The emblem of Carnevale was, literally, the mask, a term that could apply to the wearer as well as to the object, attesting to the depth of identification of individual with disguise.
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The image will be printed on Epson Enhanced Matte paper using original Epson Ultrachrome pigment inks.
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The paper and inks are archival quality.
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The print is suitable for framing.
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We ship worldwide in safe Stay Flat envelopes
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If you are purchasing multiple items within a period of three days, please do not pay for an item until you have made ALL your purchases. I will generate an invoice which includes the shipping discount for multiple purchases.
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The actual dimensions of the print will be as close to 10 x 14 inches as the composition of the image allows.
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The dimensions of the paper will be 11.7 x 16.5 inches. If different dimensions are desired, please e-mail me.Time-less-image's customer service goal is simple: We are committed to providing our customers total satisfaction. Every time. Guaranteed.
Purchase larger 12x16 inch print
Italy: Venice & Tuscany : Note Cards
This piece, "Carnevale", was created by Rachel Cochrane, who also painted the Yule Cheer and Holiday Garb Christmas cards. Rachel used Corel Painter, the world's leading natural media painting application and Photoshop. This image was designed with digital tools to replicate the appearance and texture of pen, ink and watercolor and is beautifully presented on Epson Enhanced Matte Paper.
The process employed in the computer darkroom does not involve heavy plates, long exposure times, nor toxic chemicals. However, as with the early pioneers, the final image is a function of light, tone and composition. Relieved of the dangers associated with the original process, we can only hope to some day master a technique that "mirrors the truth". At Time Less Image we continue to seek exquisite beauty in our images, exploring all techniques, old and new.
The emblem of Carnevale was, literally, the mask, a term that could apply to the wearer as well as to the object, attesting to the depth of identification of individual with disguise. The masks of Carnevale derived most immediately from the masks worn on stage in the traditional commedia dell'arte and more distantly from masks worn in traditional societies, and shared with the latter certain basic characteristics thought to be universal to the practice of masking: simultaneously an act of simulation or mimicry and of disguise, masking could be alienating and transporting, intoxicating and liberating.