Life generally refers to two
American magazines:
* A humor and general interest magazine published
from 1883 to 1936. Henry Luce bought all rights to
this magazine solely so that he could acquire the
rights to its name, which he then gave to...
* A publication created by Time founder Henry Luce
in 1936, with a strong emphasis on photojournalism.
Life appeared as a weekly until 1972, as an
intermittent "special" until 1978; a monthly from
1978 to 2000; and a weekly newspaper supplement from
2004 to 2007.
The Life founded in 1883 was similar to Puck, and
published for 53 years as a general-interest light
entertainment magazine, heavy on illustrations,
jokes, and social commentary, and featured some of
the greatest writers, editors and cartoonists of its
era, including Charles Dana Gibson, Norman Rockwell,
and Harry Oliver. During its later years, this
magazine offered brief capsule reviews (similar to
those in The New Yorker) of plays and movies
currently running in New York City, but with the
innovative touch of a colored typographic bullet
appended to each review, resembling a traffic light:
green for a positive review, red for a negative one,
amber for mixed notices.
The Luce Life was the first all-photography U.S.
news magazine and dominated the market for more than
forty years. The magazine sold more than 13.5
million copies a week at one point and was so
popular that President Harry S. Truman, Sir Winston
Churchill, and Gen. Douglas MacArthur all serialized
their memoirs in its pages. Perhaps one of the
best-known pictures printed in the magazine was
Alfred Eisenstaedt’s shot of a nurse in a sailor’s
arms, snapped on August 27, 1945, as they celebrated
Victory Over Japan Day in New York City. The
magazine's place in the history of photojournalism
is considered its most important contribution to
publishing. Luce purchased the rights to the name
from the publishers of the first Life but sold its
subscription list and features to another magazine;
there was no editorial continuity between the two
publications.
Life was wildly successful for two generations
before its prestige was diminished by economics and
changing tastes. Since 1972, Life has twice ceased
publication and resumed in a different form, before
ceasing once again with the issue dated April 20,
2007. The brand name continues on the Internet.
Early history
Life was born January 4, 1883, in a New York City
artist's studio at 1155 Broadway. The founding
publisher was John Ames Mitchell, a 37-year old
illustrator, who used a $10,000 inheritance to
launch the weekly magazine. Mitchell created the
first Life nameplate with cupids as mascots; he
later drew its masthead of a knight leveling his
lance at the posterior of a fleeing devil. Mitchell
took advantage of a revolutionary new printing
process using zinc-coated plates, which improved the
reproduction of his illustrations and artwork. This
edge helped because Life faced stiff competition
from the bestselling humor magazines The Judge and
Puck, which were already established and successful.
Edward Sandford Martin was brought on as Life’s
first literary editor; the recent Harvard graduate
was a founder of the Harvard Lampoon.
The motto of the first issue of Life was “While
there’s Life, there’s hope.” The new magazine set
forth its principles and policies to its readers:
“We wish to have some fun in this paper... We shall
try to domesticate as much as possible of the casual
cheerfulness that is drifting about in an unfriendly
world... We shall have something to say about
religion, about politics, fashion, society,
literature, the stage, the stock exchange, and the
police station, and we will speak out what is in our
mind as fairly, as truthfully, and as decently as we
know how.”
The magazine was a success and soon attracted the
industry’s leading contributors. Among the most
important was Charles Dana Gibson. Three years after
the magazine was founded, the Massachusetts native
sold Life his first contribution for $4: a dog
outside his kennel howling at the moon. Encouraged
by a publisher who was also an artist, Gibson was
joined in Life’s early days by such well-known
illustrators as Palmer Cox (creator of the Brownie
(elf), A. B. Frost, Oliver Herford, and E. W. Kemble.
Life attracted an impressive literary roster too:
John Kendrick Bangs, James Whitcomb Riley, and
Brander Matthews all wrote for the magazine at the
turn of the Century.
