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Harem by Sarah Brightman Jun-2003 New factory sealed CD

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a.b.cds ( 2505)
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Item number:180383805924
Item location:Cape Coral, United States
Ships to:Worldwide
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Last updated on 06:52:41 AM PDT, Jul 16, 2009 View all revisions
Item specifics - Music: CDs
Artist: Sarah BrightmanRelease Date: Jun 10, 2003
Format: CDRecord Label: Angel Records
UPC: 724353718022Genre: Classical
Duration: Album or EPSub-Genre: Choral & Vocal
Condition: Brand newSpecial Attributes: --
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Detailed item info
Track listing
1. Harem
2. What a Wonderful World
3. It's a Beautiful Day
4. What You Never Know
5. Journey Home, The
6. Free
7. Mysterious Days
8. This War Is Over
9. Misere Mei
10. Beautiful
11. Arabian Nights
12. Stranger in Paradise
13. Until the End of Time
14. You Take My Breath Away - (bonus track)

Details
Contributing artists:London Symphony Orchestra
Producer:Frank Peterson
Distributor:EMI Music Distribution
Recording type:Studio
Recording mode:Stereo
SPAR Code:n/a

Album notes
Personnel: Sarah Brightman (vocals, keyboards); Adam Klemens, Adrian Partington (conductor); Peter Weihe (guitar, sitar); Jin Burda (mandolin); Lukas Hilbert (sitar); Nigel Kennedy (violin); Amir Abdel Magid (kanoun); Reda Bdir (nay); Michael Soltau (piano, keyboards, programming); Stephan Moccio (piano); Frank Peterson (keyboards, percussion, programming, background vocals); Matthias Meissner (keyboards); Trevor Barry (bass); Frosty Beedle (drums); Kuljid Bhamra (tabla); Rony Barrak (percussion); Christian Draude (programming); The Bach Choir, Jaz Coleman, Violet (background vocals); The Prague Symphony Orchestra, The London Symphony Orchestra.
Listening to HAREM, it's hard to believe that multifarious pop diva Sarah Brightman first came to fame as a proponent of musical theater (not counting her early stint with dance-pop group Hot Gossip). After going through a number of stylistic shifts over the years, she has arrived at an unusual point where her sound evokes a strange confluence of Charlotte Church, Enya, and Madonna. Given the "Arabian Nights" sub-theme of the album, you might even throw in a little "Desert Rose"-era Sting as well.
HAREM veers between ethereal, almost New Age-like moments, operatic flurries, percolating dance beats, and some accessible Eastern-flavored exoticism. Through it all, Brightman's Broadway past occasionally pops up, as on her orchestra-accompanied version of the standard "Stranger in Paradise," which is itself based on a classical theme. In fact, the orchestra pops up throughout the album, playing arrangements by former Killing Joke member Jaz Coleman, who's surely ventured as far afield from his origins by this point as Ms. Brightman.

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