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UNTIL JANUARY 31, 2009, ALL PROCEEDS FROM MY LISTINGS WILL GO TO KIVA. PLEASE VISIT MY KIVA PAGE: http://www.kiva.org/lender/marco4704
ISBN 0500200407
Size = 8vo - over 7¾" - 9¾" tall
The culmination of radical transformations in the arts initiated largely by Dada was the first Surrealist manifesto issued by Andre Breton - leader and principal theorist of Surrealism - in 1924, two years after the Dada movement split. Breton published two more manifestos in 1930 and 1934. In the first Manifesto, Surrealism is defined not so much as a formal movement as a spiritual orientation, embracing ethics and politics as well as the arts. Recourse to dreams, to the unconscious, to chance events, to automatism were crucial to the Surrealist undertaking. The long list of artists associated with Surrealism includes several whose influence and perennial popularity are today as pronounced as ever, among them Ernst, Miro, Duchamp, Magritte and Dali. The key documents included in this book, in addition to Breton's manifestos, are Eluard's Food for Vision; Dali's Conquest of the Irrational; Ernst's Beyond Painting; and articles from the Surrealist magazine La Revolution Surrealiste. Patrick Waldberg introduces these in surveying Surrealism from its inception.
CONTENTS:
Preface by Patrick Waldberg Patrick Waldberg: The Paths of Surrealism La Revolution Surrealiste Andre Breton: First Surrealist Manifesto Andre Breton: Second Surrealist Manifesto Andre Breton: Surrealism and Painting Paul Eluard: Food for Vision Salvador Dali: Conquest of the Irrational Andre Breton: The Exquisite Corpse Max Ernst: Beyond Painting Text References Biographical Notes Chronology Selected Bibliography List of Illustrations Photograph Acknowledgments Index




128 pages. Softcover. Ex-library.
Weight = 800 g
BOOK CONDITION = VERY GOOD
NEW: This book has been designated by the seller as brand new.
FINE: No defects, little usage. Older books may show minor flaws.
VERY GOOD: Shows some signs of wear and is no longer fresh. Attractive.
GOOD: Average used book with all pages present. Possible loose bindings, highlighting, cocked spine or torn dust jackets.
FAIR: Obviously well-worn, but no text pages missing. May be without endpapers or title page. Markings do not interfere with readability.
POOR: All text is legible but may be soiled and have binding defects. Reading copies and binding copies fall into this category.
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