However, Life also had its dark side. Mitchell was
sometimes accused of outright anti-Semitism. When
the magazine blamed the theatrical team of Klaw &
Erlanger for Chicago’s grisly Iroquois Theater Fire
in 1903, a national uproar ensued. Life’s drama
critic, the rascal James Stetson Metcalfe, was
barred from the 47 Manhattan theatres controlled by
the so-called Theatrical Syndicate. His magazine hit
back with terrible cartoons of grotesque Jews with
enormous noses.
Life became a place that discovered new talent; this
was particularly true among illustrators. In 1908
Robert Ripley published his first cartoon in Life,
20 years before his Believe It or Not! fame. Norman
Rockwell’s first cover for Life, "Tain’t You", was
published May 10, 1917. Rockwell's paintings were
featured on Life’s cover 28 times between 1917 and
1924. Rea Irvin, the first art director of The New
Yorker and creator of Eustace Tilley, got his start
drawing covers for Life.
Just as pictures would later become Life’s most
compelling feature, Charles Dana Gibson dreamed up
its most celebrated figure. His creation, the Gibson
Girl, was a tall, regal beauty. After her early Life
appearances in the 1890s, the Gibson Girl became the
nation’s feminine ideal. The Gibson Girl was a
publishing sensation and earned a place in fashion
history.
This version of Life took sides in politics and
international affairs, and published fiery
pro-American editorials. Mitchell and Gibson were
incensed when Germany attacked Belgium; in 1914 they
undertook a campaign to push America into the war.
Mitchell’s seven years spent at Paris art schools
made him partial to the French; there wasn’t a shred
of unbiased coverage of the war. Gibson drew the
Kaiser as a bloody madman, insulting Uncle Sam,
sneering at crippled soldiers, and even shooting Red
Cross nurses. Mitchell lived just long enough to see
Life’s crusade result in the U. S. declaration of
war in 1917.
Following Mitchell’s death in 1918, Gibson bought
the magazine for $1 million. But the world was a
different place for Gibson’s publication. It was not
the Gay Nineties where family-style humor prevailed
and the chaste Gibson Girls wore floor-length
dresses. World War I had spurred changing tastes
among the magazine-reading public. Life’s brand of
fun, clean, cultivated, humor began to pale before
the new variety: crude, sexy, and cynical. Life
struggled to compete on newsstands with such risqué
rivals.
In 1920 Gibson tapped former Vanity Fair staffer
Robert E. Sherwood to be editor. A World War I
veteran and member of the Algonquin Round Table,
Sherwood tried to inject sophisticated humor onto
the pages. Life published Ivy League jokes,
cartoons, flapper sayings, and all-burlesque issues.
Beginning in 1920 Life undertook a crusade against
Prohibition. It also tapped the humorous writings of
Frank Sullivan, Robert Benchley, Dorothy Parker,
Franklin P. Adams, and Corey Ford. Among the
illustrators and cartoonists were Ralph Barton,
Percy Crosby, Don Herold, Ellison Hoover, H. T.
Webster, Art Young, and John Held Jr.
Despite such all-star talents on staff, Life had
passed its prime, and was sliding toward financial
ruin. The New Yorker, debuting in February 1925,
copied many of the features and styles of Life; it
even raided its editorial and art departments.
Another blow to Life’s circulation came from raunchy
humor periodicals such as Ballyhoo and Hooey, which
ran what can be termed outhouse gags. Esquire joined
Life’s competitors in 1933. A little more than three
years after purchasing Life, Gibson quit and turned
the decaying property over to Publisher Clair
Maxwell and Treasurer Henry Richter. Gibson retired
to Maine to paint and lost active interest in the
magazine, which he left deeply in the red.
Life had 250,000 readers in 1920. But as the Jazz
Age rolled into the Great Depression, the magazine
lost money and subscribers. By the time Maxwell and
Editor George Eggleston took over, Life had switched
from publishing weekly to monthly. The two men went
to work revamping its editorial style to meet the
times, and in the process it did win new readers.
