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"Preserving the Sacred Arts is always part of the preservation of Dharma" ~ Shechen Rabjam Rinpoche ~
This is a high quality 5 inch by 7 inch photo (not giclee) of Terton Jigme Lingpa, whowas the promulgator of the Longchen Nyingthik, the Heart Essence
teachings of Longchenpa, from whom, according to tradition, he received a
vision in which the teachings were revealed. The photo was taken of a Tibetan Buddhist thangka from Nepal by Master Artist Prem Lama. Suitable for framing and use on your altar or as a "deity card" for your practice.
Jigme
Lingpa (Tibetan, 'Jigs-med gling-pa) (1729-1798) was one of the most
important tertöns of Tibet.
He was the promulgator of the Longchen Nyingthik, the Heart Essence teachings
of Longchenpa, from whom, according to tradition, he received a vision in which
the teachings were revealed. The Longchen Nyingthik eventually became the most
famous and widely practiced cycle of Dzogchen teachings. Jigme Lingpa also
wrote a treatise on the spiritual usage of crystals and gems of principal
importance.
Career
Prefiguring
Jamgon Kongtrul Lodro Thaye's creation of the Five Collections, Jigme
Lingpa gathered Nyingma texts that had become rare, starting with Nyingma
tantras held in the manuscript collection of the Mindroling monastery. This
collection of the Nyingma tantras led to the amassing of the 'Collection of
Nyingma Tantras', the Nyingma Gyübum (Wylie: rNying-ma rgyud-'bum)
for which Getse Mahapandita wrote the catalogue, proofread and arranged for its
printing by soliciting the expensive and labour intensive project of carving
the wood blocks for the block printing. The wood block carving was forded
through the patronage of the 'Derge' (Wylie: sDe-dge) Royal
Family of Kham who favoured and honoured Jigme Lingpa. Getse Mahapandita also
arranged for the printing of texts by Jigme Lingpa and Longchenpa. Getse
Mahapandita proof read these works of Jigme Lingpa, Longchenpa and the Nyingma
Gyübum.
Jigme
also wrote a nine-volume history of the Nyingma Vajrayana and other works. His
non-sectarian presentation of Madhyamika (Middle Way view) follows Tsongkhapa's
system.
A
major precursor of the Rime (Tib. ris med) movement, Jigme Lingpa had many
distinguished disciples in all four lineages. The first Dodrupchen Rinpoche,
Dodrupchen Jigme Trinle Ozer, became his main lineage-holder. Among those held
by tradition to be Jigme Lingpa's reincarnations are Do Khyentse Yeshe Dorje (mdo
mkhyen brtse ye shes rdo rje) (his mind-emanation), Patrul Rinpoche
(speech-emanation) and Jamyang Khyentse Wangpo (body-emanation).
Jigme
Lingpa, rendered in English by Sam van Schaik, states how his learnings
commenced and he mentions grammar, Samye Chimpu. vajra, Longchenpa:
I
began with the study of grammar, and whatever vajra topics I came across, such
as the Conqueror’s scriptures and the treatises which clarify their intention,
texts on conventional definitions and instructions on the true nature. Although
I seized on them with veneration, apart from a few good imprints which inspired
me to study in the brightness of day and under lamplight, I had no opportunity
to increase my knowledge in a relationship with a teacher, even for a single
day. Then in dPal-gyi bSam-yas mChims-phu, I met three times with the
wisdom-body of Klong-chen-pa, and through being blessed with various auspicious
symbols, my karmic connections were awakened from out of The Great Perfection.
Gyatso
(1998: p.140) in mentioning black
magic states that:
Jigme
Lingpa's Nyingma affiliations led sometimes to his participation in the sort of
tantric activities that have long been criticized by more conservative
Buddhists. He was himself ambivalent about some of these activities: he regretted
the black magic he performed during the Gurkha war. Jigme Lingpa even admits
that the ancient ordinance of Lha Lama Shiwa O and Changchub O, which famously
censured the indulgences of Nyingma practitioners, might have been merited. And
yet he reports with a certain pleasure taking part in a drunken communal feast
(gaṇacakra) or being given beer at the house of the Nyingma master
Kumārarāja (1266-1343) and doing "a dance of bliss-emptiness
integrated."
Longchen
Nyingthig
Jigme
Lingpa was a reincarnation of two important masters, Vimalamitra and King
Trisong Deutsen. As the embodiment of these two figures, Tibet's two
primary Dzogchen lineages were combined in him -- the Vima Nyingthik and
Khandro Nyingthik, both of which are contained in the Nyingthik Yabshi. Hence,
the Longchen Nyingthig terma cycle is considered a condensation of these
profound teachings.
The
texts that were revealed by Jigme Lingpa, in their present-day form, comprise
three volumes, known as the Nyingthig Tsapod (Wylie:snying thig rtsa pod).
The numerous treatises, sadhanas and prayers it contains deal primarily with
tantric practice, in particular the 'stages of Development' (Tibetan: kye-rim)
and Dzogchen.
Sadhanas
Chöd
The
Loud Laugh of the Dakini (Tibetan: mkha' 'gro'i gad rgyangs) is a Chöd
sadhana from the Longchen Nyingthig cycle of terma teachings revealed by
Jigme Lingpa.
From Wikipedia, the free encyclopedia
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Reducing
Practice to Its Essence
Of all
teachings, the ultimate is emptiness, of which compassion is the very
essence.It is like a very powerful
medicine, a panacea that can cure every disease in the world.And just like that very powerful medicine,
realization of the truth of emptiness , the nature of reality, is the remedy
for all the different negative emotions.
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