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Panasonic AG-HVX200 BSTOCK
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This item is BSTOCK. It includes all standard accessories.
BSTOCK are Panasonic display and demo units that have been reboxed as BSTOCK from Panasonic. They carry a 90 day warranty.
1/3" 3-CCD 16:9 HD/DVCPRO/DV Cinema P2 Camera with CineSwitch Technology, CineGamma Software and IEEE 1394 Interface
U.S.
List Price $5,995.00
Highlights
The New Leica Dicomar HD Lens
Developed specifically for HD recording, this lens system features a
large 82-mm (diameter) fitler along with 15 lens elements in 11 groups,
including three aspherical lenses. The Leica Dicomar lens incorporates
Leica optical technology and know-how throughout. The use of
low-dispersion glass reduces color aberration and increases resolution,
while a multi-coating process minimizes flare and ghosting. This
results in sharp, crisp, beautifully rendered images with delicate
nuances and exceptional shading.
Wide-angle, 13x Zoom Lens
The Leica Dicomar Lens is a powerful 13x zoom lens designed especially
for HD video recording. Extending all the way to 4.2mm (equivalent to
32.5mm on a 35mm lens), this lens covers the full wide-angle range
needed in most broadcast and professional shooting. There's no need for
a bulky wide-angle conversion lens. With a minimum object distance
(MOD) of approximately 1.9 ft (0.6 meter) in telephoto mode, the
AG-HVX200 has true handheld maneuverability. And with the same
cam-driven zoom ring acclaimed in the DVX100 series, the AG-HVX200
gives you the superior operability and control you need in demanding
applications.
OIS (Optical Image Stabilizer)
Panasonic's advanced OIS (Optical Image Stabilizer) dramatically
reduces the blurring caused by hand-shake. Optical processing with an
automatic correction function helps assure consistently clear, sharp
images.
New High-Sensitivity Progressive CCD
Each pixel has a large light-receiving area, giving this newly
developed 1/3-type progressive CCD the kind of high sensitivity not
available in previous compact HD cameras. This advanced CCD combines
with a newly developed digital signal processor (DSP) in combination
with a very sophisticated offset spatial technology achieves a balance
of high resolution and high S/N ratio that rivals HD broadcasting
cameras.
New DSP with 14-bit A/D Conversion and 19-bit Processing
The AG-HVX200's newly developed digital signal processor for 1080/60p
video signals uses 14-bit A/D conversion and 19-bit inner processing to
attain unprecedented accuracy. While the camera does not record
1080/60p, it is from the capture that all other signals are made. The
DSP performas a variety of adjustments, including eight types of gamma
settings, for each of the R, G and B channels. It also converts the
signals to HD or SD format. With a performance equivalent to the
processors used in many higher-end HD cameras, this new DSP helps the
AG-HVX200 deliver beautiful images in all video formats.
High-Resolution Native Profressive 1080/60p Scan
Progressive to interlace conversion, cross conversion and down
conversion all start with the 1080p/60 scan. That initial 1080p Native
Progressive Scan offers the highest level of vertical resolution
possible at this level of camera. Keep in mind that the camera does not
record this signal but uses it as a basis for all capture. The result
is an HD or SD recording with a level of image quality that
electronically processed scans cannot match.
The Superb Images and Sound of DVCPRO HD Codec
Using the DVCPRO HD codec recording system, the AG-HVX200 records HD
video with outstanding image and audio quality onto a P2 card in file
format. This codec, thanks to a low compression ratio at a video bit
rate of 100 Mbps (1080/59.94i, 720/59.94p) and the easy-to-edit
intraframe compression system, is suitable for recording fast-moving
subjects with no motion artifacts other than motion blur. The 4:2:2
sampling rate minimizes jaggies at chroma edges and is advantageous in
image and compositing. Sound quality is excellent too, thanks to DVCPRO
HD's uncompressed 16-bit, 4-channel digital audio recording capability.
HD/SD Multi-Format Recording
The AG-HVX200 is the world's first compact camera to offer 1080/24p
shooting. It can record onto a P2 card in 1080/60i or 720/60p HD, and
it's compatible with the SD (480i) format currently used in TV
broadcasting. The multi-codec system lets you record in DVCPRO50,
DVCPRO and DV.