Life struggled to make a profit in the 1930s when
Henry Luce pursued purchasing it.
Announcing the death of Life, Maxwell declared: “We
cannot claim, like Mr. Gene Tunney, that we resigned
our championship undefeated in our prime. But at
least we hope to retire gracefully from a world
still friendly.”
For Life’s final issue in its original format, 80
year-old Edward Sandford Martin was recalled from
editorial retirement to compose its obituary. He
wrote, “That Life should be passing into the hands
of new owners and directors is of the liveliest
interest to the sole survivor of the little group
that saw it born in January 1883. ... As for me, I
wish it all good fortune; grace, mercy and peace and
usefulness to a distracted world that does not know
which way to turn nor what will happen to it next. A
wonderful time for a new voice to make a noise that
needs to be heard!”
In 1936 publisher Henry Luce paid $92,000 to the
owners of Life magazine because he sought the name
for Time Inc. Wanting only the old Life’s name in
the sale, Time Inc. sold Life’s subscription list,
features, and goodwill to The Judge. Convinced that
pictures could tell a story instead of just
illustrating text, Luce launched Life on November
23, 1936. The third magazine published by Luce,
after Time in 1923 and Fortune in 1930, Life gave
birth to the photo magazine in the U.S., giving as
much space and importance to pictures as to words.
The first issue of Life, which sold for 10 cents
(the equivalent of USD$1.48 in 2007 Cost of Living
Calculator) featured five pages of Alfred
Eisenstaedt’s pictures.
When the first issue of Life magazine appeared on
the newsstands, the U.S. was in the midst of the
Great Depression and the world was headed toward
war. Adolf Hitler was firmly in power in Germany. In
Spain, Gen. Francisco Franco’s rebel army was at the
gates of Madrid; German Luftwaffe pilots and bomber
crews, calling themselves the Condor Legion, were
honing their skills as Franco’s air arm. Italy’s
Benito Mussolini annexed Ethiopia. Luce ignored
tense world affairs when the new Life was unveiled:
the first issue depicted the Fort Peck Dam in
Montana photographed by Margaret Bourke-White.
The format of Life in 1936 was an instant classic:
the text was condensed into captions for fifty pages
of pictures. The magazine was printed on heavily
coated paper that cost readers only a dime. The
magazine’s circulation skyrocketed beyond the
company’s predictions, going from 380,000 copies of
the first issue to more than one million a week four
months later. It spawned many imitators, such as
Look, which folded in 1971.
Life got its own building at 19 West 31st Street, a
Beaux-Arts architecture jewel built in 1894 and
considered of "outstanding significance" by the New
York Landmarks Preservation Commission. Later it
moved editorial offices to 9 Rockefeller Plaza.
Luce pulled a stringer for Time, Edward K. Thompson,
to become assistant picture editor in 1937. From
1949–1961 he was the managing editor and editor in
chief, until his retirement in 1970. His influence
was significant during the magazine’s heyday -
roughly from 1936 until the mid-1960s. Thompson was
known for the free rein he gave his editors,
particularly a “trio of formidable and colorful
women: Sally Kirkland, fashion editor; Mary
Letherbee, movie editor; and Mary Hamman, modern
living editor.” The magazine became archly
conservative, and attacked organized labor and trade
unions. In August 1942, writing of labor unrest,
Life concluded: “The morale situation is perhaps the
worst in the U.S. …It is time for the rest of the
country to sit up and take notice. For Detroit can
either blow up Hitler or it can blow up the U.S.”
Detroit’s Mayor Edward J. Jeffries was outraged:
“I’ll match Detroit’s patriotism against any other
city’s in the country. The whole story in Life is
scurrilous. …I’d just call it a yellow magazine and
let it go at that.” Martin R. Bradley, a U.S.
Collector of Customs, was ordered to tear out of the
August 17 issue five pages containing an article
captioned “Detroit is Dynamite” before permitting
copies of the magazine to cross the international
border to Canada.
