in the moment, reflecting and refracting through the many mirrored images of flutes that bounce back at them through the processing. - John Diliberto

Coyote Oldman Bio

There are dozens of Native American-flute groups out there, but there's no one like Coyote Oldman. That's a group, not a person, named for the Native American mythological figure Oldman Coyote. But these coyotes aren't tricksters; they're sonic magicians. Michael Graham Allen and Barry Stramp play Native American flutes, Incan panpipes, and classical bass flute with melodies that ebb, flow, and morph through each other. Stramp adds electronic effects, creating shadow echoes and subliminal melodies like a pipe organ blowing across an infinite canyon.

Using Native American flutes, ocarinas, Incan panpipes and original hybrid designs, the hallmark of Coyote Oldman's sound has been the interactive combination of lyrical primitive flute improvisations and real-time manipulation of their sound via echo, reverb and pitch shifting. Native American iconography has been present throughout their ten album releases, yet the duo operates from a core sound in which many cultures are embodied. Utilizing a plethora of flutes and technologies, the music of Coyote Oldman ranges from the authentically traditional to the far-out and otherworldly.

With their limited range, barely an octave, panpipes and Native American flutes aren't given to virtuoso displays. Coyote Oldman know that, so instead they explore the inner workings of their flutes' textured sound, putting a magnifying glass over resonances and shadings, building an abstract melodic architecture that vaporizes in this deep-space music for acoustic winds.