M-Audio Firewire 1814 MIDI Interface The FireWire 18/14 is an 18-in, 14-out audio interface complete with ADAT Lightpipe for multi-channel communication with other digital devices. It features 8 x 4 analog I/O at up to 24-bit/96kHz, and boasts 192kHz on the first two inputs and all four outputs. Channels 1 and 2 also include high-quality microphone/instrument preamps. S/PDIF optical digital I/O provides 2-channel PCM, as well as pass-through of surround-encoded AC-3 and DTS material. Flexible internal mixing allows input and output routing, including an aux bus for effects send or monitor mix. A front-panel momentary switch allows allows DJ-style headphone auditioning between two assignable sources. Other features include two headphone amplifiers, assignable level controller, S/PDIF coaxial/optical digital I/O, 1 x 1 MIDI I/O, and BNC word clock connectors for synchronization to other digital devices. Features 18 x 14 FireWire audio interface
8 x 4 24-bit/96kHz analog I/O (1/4" TS) or 2 x 4 24-bit/192kHz analog I/O
8 x 8 ADAT Lightpipe I/O
digital S/PDIF (coaxial) I/O w/ 2-channel PCM
digital out also supports pass-through of AC-3/DTS surround-encoded content
dual mic/instrument preamps (Neutrik XLR/ 1/4" TS) with
input level controls
20dB pad
phantom power
signal LEDs
two independently assignable headphone outputs with individual level controls (1/4" TRS)
flexible software-controlled mixing of hardware and software I/O
aux sends on all channels and aux output assign allows for dedicated headphone mixes and sends to external effects
user-assignable front-panel level control (output, input, software return, aux send)
near zero-latency hardware direct monitoring
low-latency ASIO software direct monitoring
momentary switch for A/B cueing two software-assignable headphone sources or switching ASIO monitoring on/off
1 x 1 16-channel MIDI I/O
wordclock (BNC) for sync to external devices
power on/off switch with indicator LED
powered via FireWire bus* or included DC power adapter
two convenient high-bandwidth FireWire ports
rugged steel construction * requires 6-pin connection Specifications line inputs (TS) 1-8
| | | frequency response: | +/- 0.1 dB, 22Hz to 22kHz | | dynamic range: | 105dB, A-weighted | | signal-to-noise ratio: | -105dB, A-weighted | | THD+N: | <0.00281% (-91dB) | | crosstalk: | -107dB @ 1 kHz | | nominal input level: | -10dBV | | maximum input level: | +2.1dBV, typical | | input impedance: | 10k Ohms, typical
| | Mic/inst. inputs (balanced) 1-2 at minimum gain |
| | frequency response: | +/- 0.1 dB, 22 Hz to 22 kHz | | dynamic range: | 105dB, A-weighted | | signal-to-noise ratio: | -105dB, A-weighted | | THD+N: | <0.00281% (-91dB) | | crosstalk: | -105 dB @ 1 kHz
| | -3.8 dBu, typical | | input impedance: | inst in: 500k Ohms, typical; mic in: 1.8k Ohms, typical | | adjustable gain: | > 40 dB | | pad: | -20 dB | | total gain range: | +60 dB | | line outputs (TRS) 1-4 |
| | frequency response: | 192 kHz: +/- 1 dB, 22Hz - 80kHz | | 96kHz: +/- 0.5 dB, 22Hz -40kHz | | 48 kHz: +/- 0.1 dB, 22Hz - 22kHz | | dynamic range: | 107dB, A-weighted | | signal-to-noise ratio: | -107dB, A-weighted | | THD+N: | <0.00301% (-90.5 dB) | | crosstalk: | -106dB @ 1 kHz | | nominal output level: | +4dBu balanced, -10dBV unbalanced | | maximum output level: | +10.2dBu balanced, typical; +2.0dBV unbalanced, typical | | output impedance: | 150 Ohm | | load impedance: | 600 Ohm minimum | headphone outputs at maximum volume into 32 Ohm load
| | | frequency response: | +/- 1 dB, 22Hz to 22kHz | | power into Ohms: | 16 mW into 32 Ohms | | THD+N: | <0.04987% (-66.1 dB) | | signal-to-noise ratio: | -96 dB, A-weighted | | max output level into 32 Ohms: | -3.0dBV, typical | | output impedance: | 75 Ohm | | load impedance: | 32 to 600 Ohms | word clock
| | | output: | up to 192kHz | | input: | up to 96kHz | | pass-through I/O: | up to 96kHz | | impedance: | 75 Ohms
| | analog sampling rates: | 44.1kHz to 192kHz for analog input 1/2 and all analog outputs | | 44.1kHz to 96kHz input on channels 3-8 | | digital sampling rates (kHz) | 44.1, 48, 88.2, and 96 for coaxial S/PDIF in and out | | 44.1 and 48 for optical S/PDIF in & out | | 44.1, 48, or 88.2, 96 for ADAT I/O in S/MUX mode | | (all values tested at 48 kHz sample rate unless otherwise stated) |
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M-Audio Pro Tools M-Powered 7.4 Compatible World Class Production Software Academic Version Pro Tools M-Powered 7.4 software delivers all-new music creation tools and support for more creative options, making it the most flexible Pro Tools software ever. Featuring the time-manipulating power of Elastic Time, Pro Tools M-Powered 7.4 software allows you to approach your projects in creative new ways, making working with tempo- and time-based sessions even easier, more efficient and imaginative. Pro Tools M-Powered 7.4 software also adds support for Windows Vista Ultimate and Business (32-bit) systems. Features Elastic Time real-time tempo manipulation > change the tempo or timing of audio tracks on the fly Supports Windows Vista Ultimate or Business (32-bit versions) > broad compatibility Includes Structure Free sample player with 885 MB of samples > add a wide range of sounds to your sessions Accepts MIDI controller data directly from ReWire applications > record directly to a Pro Tools MIDI or Instrument track Unicode character support > label and edit text anywhere in Pro Tools in any Unicode-supported language Powerful real-time tempo manipulation feature - change the tempo or timing of audio tracks on the fly by simply expanding or contracting
regions Easily create loops from any audio file analyzed for tempo and transient information&emdash;even files from older library CDs that
have multiple loops per cut Audition loops and audio files in sync with your session's current tempo with Context Preview Fine-tune regions with precision control over each individual beat using the warp track view and warp markers Quantize individual tracks or multitrack audio to the session grid or to extracted grooves while preserving the original timing offsets of
each track Choose the best-sounding time-stretching algorithm from several choices on a per-track basis Adjust the Window and Decay parameter on each track to achieve the best results Make quick rhythmic fixes or creatively explore grooves and styles using Grid and Groove Quantize, which now works on MIDI and
audio events in tandem Ease your CPU processing load by rendering tracks using Render mode Use the Render and Commit option to work on Pro Tools 7.4 sessions with earlier versions of Pro Tools (replaces all Elastic Time-enabled regions with rendered audio files) Bundle Include: Brand New M-Audio Firewire 1814
Brand New M-Audio Pro Tools M-Powered 7.4 |
Track up to 10 items on this computer in 
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