When the U.S. entered the war in 1941, so did Life.
By 1944 not all of Time and Life’s forty war
correspondents were men; six were newswomen: Mary
Welsh Hemingway, Margaret Bourke-White, Lael Tucker,
Peggy Durdin, Shelley Smith Mydans, Annalee Jacoby
and Jacqueline Saix, an Englishwoman whose name is
usually omitted (she and Welsh are the only women
listed in Time's publisher's letter, May 8, 1944, as
being part of the magazine's team) reported on the
war for the company.
Life was pro-American and backed the war effort each
week. In July 1942, Life launched its first art
contest for soldiers and drew more than 1,500
entries, submitted by all ranks. Judges sorted out
the best and awarded $1,000 in prizes. Life picked
sixteen for reproduction in the magazine.
Washington’s National Gallery agreed to put 117 on
exhibition that summer. The magazine employed the
distinguished war photographer Robert Capa. A
veteran of Collier's magazine, Capa was the sole
photographer among the first wave of the D-Day
invasion in Normandy, France, on June 6, 1944. A
notorious controversy at the Life photography
darkroom ensued after a mishap ruined dozens of
Capa’s photos that were taken during the beach
landing; the magazine claimed in its captions that
the photos were fuzzy because Capa’s hands were
shaking. He denied it; he later poked fun at Life by
titling his memoir Slightly Out of Focus. In 1954,
Capa was killed while working for the magazine while
covering the First Indochina War after stepping on a
landmine.
Each week during World War II the magazine brought
the war home to Americans; it had photographers in
all theaters of war, from the Pacific to Europe. The
magazine was so iconic that it was imitated in enemy
propaganda using contrasting images of Life and
Death.
In May 1950 the council of ministers in Cairo banned
Life from Egypt, forever. All issues on sale were
confiscated. No reason was given, but Egyptian
officials expressed indignation over the April 10,
1950, story about King Farouk of Egypt, entitled the
“Problem King of Egypt.” The government considered
it insulting to the country.
Life in the 1950s earned a measure of respect by
commissioning work from top authors. After Life’s
publication in 1952 of Ernest Hemingway’s The Old
Man and the Sea, the magazine contracted with the
author for a 4,000-word piece on bullfighting.
Hemingway sent the editors a 10,000-word article,
following his last visit to Spain in 1959 to cover a
series of contests between two top matadors. The
article was republished in 1985 as the novella The
Dangerous Summer.
In February 1953, just a few weeks after leaving
office, President Harry S. Truman announced that
Life magazine would handle all rights to his
memoirs. Truman said it was his belief that by 1954
he would be able to speak more fully on subjects
pertaining to the role his administration played in
world affairs. Truman observed that Life editors had
presented other memoirs with great dignity; he added
that Life also made the best offer.
Dorothy Dandridge was the first African American
woman to appear on the cover of the magazine in
November 1954.
Life's motto became, "To see Life; see the world."
In the post-war years it published some of the most
memorable images of events in the United States and
the world. It also produced many popular science
serials such as The World We Live In and The Epic of
Man in the early 1950s. The magazine continued to
showcase the work of notable illustrators, including
Alton S. Tobey, whose many contributions included
the cover for a 1958 series of articles on the
history of the Russian Revolution.
The magazine was losing readers as the 1950s drew to
a close. In May 1959 it announced plans to reduce
its regular newsstand price to 19 cents a copy from
25 cents. With the increase in television sales and
viewership, interest in news magazines was waning.
Life would need to reinvent itself.
In the 1960s the magazine was filled with color
photos of movie stars, President John F. Kennedy and
his family, the war in Vietnam, and the moon
landing. Typical of the magazine’s editorial focus
was a long 1964 feature on actress Elizabeth Taylor
and her relationship to actor Richard Burton.
Reporter Richard Meryman Jr. traveled with Taylor to
New York, California, and Paris. Life ran a
6,000-word first-person article on the screen star.
