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NEW NADY DMK-7 DRUM MIC PACKAGE w CASE 7 MICS [3075]

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Item number:350100198317
Item location:Fort Walton Beach, Florida, United States
Ships to:Worldwide
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History:7 offers

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Email Us At: audiosyncrazy@aol.com
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Hours: Monday to Saturday 9:00 AM to 6:00 PM Central Time in the USA

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Brand new in the factory box

Included in the factory box: Molded Carry case for mics, (1) DM80 bass drum mic with mic clip, (4) DM70 mics for snare and toms each with a mic clip, (2) CM88 condenser mics with clips, (2) wind screens for CM88 mics, operators guide


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Item Description >

Included in the factory box: Molded Carry case for mics, (1) DM80 bass drum mic with mic clip, (4) DM70 mics for snare and toms each with a mic clip, (2) CM88 condenser mics with clips, (2) wind screens for CM88 mics, operators guide

Specs DM70 and DM80

DM 80: Kick drum mic with extended low-end response specially tailored for bass drums and other large diameter drums

Kick drum mic with extended low-end response specially tailored for bass drums and other large diameter drums

DM 70: Snare drum mic for close-miking snares, toms, all percussion, brass and woodwinds

Snare drum mic for close-miking snares, toms, all percussion, brass and woodwinds

The DM-70/DM-80 can be used with any standard mixer, powered mixer/amplifier, or mic preamp. Using either an XLR to XLR or XLR to 1/4" phone plug low impedance cable, connect the female XLR end to the DM-70/DM-80 and the other end (male XLR or 1/4" phone plug, as appropriate) to your equipment. The DM-70/DM-80 can be mounted on a microphone stand with the integral mic holder mount supplied. Depending on the threading of the mic stand you are using, you may need to remove the threaded adapter from the mic holder. Be aware of the proximity effect (an increase in bass response) when the mic is placed close to the instrument. This may or may not be desirable. Experimenting with the position of the mic with respect to the audio source will ensure the optimum results you are seeking in any given application. If the microphone is placed too near a speaker during live stage use, an unpleasant howling effect (acoustic feedback) may occur. Although all microphones are prone to feedback to some extent, those with a unidirectional polar pattern (such as the DM-70 and DM-80) are specially designed to accept only signals from the audio source directly in front of the mic cartridge. Thus, the cardioid pattern of the DM-70/DM-80 ensures that it will deliver only the desired audio in front of the mic, rejecting the unwanted audio from the rear, even in noisy ambient conditions with high sound pressure levels from the P.A. and monitor speakers. This means that feedback will be greatly minimized with the DM-70/DM-80 in all live performance miking applications. Some useful ways in which to totally eliminate annoying feedback include: experimenting with mic positions with respect to the speakers, decreasing speaker volume (whenever possible), and adjusting the equalization of the mic audio with the mixer.

Frequency Response: DM 70: 70~16,000 Hz DM 80: 30~15,000 Hz

Sensitivity (@ 1KHz, 74dB SPL): DM 70: -73dB, +/- 3dB DM 80: -72dB, +/- 3dB

Impedance: DM 70: 600 Ohm, DM 80: 250 Ohm

Maximum SPL (@1% THD): DM 70: >130dB, DM 80: >140dB

Dimensions: DM 70: 1.65" X 4.5" (42 X 115mm) DM 80: 2.1" X 4.7" (54 X 120mm)

Weight: DM 70: 8.5oz (237g), DM 80: 10.6oz (295g)

Specs CM88 mics

Back electret condenser microphone designed for cymbals of all types (including rides, crashes and hi-hats), reeds, acoustic guitars, piano and vocals (with the accessory windscreen) and overhead applications (both live and recording) • Extremely uniform and tight cardioid polar pattern for ease in mixing • Extended frequency response for smooth, crisp, ultra-transparent reproduction • Aluminum housing and gold-plated XLR contacts • 9-52V phantom powered

The CM 88 can be used in live sound reinforcement and broadcasting and in studio or live recording. It must be powered by 48V phantom power (such as supplied by the optional Nady SMPS-1 phantom power supply or a mixing console with phantom powering), and amplified by a microphone pre-amp (such as built into a mixer, or a standalone unit). (Note: Make sure to set the pre-amp to the proper gain leveltoo much gain may distort subsequent amplifiers and too little may result in a noisy signal) The CM 88 can be connected to your mixer or phantom power supply using a standard balanced 3-pin XLR microphone cable.

Element Black Electret Condenser

Polar pattern Unidirectional

Frequency range 50~18KHz

Sensitivity -45dB ± 3dB (0dB=1V/Pa @ 1KHz)

Output impedance 200 Ohms ± 30% (@ 1KHz)

S/N Ratio Over 60dBMax.

SPL (1% THD @1000Hz) 136dB

Power requirement +48VDC phantom power

Material Copper

Connector 3-pin XLR (gold plated)

Phasing Positive voltage on pin 2 relative to pin 3

Size Diameter: 0.9" (22mm), Length: 5.1" (130mm)Net weight 5oz (130g)

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Item ID = 3075

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Item location: Fort Walton Beach, Florida, United States
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