Good condition. A little wear on the cover. A big fat book, so shipping's a little higher than normal.
 | | | | Additional Information about Infinite Jest
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| Synopsis | Set in the near-future, this swirling comedy/epic revolves around a tennis academy, a residence for recovering substance abusers, a tight group of Quebecois-separatist terrorists, and "Infinite Jest", a film so funny that it literally kills. Perhaps one of the most ambitious attempts to capture the spirit of the age, Wallace's pervasive theme is the oceanic sadness and loneliness of an American society that is spiritually vacant but tirelessly and relentlessly addicted to its various addictions; addicted to capitalism and consumerism, addicted to entertainment, addicted to drugs, and addicted to competition and success.
| | Size | | Height: | 9.5 in. | | Width: | 6.5 in. | | Thickness: | 2.0 in. | | Weight: | 45.6 oz. |
| | Publisher's Note | Infinite Jest is the name of a movie said to be so entertaining that anyone who watches it loses all desire to do anything but watch it. People die happily, viewing it in endless repetition. The novel Infinite Jest is the story of this addictive entertainment, and in particular how it affects a Boston halfway house for recovering addicts and a nearby tennis academy, whose students have many budding addictions of their own. As the novel unfolds, various individuals, organizations, and governments vie to obtain the master copy of Infinite Jest for their own ends, and the denizens of the tennis school and the halfway house are caught up in increasingly desperate efforts to control the movie - as is a cast including burglars, transvestite muggers, scam artists, medical professionals, pro football stars, bookies, drug addicts both active and recovering, film students, political assassins, and one of the most endearingly messed-up families ever captured in a novel. On this outrageous frame hangs an exploration of essential questions about what entertainment is, and why it has come to so dominate our lives; about how our desire for entertainment interacts with our need to connect with other humans; and about what the pleasures we choose say about who we are. Equal parts philosophical quest and screwball comedy, Infinite Jest bends every rule of fiction without sacrificing for a moment its own entertainment value. The huge cast and multilevel narrative serve a story that accelerates to a breathtaking, heartbreaking, unforgettable conclusion. It is an exuberant, uniquely American exploration of the passions that make us human - and one of those rare books that renew the very idea of what a novelcan do.
| | Industry reviews | "There's no doubt that Wallace's talent is immense and his imagination limitless. When he backs off and gives his narrative some breathing room, he emerges as a consistently innovative, sensitive, and intelligent writer."
San Francisco Chronicle Book Review - David Eggers (02/11/1996)
"...so few American writers show anything resembling Wallace's critical engagement with the popular culture that disowns them. At minimum, he's the funniest writer of his generation. I can't decide if I want his next book to be shorter or not."
Voice Literary Supplement - Jonathan Dee (03/19/1996)
"...this skeleton of satire is fleshed out with several domestically scaled narratives and masses of hyperrealistic quotidian detail. The overall effect is something like a sleek Vonnegut chassis wrapped in layers of post-millennial Zola."
New York Times Book Review - Jay McInerney (03/03/1996)
"Well, there is nothing epic or infinite about this, although much that's repetitious or long....this is not so much a novel of ideas as a novel of brand names and acronyms. They sweep past one's eye in a flutter that leaves only one thing to hope for, and that is style."
Washington Post Book World - Paul West (03/24/1996)
"Wallace has not so much written a novel as created a system, an intricately engineered internally consistent system that is fueled by his endless imagination, his pure verbal prowess and a language that looks familiar but feels utterly invented."
Boston Book Review - David McLean (03/19/1996)
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