Detailed item info | Track listing | 1. How the West Was Won and Where It Got Us
2. Wake-up Bomb, The
3. New Test Leper
4. Undertow
5. E-Bow the Letter
6. Leave
7. Departure
8. Bittersweet Me
9. Be Mine
10. Binky the Doormat
11. Zither
12. So Fast, So Numb
13. Low Desert
14. Electrolite
| | Details | | Contributing artists: | Patti Smith, Scott McCaughey | | Producer: | R.E.M., Scott Litt | | Distributor: | WEA (Distributor) | | Recording type: | Mixed | | Recording mode: | Stereo | | SPAR Code: | n/a |
| | Album notes | Most of the songs on NEW ADVENTURES IN HI-FI were recorded live, or during pre-concert soundchecks, on R.E.M.'s 1995 MONSTER tour.
R.E.M.: Mike Mills (vocals, piano, organ, Farfisa organ, Mellotron, keyboards, synthesizer, bass); Michael Stipe (vocals, synthesizer); Bill Berry (acoustic guitar, whistle, synthesizer, bass, drums, percussion); Peter Buck (guitar, banjo, mandolin, bozouki, electric sitar, bass).
Additional personnel: Patti Smith (vocals); Nathan December (slide guitar, guitar, tambourine, guiro); Andy Carlson (violin); Scott McCaughey (autoharp, piano, ARP Odyssey synthesizer, Farfisa organ).
Recorded at Bad Animals, Seattle, Washington; John Keane Studio, Athens, Georgia; Louie's Clubhouse, Los Angeles, California.
NEW ADVENTURES IN HI-FI was nominated for a 1997 Grammy Award for Best Alternative Music Performance.
In the wake of the raging, guitar-fueled MONSTER, R.E.M. has made an album dominated by disconsolate ballads and acoustic instrumentation. NEW ADVENTURES has a stately, elegiac feel. It's punctuated by a few all-out rockers, but the overall mood is dusky and introspective. Michael Stipe's stream-of-consciousness imagery has developed into an incisive, poetic style of great power and resonance, from the religious overtones of "Undertow" (which reveals a Can influence) to the breathless travelogue of "Departure."
The opener, "How the West Was Won And Where It Got Us," sets a dark tone, with an eerie organ backdrop and a mournful piano providing a staccato riff. Punk goddess Patti Smith guests on "E-Bow the Letter," a wordy ramble that finds Stipe questioning, and ultimately denigrating, "this fame thing." A similar theme is explored on "The Wake-Up Bomb," a MONSTERish raveup that attacks celebrity star trips.
NEW ADVENTURES is loaded with musical surprises, including a zippy synthesizer that sparks "Leave," a campy instrumental called "Zither" and various discordant touches throughout. Lyrically and musically, R.E.M. stands its ground throughout, remaining as fresh and innovative as ever.
| | Editorial reviews | Ranked #4 on Rolling Stone's list of the Ten Best Albums of 1996.
Rolling Stone (01/23/1997)
Ranked #11 on Spin's list of the 20 Best Albums of '96.
Spin (01/01/1997)
Ranked #11 in the Village Voice's 1996 Pazz & Jop Critics' Poll.
Village Voice (02/25/1997)
Ranked #16 in NME's 1996 critics' poll.
NME
Ranked #4 on Entertainment Weekly's list of the Top 10 Albums And Singles Of 1996.
Entertainment Weekly
4.5 Stars (out of 5) - ...R.E.M.'s most ambitious album to date....there's a sense of spontaneity here that's rarely been heard on an R.E.M. record....a sense of ambition and liberation that R.E.M. haven't displayed since 1985's FABLES OF THE RECONSTRUCTION...
Rolling Stone (09/19/1996)
6 (out of 10) - ...While the tunes seem banged out, as if the band forced itself to keep having a jammin' good time despite the aneurysms and whatnot, the arrangements are thoroughly tarted up, often by various sidemen. This is a mixed blessing, as NEW ADVENTURES pays greater attention to hip sounds than to happening songs...
Spin (10/01/1996)
...a beautiful hodgepodge....Some songs look back at phases of R.E.M.'s career while others suggest new directions....R.E.M. spends half this album experimenting, turning songs into soundscapes with...synthesizers, sitars and bouzouki, Mellotron and Autoharp...
New York Times (09/11/1996)
5 Stars (out of 5) - ...it's easily the most diverse set of tunes R.E.M. have yet chosen to deliver....a seamlessly assembled mix of live performances...soundcheck reditions...'live' studio takes....hits many and varied targets virtually every time.
Q (10/01/1996)
8 (out of 10) - ...one of the most disillusioned albums ever made....Every lyric...is harrowed from a soul so empty all it seems to hear is the echo of its own resignation....It's a litany of trouble beyond despair....not an easy album but...a great one...
NME (09/07/1996)
...if the arena-designed, occasionally forced MONSTER felt like a midlife crisis, NEW ADVENTURES IN HI-FI finds R.E.M. returning to their joyful idiosyncrasies....not in years has an R.E.M. album showed such breadth... - Rating: A
Entertainment Weekly (09/13/1996)
6 (out of 10) - ...While the tunes seem banged out, as if the band forced itself to keep having a jammin' good time despite the aneurysms and whatnot, the arrangements are thoroughly tarted up, often by various sidemen. This is a mixed blessing, as NEW ADVENTURES pays greater attention to hip sounds than to happening songs...
Spin (10/01/1996)
Ranked #58 in Mojo's 100 Modern Classics -- [They sound] refreshed and enriched.
Mojo
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