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OLD Bamana Marka KORE MASK Antique African Art Mali

21.5" Priv Col, Heavy Brass Strips, Extreme Age + Use

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Price:US $1,295.00US $906.50
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Item number:120356026851
Item location:Santa Fe, NM, United States
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Last updated on 11:02:10 PM PDT, May 10, 2009 View all revisions
Item specifics
Original or Reproduction: OriginalRegion or Culture: African
Category: Antiques - EthnographicProduct Type: Masks & Headdresses
Exact Type: Masks MasquesClassification: Antique
Tribe, Region: Bamana Marka, MaliMaterials: Carved wood, Brass
Condition: Exceptional Age Wear from Use  
 

OLD Bamana Marka KORE MASK Antique African Art Mali

 
 

A Important OLD Bamana Marka KORE Mask, Exquisite Early Form
Antique African Art - Tribal Sculpture - Mali

Collected from the: Marka (Warka) peoples of the San region of Mali, West Africa
Material: Carved wood, heavy brass strips, hand-forged iron tacks
Period: Earliest 20th century
Dimensions: 21.5" height, 5.25" width, 5" depth; weight is 2.00 pounds
Condition: Exceptional. From a prestigious Houston collection, exquisite signs of age and authentic tribal use, minute age cracks and failed early indigenous repair to back rim edge test stable, wear-exposed wood displays significant patination. Exhibits the anticipated minute accumulation of ingrained debris of a long life with ever-so-slightly oily surface condition and smooth worn interior sides and rim edge suggestive of frequent handling and repeated performance wear. Clearly an esteemed early Kore, make special note of the serene facial expression, application of heavy brass strips which preceded the use of the more modern thin brass repousee, gorgeous grain patterns and superior surface condition - an absolutely stunning example of early Marka art !

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Information on the Bamana (Bambara) Marka (Warka) KORE Initiation Society
The Kore initiation insures the development of male identity. Where the Kore exists, every male has to be symbolically killed at the Kore, or else be considered as belonging to the world of the women and the non-circumcised boys. For this reason, the Kore and Kore initiation still exist in predominantly Muslim villages, but it is said to no longer be a Jo; masks, boliw and sacrifices have disappeared, at least officially. Even seven years an age-set of teenagers is "killed at the Kore." As they resuscitate under an adult identity, they have to renounce the privileges of childhood, and must prove their quality of ce fari (brave man). Before being allowed to return to the village as grown-ups, they live for a time in the bush under the aegis of three elders where the neophytes are subjected to physical hardships and humiliations, and learn about herbal medicine, sexuality, the cycle of life, and their obligations towards the elders and their ancestors. They never protest, for their fervent wish is to become adult: they want to prove their bravery and they know they will one day become elders themselves. After the Kore initiation, boys are indeed considered as men and can choose between other initiation societies to increase their power.

Bamana (Bambara) Marka (Warka) Tribal History
"The 2,500,000 Bamana people, also called Bambara, form the largest ethnic group within Mali and occupy the central part of the country, in an area of the savannah. They live principally from agriculture, with some subsidiary cattle rearing in the northern part of their territory. The Bambara people are predominantly animists, although recently the Muslim faith has been spreading among them. The Bambara kingdom was founded in the 17th century and reached its pinnacle between 1760 and 1787 during the reign of N'golo Diarra. N'golo Diarra is credited with conquering the Peul people and in turn claimed the cities of Djenne and Timbuktu. However, during the 19th century, the kingdom began to decline and ultimately fell to the French when they arrived in 1892. For the most part, Bambara society is structured around six male societies, known as the Dyow. The stylistic variations in Bambara art are extreme - sculptures, masks, and headdresses display either stylized or realistic features, and either weathered or encrusted patinas. Until quite recently, the function of Bambara pieces was shrouded in mystery, but in the last twenty years field studies have revealed that certain types of figures and headdresses were associated with a number of the societies that structure Bamana life," according to Bacquart. "Among the Bamana and Maninka, initiation societies, called jow, were and sometimes still are of profound social and political significance. Some of them like the Ntomo, Kore, or their local equivalents, impose rites of passage: in the villages where they exist, every boy has to accomplish their rituals in order to accede to adulthood. Other socities such as the Komo, the Nama and the Ci-wara are "power associations" in which men participate in order to gain power and protect their dependents." For many of those interested in the African art, the Bamana have come to be seen as a classic example of "traditional" Sudanic civilization, a conservative inward-looking society of farmers and artists largely unaffected by the forces which shape Malian history. A most remarkable society of people living in the middle Niger Valley that somehow resisted the full thrust of Islamic religious renewal, the holy wars of the nineteenth century, and subsequent French imperialism and colonization - they appear almost heroic in surviving those raging events while remaining faithful to an artistic tradition based upon ancient precepts and values. The Warka (also known as Marka) occupy the northern region of the Bambara (Bamana) territory. Although they speak different languages, they share a number of institutions and are famous for their masks and puppets. Similar to Bamana Ntomo and Kore society masks, Marka masks are generally carved with a comb on top of the head, but unlike Bamana masks they are often covered with metal plaques. We highly recommended reading Bamana: The Art of Existence in Mali (Colleyn) and Bamana Figurative Sculpture (Ezra) for an exceptionally well detailed account of this fascinating culture.

Cat. # bm5


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