 | | | | | | Down In New Orleans * | 
Stock Photo | | Item Specifics - Music: CDs | | | Artist: | Blind Boys Of Alabama | | Record Label: | Time/Life Music | | | Format: | CD | | UPC: | 610583224726 | | | Genre: | Religious | | Album Type: | -- | | | Sub-Genre: | -- | | Condition: | -- | | | | | | | | | |
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Description Blind Boys Of Alabama:down In New Orl
THIS IS A BRAND NEW ITEM.
Buy SKU: 206678752| Shipping Method | Shipping Timeframe | Shipping Rate | | Other (Budget) | Usually Ships in 1 to 2 business days
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| | | | Additional Information about Down In New Orleans *
Portions of this page Copyright 1948 - 2008 Muze Inc. All rights reserved.
| Track listing | 1. Free At Last
2. Make A Better World - (with Hot 8 Brass Band)
3. How I Got Over
4. You Got To Move - (with Bennie Pete/Carl Leblanc)
5. Across The Bridge - (with Preservation Hall Jazz Band)
6. You Better Mind - (with Carl Leblanc)
7. Down By The Riverside - (with Preservation Hall Jazz Band/Allen Toussaint)
8. If I Could Help Somebody - (with Allen Toussaint)
9. Uncloudy Day - (with Preservation Hall Jazz Band)
10. Prayer, A
11. I've Got A Home
12. I'll Fly Away - (with Hot 8 Brass Band)
| | Details | | Contributing artists: | Allen Toussaint, Hot 8 Brass Band, Preservation Hall Jazz Band | | Producer: | Chris Goldsmith | | Distributor: | WEA (distro) | | Recording type: | Studio | | Recording mode: | Stereo | | SPAR Code: | n/a |
| | Album notes | Blind Boys Of Alabama: Caleb Butler, Eric McKinnie, Jimmy Carter, Ben Moore, Billy Bowers, Tracy Pierce, Joey Williams (vocals).
Additional personnel include: Allen Toussaint (piano); Hot 8 Brass Band, Preservation Hall Jazz Band.
Recording information: Piety Recording Studios, New Orleans, Louisiana.
While they may not hail from the Crescent City, the Blind Boys of Alabama obviously have a strong connection to its musical traditions, a fact made unmistakably clear on DOWN IN NEW ORLEANS. With the able assistance of such estimable local heroes as Allen Toussaint and the Preservation Hall Jazz Band, the long-lived (they've been recording since the 1940s!) gospel icons deliver a straight-from-the-heart tribute to the spirit of New Orleans, giving their arrangements of traditional spiritual tunes a Big Easy tweak. The country blues song "You Got to Move," for instance, is transformed into a banjo-and-tuba Dixieland offering, and the gospel classic "Uncloudy Day" becomes a brass-band rave-up. Even the less overt stylistic adaptations bear the distinctive bump of New Orleans grooves, settling in seamlessly under the Blind Boys' rich, soulful voices.
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