Product Description Mackie CFX20 mkII offers a feature set providing versatility in both environments. The CFX20 mkII features 20 inputs standard. Channels 1 through 16 are mono and 17 through 20 are stereo paired. 16 Ultra Low Noise mic preamps provide pristine audio detail and wide dynamic range. Inserts on channels 1 through 16 are also provided. The CFX20 mkII features an internal 32-bit EMAC effects processor engine featuring the same processing quality as the renowned Mackie Digital 8 Bus. Featured effects include reverb, delay, chorus, flange, phase and more. A dedicated mono, sub frequency output is provided in addition to balanced left and right XLR outputs. Features Internal Multi Effects Processor The Mackie CFX series features 32-bit custom EMAC effects processing featuring reverb, delay, chorus, flanger, phaser and more. Mackie Digital 8 Bus, EMAC 32-bit processing assures no loss in detail during processing. 20 Input 16 Insert Design The CFX-20MK2 features 20 line inputs. Channels 1-16 are mono, channels 17,18,19 and 20 are stereo paired. Inserts on channels 1-16 and Main Outputs provide flexible routing to external signal processors or use the inserts as outputs for monitoring. Balanced Stereo and Mono Sub Output The CFX Series features 3 balanced XLR outputs. The Left and Right main outputs carry the stereo signal via the stereo bus. The third Mono output is automatically crossed over at 75Hz providing sub frequencies. Graphic EQ on Stereo Bus A 9 Band Graphic EQ on the Main Stereo Bus allows engineers to shape the frequency at the last stage before output. A perfect solution for cutting transient frequencies in a live sound situation. 4 Sub Group Outputs 4 assignable group outputs are perfect for routing channels to monitors or multi track recorders. Break Switch The Break Switch gives engineers peace of mind by providing a global "mute" of all the consoles input channels. An intermission play-back device like a tape recorder or CD player will be the only signal allowed passage when connected to the "Tape Inputs". Specifications Total # Of Inputs: 20 - Balanced 1/4" TRS Line Inputs Mic/Line Inputs: 20 - Balanced 1/4" TRS Phone 16 - Balanced XLR Inputs Stereo Line Inputs: 2 - Balanced 1/4" TRS Phone (channels 17-18) In-Line Inputs/Returns: No AUX Sends: 2 - 1/4" TRS Phone AUX Returns: 2 - 1/4" TRS Phone Inserts: "Main Inserts" (L/R) 1/4" TRS Phone BUS (Group) Outputs: 4 - Balanced 1/4" TRS Phone outputs 2 Trk Master I/O: "Utility Out" (L/R) 1/4" TRS Phone ALT I/O: 2 - RCA (L/R) input & output Monitor Outputs: 2 - Balanced 1/4" TRS Phone (L/R) EQ Section: High +/-15dB @ 12kHz Mid +/- 15dB @ 100Hz to 8kHz Low +/-15dB @ 80kHz Low Cut 100Hz, -18 dB/octave Low Mid (stereo channel EQ)+/- 15dB @ 400Hz Low Cut 100Hz, -18dB/octave Graphic EQ (9 bands): Q=1.414, ISO octave centers +/- 15dB @ 63,125,250,500,1k,2k,4k,8k,16k Hz Solo/Mute: MUTE & PFL SOLO on each Channel Channel Level Control: 60mm Logarithmic Faders Trim/Gain Control: Input Level Trim Control Range: +6 to -50dB Phantom Power: +48V DC Metering: 12 - Segment Peak LED's Main (L/R) Frequency Response: Mic Input to any Output (Trim at 0dB): +0,-1 dB, 32Hz to 20kHz Dynamic Range: not specified by manufacturer Signal-to-Noise Ratio: 20Hz to 20kHz BW (150 ohm source impedance): Equivalent Input Noise (EIN): -127 dBu Residual Output Noise: main, monitor, & effects outputs, Channel and master levels off -95dBu Total Harmonic Distortion (THD): THD and SMPTE IMD; 20Hz to 20kHz Mic Input to Main Output: <0.005% @ +4dBu output Power Supply: not specified by manufacturer Dimensions: 5.0 x 25.6 x 16.2" (127 x 650 x 412mm) (H x W x D) Weight: 24.3 lbs (11.0 kg) |