Super-Compact, Large Capacity and High Speed
P2, which stands for Professional Plug-in, is a compact solid-state
memory card designed for professional AV use. Basically, four SD Memory
Cards are packaged together to create a single P2 card. When striped as
a RAID 0 array, this gives the P2 four times the transfer speed and
four times the capacity of a single SD Memory Card. A slim,
large-capacity 8-GB P2 card can hold 32 minutes of DVCPRO/DV codec
recording yet weighs only about 45 grams. Compliant with PC Card
standards (Type II), the P2 card plugs directly into the card slot of a
laptop PC. AV data on the card mounts instantly, with each cut as an
MXF file. The data can be used immediately - no digitizing necessary -
for nonlinear editing, or it can be transferred over a network. The P2
far surpasses all other AV media in transfer speed, too. The P2 cards
transfer data at up to 640 Mbps, which can greatly speed up production
processes.
Reliable Performance, Repeatedly Reusable
P2 cards provide superb reliability in even the harsh environments. P2
cards withstand shock up to 1,500 G and vibration up to 15 G, operate
in temperatures from -4 to 140 F and can be stored in temperatures from
-40 to 176 F. In durability too, the P2 card goes well beyond ordinary
PC cards. Its connector portion, for example, is specially designed for
professional use and has passed insertion/removal tests of more than
30,000 cycles. P2 cards also have a write protect switch that helps
prevent accidental data deletion. Solid state memory has the unique
advantage of being rewritable, over and over again, in part because it
is a non-contact media and requires no rotation. You can use the same
P2 card again and again for years - slashing media expenses while also
minimizing impact on the environment.
Immediate Startup and Better Data Protection
When you press the Record Button in stnadby mode, the AG-HVX200
instantly finds a blank area of the P2 card and begins recording. It
can begin recording immediately even when you're using it to preview
video. In normal use, there's no chance of accidentally overwriting a
recording. Recordings will not be erased unless you intentionally
delete a file or initialize the card.
Hot-Swap Recording and Other Functions that Add Versatility
Hot-swap recording: Thanks to the AG-HVX200's two card slots, you can
hot-swap P2 cards and have continuous non-stop recording. With multiple
cards you can record for hours without interruption. Or, using an
AJ-PCS060G, the "P2 Store", external hard drive, you can download
recorded files from a P2 card and then initialize it (erasing the
files), so it's ready for re-use.
Loop recording: Using two P2 cards and setting the AG-HVX200 for
consecutive overwriting, you can repeatedly re-record during a
particular recurring time slot, always maintaining a recording of the
most recent period. Unlike video tape, P2 cards need no rewinding. They
minimizes wasted time and allow seamless, continuous recording. This
makes them especially useful for unattended monitoring.
Pre-rec: While in standby mode, you can continuously store, and
subsequently record, up to 7 seconds in DVCPRO50/DVCPRO or 3 seconds in
DVCPRO HD of video and audio. In effect, this lets you record footage
of events that occur even before you press the rec start button, giving
you a way to 'go back' and capture moments you otherwise would have
missed.
One-shot rec: Convenient for producing animation, this mode records for
a set time (from 1 frame to 1 second) each time you press the Start
button.
Interval rec: Recording one frame at a time at set intervals (from 2
frames to 10 min), this mode is useful for monitoring and special
ultra-undercranking effects.
Clip Thumbnail/Data Function
The AG-HVX200 records each cut as a clip (file) and automatically
attaches a thumbnail image and file information to it. To preview a
clip on the LCD monitor or to check clip data, simple choose the clip
you want from the list of thumbnails.
Shot Marker Function
If desired, you can add a simple OK/NG shot marker to each clip either
during or after recording. When a P2 card containing marked clips is
inserted in a PC, the PC will display with a M demarkation in the P2
viewer which of the clips is the one with the Marker.
Connects Directly to PCs and Macs
In PC mode, the AG-HVX200 connects directly via USB 2.0 to a PC running
Windows. In IEEE 1394 Device mode, it connects directly to a Mac.
This lets you use the AG-HVX200 as a P2 card drive, providing easy
access to recording on the P2 card.