“I’m not a ‘sex queen’ or a ‘sex symbol,’ “ Taylor
said. “I don’t think I want to be one. Sex symbol
kind of suggests bathrooms in hotels or something. I
do know I’m a movie star and I like being a woman,
and I think sex is absolutely gorgeous. But as far
as a sex goddess, I don’t worry myself that way...
Richard is a very sexy man. He’s got that sort of
jungle essence that one can sense... When we look at
each other, it’s like our eyes have fingers and they
grab ahold... I think I ended up being the scarlet
woman because of my rather puritanical up bringing
and beliefs. I couldn’t just have a romance. It had
to be a marriage.”
In the 1960s, the magazine’s photographs featured
those by Gordon Parks. “The camera is my weapon
against the things I dislike about the universe and
how I show the beautiful things about the universe,”
Parks recalled in 2000. “I didn’t care about Life
magazine. I cared about the people,” he said.
In March 1967 Life won the 1967 National Magazine
Award, chosen by the Columbia University Graduate
School of Journalism. The prestigious award paid
tribute to the stunning photos coming out of the war
in Southeast Asia, such as Henri Huet’s riveting
series of a wounded medic that were published in
January 1966. Increasingly, the photos that Life was
printing of the war in Vietnam were searing images
of death and loss.
However, despite the accolades the magazine
continued to win, and publishing American’s mission
to the moon in 1969, circulation was lagging. It was
announced in January 1971 that Life would reduce its
circulation from 8.5 million to 7 million in an
effort to offset shrinking advertising revenues.
Exactly one year later, Life cut its circulation
from 7 million to 5.5 million beginning with the
January 14, 1972, issue, publisher Gary Valk
announced. Life was reportedly not losing money, but
its costs were rising faster than its profits.
Industry figures showed some 96 percent of its
circulation went to mail subscribers and only 4
percent to newsstands. Valk was at the helm as
publisher when hundreds lost their jobs. The end
came when the weekly Life magazine shut down on
December 8, 1972.
From 1972 to 1978, Time Inc. published ten Life
Special Reports on such themes as “The Spirit of
Israel”, “Remarkable American Women” and “The Year
in Pictures”. With a minimum of promotion, those
issues sold between 500,000 and 1 million copies at
cover prices of up to $2.
In 1978, Life reemerged as a monthly, and with this
resurrection came a new, modified logo. Although
still the familiar red rectangle with the white
type, the new version was larger, and the lettering
was closer together and the box surrounding it was
smaller. (This "new" larger logo would be used on
every issue until July 1993.)
Life continued for the next 22 years as a moderately
successful general interest news features magazine.
In 1986, it decided to mark its 50th anniversary
under the Time Inc. umbrella with a special issue
showing every Life cover starting from 1936, which
of course included the issues that were published
during the six-year hiatus in the 1970s. The
circulation in this era hovered around the 1.5
million-circulation mark. The cover price in 1986
was $2.25. The publisher at the time was Charles
Whittingham; the editor was Philip Kunhardt. Life
also got to go back to war in 1991, and it did so
just like in the 1940s. Four issues of this weekly
Life in Time of War were published during the first
Gulf War.
Hard times came to the magazine once again, and in
February 1993 Life announced the magazine would be
printed on smaller pages starting with its July
issue. This issue would also mark the return of the
original Life logo.
Also at this time, Life slashed advertising prices
35 percent in a bid to make the monthly publication
more appealing to advertisers. The magazine reduced
its circulation guarantee for advertisers by 12
percent in July 1993 to 1.5 million copies from the
current 1.7 million. The publishers in this era were
Nora McAniff and Edward McCarrick; Daniel Okrent was
the editor. Life for the first time was the same
trim size as its longtime Time Inc. sister
publication, Fortune.
The magazine was back in the national consciousness
upon the death in August 1995 of Alfred Eisenstaedt,
the Life photographer whose pictures constitute some
of the most enduring images of the 20th century.
