 | | | | | | Innovations | 
Stock Photo | | Item Specifics - Fiction Books | | | Publisher: | Dalkey Archive Pr | | Format: | Softcover | | | ISBN-10: | 1564781852 | | Category: | Literary Collections | | | ISBN-13: | 9781564781857 | | Sub-Category: | -- | | | Publication Year: | 1998 | | Condition: | Used | | | Special Attributes: | -- | | | | | | | | | | | | | |
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| Portions of this page Copyright 1995 - 2008 Muze Inc.  All rights reserved.
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This item is gently used. It's "An Anthology of Modern & Contemporary Fiction."
Softcover, 236 pages, including a list of recommended reading and author biographies.
The cover price is $13.95, so I am marking down this item by more than 50%. There are very few signs of use. No price tags, notations, or dog-ears.
Email me if you have any questions. Thanks!
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| | | | Additional Information about Innovations
Portions of this page Copyright 1995 - 2008 Muze Inc. All rights reserved.
| Details | | Editor: | Robert L. McLaughlin |
| | Size | | Length: | 236 pages | | Height: | 9.0 in. | | Width: | 5.8 in. | | Thickness: | 1.0 in. | | Weight: | 12.0 oz. |
| | Publisher's Note | The critic F. R. Leavis once called what we think of "realism" as the "great tradition, " meaning the tradition which most distinguishes and characterizes the fiction of the Western world from the Romans to the present. But the fiction of the Western world is, in fact, best characterized by inventiveness, experimentation, and almost from its inception, parody. While the critical establishment frowns on anything that is either too daring or that suggests that fiction is a field of play rather than a grimy window onto the "real" world, fiction is and has always been an art form that allows writers the most freedom to play. While not intended to be all-inclusive, this collection of stories brings together some of the most interesting and innovative American fiction writers since the 1930s. Standing in rather sharp contrast to Norton's recent postmodern catch-all that defines "postmodern" in such a way as to include whatever the editors wanted included, Innovations gives a better sense of what is more commonly thought of as postmodern, and suggests that the term is nearly meaningless because some of the best examples of "postmodern" writing were done long ago.
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