Added Versatility for Field Work
The battery-powered AJ-PCS060G portable hard disk drive - or P2 store -
gives the AG-HVX200 the added versatility needed in the field. Equipped
with a card slot, the P2 Store makes it easy to download files and
initialize a card so it can be re-used right away. In the editing
booth, the P2 Store can connect to a PC via its USB 2.0 port and serve
as an external hard disk drive.
Variable Frame Rate from 12 to 60 fps
Panasonic's VariCam - named for its ground-breaking variable frame rate
capability - is widely used in the production of movies, TV programs
and commercials. Now with the AG-HVX200, the variable frame rate
function is available for the first time in a compact camera. In 720p
mode, the frame rate can be set from the conventional 24p/30p to any of
11 steps between 12p and 60p. Like the VariCam, the AG-HVX200 allows
the undercranking and overcranking used with film cameras to create
fast-motion and slow-motion effects.
New 720p Native Mode
In the new Native mode, the AG-HVX200 records images at the frame rate
set in the camera. For example, in 24p mode it records 24 frames. Using
the AG-HVX200 to play back the recording at the normal rate, you can
preview the speed effect right on the spot, without using a frame rate
converter. Native mode also extends the recording time of a P2 card.
720p over 60p Mode
This is a VariCam-compatible mode for recording 60p-converted video.
For example, in 24p mode it records 60 frames by applying a 2:3
pulldown. The recording time is the same as in 1080i or 720p mode, but
the unit can output a DVCPRO HD stream from the IEEE 1394 connector as
it records. This lets you produce a backup copy using a connected
external Hard Disk recorder, such as the Panasonic AJ-HD1200A DVCPRO HD
recorder or the FOCUS FireStore FS-100.
1080/480 24p Advance Mode
The 1080 and 480 progressive recording systems convert recordings to
60i in 24p, 30p, or 24pA (Advance) mode. The 24p Advance mode uses
2:3:3:2 pulldown and performs 60i/24p conversion with minimum image
degradation when recording data is captured via an IEEE 1394 interface
to a compatible nonlinear editing system. This lets you maintain
superior image quality throughout the production process.
Eight-Mode Gamma for Richer Gradation
Drawing on technologies developed for the VariCam, Panasonic has
equipped the AG-HVX200 with advanced gamma functions that address eight
different shooting scenarios and expands your creative abilities.
Included are the Cine-Like Gamma, which gives recording the
characteristic warm tone of film recordings, and a News Gamma that's
designed especially for news gathering.
Create Slow-/Fast-Motion Effects Using Mini DV Tape
In addition to its two P2 card slots, the AG-HVX200 is equipped
with a MiniDV tape drive. This allows recording in 60i, 30p, 24p or
24pA (Advance) modes, just like AG-DVX100 series models. It also lets
you down-convert an HD source (1080i/720p) recorded on a P2 card and
copy it to a MiniDV tape. During copying, frame-rate conversion is
applied to overcranked and undercranked HD image sources in 720p native
mode. This lets you create special speed effects during DV production -
until now, a feat possible only with a complete VariCam system.
Cam-Driven Manual Zoom
The cam-driven (mechanical) manual zoom ring provides the same fast,
precise zooming as cameras with interchangeable lenses. You'll also
enjoy the operating feel. When you turn the zoom ring, you experience
the same kind of steady resistance as you feel with 35mm lenses. The
AG-HVX200's servo-driven zoom also allows slow zooming.
Manual Focus with Center Zoom
Enjoy quick, sharp focusing manually or automatically. In manual mode,
the focus ring gives you the same kind of operating feel and responsive
control as cameras with interchangeable lenses. An HD-compatible focus
assist (Center Zoom) function enlarges the center part of the image,
making it easier to get the more precise focus needed in HD production.
In auto mode, you get quick focusing when shooting at a high or low
angle. When set to infinity, the focal distance is immediately prepared
for the next manual focus. When in manual mode, pressing the Push Auto
button temporarily activates auto focus.
Manual Aperture
The large aperture dial (direction setting possible) is designed for
easy manual operation. You also can add backlight correction or
spotlight correction to the auto aperture function.
Gain, ND Filter
Increase gain up to 18 dB. The selector has three positions: L is fixed
at 0 dB; M and H can be set to 0, +3, +6, +9 or +12 dB. +18dB can also
be quickly accessed by the use of the USER 1, 2 or 3 switch. Two ND
filters (1/8ND, 1/64ND) are built-in and easily accessible.