Eisenstaedt’s photographs of the famous and infamous
— Hitler and Mussolini, Marilyn Monroe, Ernest
Hemingway, the Kennedys, Sophia Loren — won him
worldwide renown and 87 Life covers.
In 1999 the magazine was suffering financially, but
still made news by compiling lists to round out the
20th Century. Life editors ranked its 100 Most
Important Events of the Millennium. This list has
been criticized for being overly focused on Western
achievements. The Chinese, for example, had invented
movable type four centuries before Gutenberg, but
with thousands of ideograms, found its use
impractical. Life also published a list of the 100
Most Important People of the Millennium. This list,
too, was criticized for focusing on the West. Also,
Thomas Edison's number one ranking was challenged
since there were others whose inventions (the
combustion engine, the automobile,
electricity-making machines, for example), which had
greater impact than Edison's. The top 100 most
important people list was further criticized for
mixing world-famous names, such as Isaac Newton,
Albert Einstein, Louis Pasteur, and Leonardo da
Vinci, with numerous Americans largely unknown
outside of the United States (18 Americans compared
to 13 Italians and French, 12 English).
It appeared that the money-losing magazine was just
hanging on to make it into the 21st Century, and it
did, but barely. In March 2000, Time Inc. announced
it would cease regular publication of Life with the
May issue. “It’s a sad day for us here,” Don Logan,
chairman and chief executive of Time Inc., told
CNNfn.com. “It was still in the black,” he said,
noting that Life was increasingly spending more to
maintain its monthly circulation level of
approximately 1.5 million. “Life was a general
interest magazine and since its reincarnation, it
had always struggled to find its identity, to find
its position in the marketplace,” Logan said.
For Life subscribers, remaining subscriptions were
honored with other Time Inc. magazines, such as
Time. And in January 2001, these subscribers
received a special, Life-sized format of "The Year
in Pictures" edition of Time magazine, which was in
reality a Life issue disguised under a Time logo on
the front. (Newsstand copies of this edition were
actually published under the Life imprint.)
While citing poor advertising sales and a rough
climate for selling magazine subscriptions, Time
Inc. executives said a key reason for closing the
title in 2000 was to divert resources to the
company’s other magazine launches that year, such as
Real Simple. Later that year, its parent company,
Time Warner, struck a deal with the Tribune Company
for Times Mirror magazines that included Golf, Ski,
Skiing, Field & Stream, and Yachting. Life was not
around when AOL and Time Warner announced their $183
billion merger, the largest corporate merger in
history, which was finalized in January 2001.
Life was absent from the U.S. market for only a few
months, when it began publishing special newsstand "megazine"
issues on topics such as 9/11 and the Holy Land in
2001. These issues, which were printed on thicker
paper, were more like softcover books than
magazines.
Beginning in October 2004, it was revived for a
second time. Life resumed weekly publication as a
free supplement to U.S. newspapers. Life went into
competition for the first time with the two industry
heavyweights, Parade and USA Weekend. At its launch,
it was distributed with more than 60 newspapers with
a combined circulation of approximately 12 million.
Among the newspapers to carry Life: the Washington
Post, New York Daily News, Los Angeles Times,
Chicago Tribune, Denver Post, and St. Louis
Post-Dispatch. Time Inc. made deals with several
major newspaper publishers to carry the Life
supplement, including Knight Ridder and the
McClatchy Company.
This version of Life retained its trademark logo,
but sported a new cover motto, “America’s Weekend
Magazine.” It measured 9½ x 11½ inches and was
printed on glossy paper in full-color. On September
15, 2006, Life was just 20 pages. The editorial
content contained one full-page photo, of actress
Julia Louis-Dreyfus, and one three-page, seven-photo
essay, of Kaiju Big Battel.
This era of Life lasted less than three years. On
March 26, 2007, Time Inc. announced that it would
fold the magazine as of April 20, 2007, although it
would keep the Web site.
|