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Disc 1 1. Stop This World 2. Girl In The Other Room, The 3. Temptation 4. Almost Blue 5. I've Changed My Address 6. Love Me Like A Man 7. I'm Pulling Through 8. Black Crow 9. Narrow Daylight 10. Abandoned Masquerade 11. I'm Coming Through 12. Departure Bay
Label: Verve (USA) Release Date: 11/23/2004 Original Release Date: 2004 Recording Mode: Stereo Producer: Tommy LiPuma; Diana Krall Engineer: Al Schmitt; Steve Genewick Recording Type: Studio Distributor: Universal Distribution
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. Personnel: Diana Krall (vocals, piano); Neil Larson (Hammond B-3 organ); Anthony Wilson (guitar); Christian McBride, John Clayton (bass); Peter Erskine, Jeff Hamilton, Terri Lynne Carrington (drums). Recorded at Capitol Studios, Hollywood, California and Avatar Studios, New York, New York. This is a DualDisc, which contains a CD on one side of the disc and a DVD on the other. Personnel: Diana Krall (vocals, piano); Anthony Wilson (guitar); Neil Larsen (Hammond b-3 organ); Christian McBride, John Clayton (bass instrument); Jeff Hamilton, Peter Erskine, Terri Lyne Carrington (drums). Recording information: Capitol Studios, Hollywood, California (2004); Avatar, New York, New York. It may or may not be significant that Diana Krall's first album of new material since the ascendance of Norah Jones is the former's least jazzy, most pop-savvy album of her career. In any case, it marks Krall's biggest departure to date; THE GIRL IN THE OTHER ROOM is almost entirely devoid of the jazz standards that constituted her previous repertoire, and it contains her first recorded batch of original songs. It's possible that new husband Elvis Costello, who co-wrote all six of those tunes with his wife, was the agent provocateur. It's also feasible that Costello, who has previously recorded Mose Allison material and palled around with Tom Waits, nudged Krall toward such choice selections as Allison's bluesy plaint "Stop This World" and Waits's cocktail rhumba "Temptation." Nevertheless, Krall delivers them--like the rest of the songs here--in a misty, laconic style very consistent with her earlier work. There's no attempt at pop-oriented production here, just the same piano-trio sound that's been Krall's stock in trade all along. Ironically, the jazziest tune here is Costello's early-1980s ballad "Almost Blue," previously performed by Chet Baker. Naturally, the new songs also bear the unmistakable stamp of Costello, but no matter how far afield her song sources (Joni Mitchell and Chris Smither's catalogs are drawn on as well), Krall maintains the trademark feel that made her famous.
Q (p.100) - 3 stars out of 5 - "[T]here's a bolder choice of material....Her playing has loosened up too..." Q (p.100) - 3 stars out of 5 - "[T]here's a bolder choice of material....Her playing has loosened up too..." Mojo (Publisher) (p.97) - 3 stars out of 5 - "Krall is darkly exhilarating in the raucous Mose Allison opener 'Stop This World,' then coolly compelling in Tom Waits' 'Temptation'..." Mojo (Publisher) (p.97) - 3 stars out of 5 - "Krall is darkly exhilarating in the raucous Mose Allison opener 'Stop This World,' then coolly compelling in Tom Waits' 'Temptation'..."
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1. Stop This World 2. Girl In The Other Room, The 3. Temptation 4. Almost Blue 5. I've Changed My Address 6. Love Me Like A Man 7. I'm Pulling Through 8. Black Crow 9. Narrow Daylight 10. Abandoned Masquerade 11. I'm Coming Through 12. Departure Bay
Details
Contributing artists:
Christian McBride, Peter Erskine, Terri Lynne Carrington
Producer:
Diana Krall, Tommy LiPuma
Distributor:
Universal Distribution
Recording type:
Studio
Recording mode:
Stereo
SPAR Code:
n/a
Album notes
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. Personnel: Diana Krall (vocals, piano); Neil Larson (Hammond B-3 organ); Anthony Wilson (guitar); Christian McBride, John Clayton (bass); Peter Erskine, Jeff Hamilton, Terri Lynne Carrington (drums). Recorded at Capitol Studios, Hollywood, California and Avatar Studios, New York, New York. This is a DualDisc, which contains a CD on one side of the disc and a DVD on the other. Personnel: Diana Krall (vocals, piano); Anthony Wilson (guitar); Neil Larsen (Hammond b-3 organ); Christian McBride, John Clayton (bass instrument); Jeff Hamilton, Peter Erskine, Terri Lyne Carrington (drums). Recording information: Avatar, New York, New York; Capitol Studios, Hollywood, California (2004). It may or may not be significant that Diana Krall's first album of new material since the ascendance of Norah Jones is the former's least jazzy, most pop-savvy album of her career. In any case, it marks Krall's biggest departure to date; THE GIRL IN THE OTHER ROOM is almost entirely devoid of the jazz standards that constituted her previous repertoire, and it contains her first recorded batch of original songs. It's possible that new husband Elvis Costello, who co-wrote all six of those tunes with his wife, was the agent provocateur. It's also feasible that Costello, who has previously recorded Mose Allison material and palled around with Tom Waits, nudged Krall toward such choice selections as Allison's bluesy plaint "Stop This World" and Waits's cocktail rhumba "Temptation." Nevertheless, Krall delivers them--like the rest of the songs here--in a misty, laconic style very consistent with her earlier work. There's no attempt at pop-oriented production here, just the same piano-trio sound that's been Krall's stock in trade all along. Ironically, the jazziest tune here is Costello's early-1980s ballad "Almost Blue," previously performed by Chet Baker. Naturally, the new songs also bear the unmistakable stamp of Costello, but no matter how far afield her song sources (Joni Mitchell and Chris Smither's catalogs are drawn on as well), Krall maintains the trademark feel that made her famous.
Editorial reviews
3 stars out of 5 - Krall is darkly exhilarating in the raucous Mose Allison opener 'Stop This World,' then coolly compelling in Tom Waits' 'Temptation'... Mojo
3 stars out of 5 - [T]here's a bolder choice of material....Her playing has loosened up too... Q
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