Slow, Synchro and High Speed Shutter
Used with the variable frame rate functions, this allows you to create
a blurring effect or crystal clear stop motion sports action. The
AG-HVX200 also features a synchro scan function that's suitable for
capturing screen shots from a computer monitor.
Scene File Dial
Set this dial for a set of shooting conditions, and later you can
instantly retrieve the settings when needed. Six preset files are
provided, and you can change any of the six file names and their
settings as desired. You can also transfer the setting files to an SD
Memory Card.
Three User Buttons
The AG-HVX200 has three user buttons, each of which can be assigned any
one of 12 functions (rec check, spotlight, backlight, black fade, white
fade, ATW, ATW lock, gain 18dB, focus ring, memo/index, slot sel, shot
mark). The assigned functions can then be accessed at the touch of a
button.
Auto/Manual Mode Selector
Just select the auto position to turn on Auto Aperture, Auto Gain, Auto
Tracking White Balance, and Auto Focus - and you are immediately ready
to shoot. You can also customize the auto mode by removing functions
and setting the gain to any value desired.
White Balance with the Auto Tracking White Function
One press of the AWB button is all it takes to adjust the white balance
and black balance. There are three white balance values to select from:
one that's preset, and two (A, B) that you can set and save in memory.
The auto tracking white balance (ATW) function can also be assigned to
any of the three positions. The ATW mode supports fase, active shooting
by adjusting the white balance in real-time as lighting conditions
change.
XLR Audio Inputs
In addition to the built-in stereo microphones, the AG-HVX200 is
equipped with two XLR audio input terminals with a 48-V phantom power
supply for professional use. Both input 1 and input 2 can be switched
between line and mic, and Audio is locked to the Video, unlike consumer
DV camcorders.
Audio Dials and Flexible Input Selection
The AG-HVX200 has the same kind of level-adjustment dials as DVCPRO
camera-recorders, This practical design incorporates professional
operating features that have been refined over years of use on
location. A switch lets you select built-in mic, input 1, or input 2
for the audio input of both channel-1 and channel-2. Auto level control
can be turned on or off.
Large Electronic Viewfinder
The large viewfinder makes it easy to view content, even with your eye
at a slight distance, and it tilts upward 90 degrees for easy low-angle
shots. The AG-HVX200 also has a detail (PEAKING) function.
3.5" Color LCD Monitor
The large, birght LCD monitor opens all the way to 120 degrees and
swivels freely within a range of 270 degrees. This makes it easy to
shoot from a variety of angles and view the image comfortably. In 16:9
wide-screen mode, the AG-HVX200 can display images in letterbox format.
Trigger and Zoom Control on Upper Handle Grip
In addition to the lens grip, the upper part of the handle grip
contains both the Rec Start/Stop button and a lens zoom control. This
design assures easy shooting even at low angles or when using a tripod.
The zoom speed can be set to any of three speed levels or off.
Magnesium Alloy Chassis
The AG-HVX200 has the same magnesium alloy diecast chassis as our
DVCPRO broadcast models. This ultra-tough, ruggedly built
camera-recorder protects the precision parts within, giving the
AG-HVX200 outstanding reliability and durability. Built for
professionals, the AG-HVX200 stands up to the bumps and jolts that may
occur in the field.
Support Functions for Greater Convenience
Mode Check: Displays a list of the camera settings on the viewfinder and monitor.
Zebra: Select any two levels from amoung 50% to 105% in 5% steps.
Tally Lamps: Provided on the unit's front and rear, and menu switchable.
Center Marker: Provides an accurate numeric display of the brightness at screen center.
Remote: Controls zoom, rec, focus and iris
Compatible with Mac and Windows Nonlinear Editing
With its IEEE 1394 (4-pin) and USB 2.0 interfaces, the AG-HVX200
connects directly to Mac and PC. The IEEE 1394 port supports SBP2
(Serial Bus Protocol 2) and allows direct connection to a Mac, making
it easy to transfer P2 files for use with Final Cut Pro nonlinear
editing software. When you've recorded on MiniDV tape, the AG-HVX200
can stream to a conventional DV-compatible nonlinear editing system.
