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Features and Specifications
Venice 320
Inputs (total)
46
Mono-Inputs (Mic/Line) with Inserts
24
Stereo-Line/Mono-Mic-Input Channels
4/4
Stereo-Effect-Returns (Line)
4
Stereo-Tape-Return (Line)
1 left/right
Busses
15
Subgroups
4
Aux Pre-Fader (Monitor)
2
Aux Post-Fader (Effects)
2
Aux switchable Pre/Post-Fader
2
Master L/R
2
Mono-PFL
1
Stereo-AFL
2
Outputs
Subgroups (with Inserts)
4 impedance balanced 1/4 inch jacks
Aux Pre-Fader (Monitor)
2 XLR (balanced)
Aux Post-Fader (Effects)
2 impedance balanced 1/4 inch jacks
Aux switchable Pre/Post-Fader
2 XLR (balanced)
Master (with Inserts)
2 XLR (balanced)
Master B Out (switchable Mono/Stereo, pre-post Fader)
2 XLR (balanced)
Tape Send (Recording)
1 Stereo (Phono)
Direct Outputs (1/4 inch Jack)
24
Stereo-Headphones
2 Stereo-1/4 inch jack
Stereo-Speakers
2 impedance balanced 1/4 inch jacks
Size (mm/inch)
Width
906 / 35.7“
Depth
568 / 22.4“
Heights
194 / 7.6“
Weight (kg/lbs)
25,8 / 56.9
Power Consumption
120W
Mains Voltage
110V/120V/220V/230V/240V, 50-60Hz
Additional Features
Connector for desk lamps
2 x 12V/5W (4-Pin XLR)
19“-rack-mounting- kit
yes
Rotatable connector panel
yes
External Power Supply (EPS 1200, not included)
yes
Accesories
Dust Cover (included)
12 V Desk Lamp (not included)
Input Transformer (not included)
Venice Technical Specifications
Input Impedance
Mic
2k Balanced
Line
20k Balanced
Input Gain
Mic
Continuously variable from 0dB to + 60dB
Line Mono Channel
Continuously variable from - 20dB to + 40dB
Line Stereo Channel
Continuously variable from - 20dB to + 20dB
Line Level Inputs
0dB
Maximum Input Level
Mic
+ 22dBu
Line Level Inputs
+ 22dBu
Line Mono Channel
+ 42dBu
Line Stereo Channel
+ 28dBu
CMR at 100Hz
Mic (gain + 40dB)
Typ. 75dB
CMR at 1kHz
Mic (gain + 40dB)
> 85dB
Line
> 45dB
Frequency Response (20 to 20kHz) (gain + 60dB)
Mic to Mix
+ 0dB to - 1dB
Noise (20 to 20kHz) (gain + 60dB)
Mic EIN ref. 150ohms
- 129dBu
System Noise (20 to 20kHz)
Summing Noise (16 channels routed with faders down)
- 90dBu
Line to Mix Noise (16 channels routed at 0dB, pan centre)
- 86dBu
Distortion at 1kHz
Mic to Insert (+ 30dB gain, + 20dBu output)
Typ 0.0007%
Mic to Mix (+30dB gain, + 20dBu output)
< 0.009%
Crosstalk at 1kHz
Channel to Channel
< - 80dB
Mix to Mix
< - 80dB
Channel to Mix
< - 80dB
Fader Attenuation
> 100dB
Switch Rejection
> 100dB
Output Impedance
All Line Outputs
75 Ohms Balanced Source
Headphones
To drive 32ohms
Maximum Output Level
Master Outputs on XLR
+ 25dBu
All other Outputs on XLR
+ 22dBu
All Outputs on 1/4 inch jacks
+ 22dBu
Headphones
+ 22dBu/600ohms
Nominal Signal Level
Mic
- 60dBu to 0 dBu
Line
0dBu
Equaliser Mono Channel
Hi Pass Slope
12dB / Oct
Hi Pass Frequency
80Hz
Treble Gain
Continuously variable + 15 dB to - 15 dB Centre detent = 0dB
Treble Frequency
12k
Hi Mid Gain
Continuously variable + 15 dB to - 15 dB Centre detent = 0dB
Hi Mid Frequency
Continuously variable Centre from 400Hz to 8k Hi Mid Bandwidth 1 Oct. (Q = 1.4)
Lo Mid Gain
Continuously variable + 15 dB to - 15 dB Centre detent = 0dB
Lo Mid Frequency
Continuously variable Centre from 100Hz to 2k
Lo Mid Bandwith
1 Oct. (Q = 1.4)
Bass Gain
Continuously variable + 15 dB to - 15 dB Centre detent = 0dB
Bass Shelving Frequency
80Hz
Equaliser Stereo Channel
Hi Pass Slope
12dB / Oct
Hi Pass Frequency
80Hz
Treble Gain
Continuously variable + 15 dB to - 15 dB Centre detent = 0dB
Treble Frequency
12k
Hi Mid Gain
Continuously variable + 15 dB to - 15 dB Centre detent = 0dB
Hi Mid Frequency
3k
Hi Mid Bandwidth
1.4 Oct. (Q = 1)
Lo Mid Gain
Continuously variable + 15 dB to - 15 dB Centre detent = 0dB
Lo Mid Frequency
300Hz
Lo Mid Bandwidth
1.4 Oct. (Q = 1)
Bass Gain
Continuously variable + 15 dB to - 15 dB Centre detent = 0dB
Bass Shelving Frequency
80Hz
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