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"...Irons has never been better....It's the confidence and disturbing beauty of Cronenberg's direction that makes this a minor classic..." -- 4 out of 5 stars Total Film - p.86 - Dorian Lynskey "...[Irons gives a] seamless performance, a schizophrenic marvel....Not easily forgotten..." New York Times - p.C10 - Janet Maslin "...Cronenberg's masterpiece of infinite regression....RINGERS is an epistemological horror film a nightmare of entrapment in an imperceivable situation..." Film Comment - David Chute (11/01/1988) "...DEAD RINGERS announces David Cronenberg's full maturity as a director, period....To think of a film this assured, this unified and this dizzyingly potent, you have to go back to BLUE VELVET..." Los Angeles Times - Sheila Benton (09/22/1988) "David Cronenberg's best movie..." USA Today - Mike Clark (06/10/2005) SEALED ALL REGION / PAL COLOUR FORMAT DVD viewing systems must be PAL colour compatible or play on a laptop/pc
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YOU ARE BIDDING ON A FACTORY SEALED ORIGINAL LICENSED THAI RELEASE OF: Director: David CronenbergWriters: Bari Wood, Jack GeaslandBASED ON A TRUE STORY Elliot and Beverly Mantle (Jeremy Irons) are identical twins that are top-of-the-class and incredibly well known gynaecologists. They also treat themselves by swapping their identities around, so they can share each other's work commitments and pleasures, like woman. But all of this comes back to destroy them emotionally and physically. An intriguing and rather inventive premise director / co-writer David Cronenberg has come up with here. The worlds Cronenberg creates in his film's are rather fascinating in looking at the human body and technology. This film is no exception. So you can't really call this mainstream, as it's not for everyone's tastes. That's why his films seem to have great impact in the realistic visuals and material context. It's flowing with originality, good psychological elements, erotica and it holds such an artistic feel with its stunning visuals and elegance to show. This thought-provoking drama is rather stimulating and quite downbeat. Though, it's mostly a talkative film; the dialogue is dense on many levels that it's truly captivating. It's more the material context that tries to shock and explore in a subtle way rather than the horrific visuals and shocks that we come to expect from most of Cronenberg's films. It doesn't contain much graphic moments, only about one or two. The sub-plots are drawn up quite well with dabbling in sexual desires and pleasure, technology (instruments and tools of the trade), the twins physical bond, addiction and a rather modernistic world. It's filled with sharp and intense sequences that are entrenched with an effective music score, as it overwhelmingly draws you in. This unsettling aurora builds into paranoia in the last half of the film and it ends rather disturbingly. The stylish production valves are incredibly glossy and professional. With beautifully crafted and slick cinematography. The gloomy colours that fill the screen hold great contrast in the moody and detail backdrop. From their fashionable home to their cold work office. Jeremy Iron gives a tremendously charismatic performance playing both Elliot and Beverly Mantle. Elliot is Beverly's backbone as he's confident and arrogant. Beverly is the opposite as he's more innocent and rather sweet. Beverly wants to break the bond that they share, but Elliot can't let that happen. At first they weren't that likable, but the further the film goes along we see their downfall and there spiral into madness. That's when you start to feel for them and it gets rather emotionally charged. They also live and depend on each other, feeling what the other one feels and that's mostly pain and gloom here. This happens when they start to depend on painkillers and Beverly believing his girlfriend is cheating on him. This portrait shows how fragile they really are and how we really depend and feel when love ones are in pain and sorrow. As we are effected in the same way too. Genevieve Bujold is splendid as Claire Niveau the movie star and Beverly's love interest. This is a shockingly grim and efficient film that plays on many levels of the mind.
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