The USB 2.0 interface lets you transfer P2 files to a Windows PC for
use with a nonlinear editing system (such as an Avid or Canopus)
product. These two interfaces provide you the best performance for Mac
and Windows nonlinear editing systems.
External Recording with IEEE 1394 Streaming
The IEEE 1394 interface can be used to control an external device
synched with the camera's Start/Stop operation, making it easy to
create backup recording. Compatible devices include the AJ-HD1200A (for
DVCPRO HD recording), the AJ-SD93 (DVCPRO 50/DVCPRO), and the AG-DV2500
(DV). Also, when used with FOCUS FireStore FS-100, the AG-HVX200 can
provide extended-time recording in all codec formats, including DVCPRO
HD (except in native recording mode).
Transferring Files to an External HDD
The AG-HVX200 offers a host function. Insert a P2 card in the card
slot, and data can be transferred to an external Hard Disk Drive (AC
Power Supply needed) via the IEEE 1394 port.
Analog Component Signal Output
The AG-HVX200 is equipped with analog component signal (Y, Pb, Pr)
terminals for outputting 1080i, 720p and 480i (each 59.94 Hz) camera
video signals. This lets you preview recorded clips on an ordinary
HD/SD TV monitor.
16:9 Squeeze and Letterbox Modes
The AG-HVX200 can record in SD with a 16:9 or 4:3 aspect ratio. When
16:9 is selected, the AG-HVX200 can record in native 16:9 recording or
can be switched to a letterboxed 4:3 image.
TC Set and User File Copy with Multi-Cameras
Connecting two AG-HVX200 units together with an IEEE 1394 cable allows
set initial time-code, which then enables time-code-matched editing
with multiple camera-recorders. The built-in SMPTE time-code
generator/reader lets you select the Drop Frame/Non-Drop Frame and Free
Run/Rec Run modes, preset and regenerate. User bits are also provided.
User files (with sets of camera settings) can be transferred to an SD
Memory Card. This makes it easy to synchronize images recorded
simultaneously using multiple cameras.
Compatibility with Nonlinear Editing Systems
In developing DVCPRO and P2 products, Panasonic has been working in
collaboration with a number of strategic P2 Partners. The results are
products that offer maximum compatibility with existing hardware and
software, including IT-based system platforms and nonlinear editors and
network servers. Apple, Avid and Canopus have announced support of the
DVCPRO HD P2 file recorded by the AG-HVX200. Using nonlinear editing
systems from these three leading companies, you can produce HD videos
from DVCPRO HD native files.
Simple Solution
Using just an AG-HVX200 and a laptop computer (PC or Mac) you can
access each clip or transfer clips via USB2.0 (PC) or IEEE 1394 (Mac)
without capturing process.
News Gathering
Out in the field, the P2 Store hard drive lets you use and re-use the
same P2 cards repeatedly. Back in the editing room, connect the P2
Store (or a P2 drive) directly to a NLE system. Mobile, reliable and
easy to use, the AG-HVX200 speeds up production and gets the news
quickly from the field to the air.
HDTV Program Production
Program creation for HDTV can be made in the 1080i or the 720p format
with the AG-HVX200. Recordings can be output to a DVCPRO HD VTR via the
IEEE 1394 interface and added to the existing HD production flow. Used
with the FOCUS FireStore FS-100, the AG-HVX200 can provide
extended-time recording.
Film, Commercial and Video Production
Use the AG-HVX200 as a main camera on an independent film shoot, or as
a second camera on an VariCam HD production. Or it can be used in a
high-end SD production with the AJ-SDX900. The HVX200 records in all of
these formats so that you can go where you need to go with the camera.
Its size and flexibility make it the camera of choice for many
applications; it is mobile, and maneuverable, ready for all kinds of
specialty shots.
As a High-End DV Camera
The AG-HVX200 can record in any of the 60i, 30p, 24p and 24pA (Advance_
modes used by the DVX100 series equipment. Further, thanks to the P2
card recording and down-conversion function, you can copy overcranked
and undercranked HD sources in 720p native mode to miniDV tape. This
allows you to offer fast-motion and slow-motion effects in DV
productions that hre-to-fore just could not be accomplished without a
complete VariCam System.
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