This superb oil on wood painting is
a great example of Robert W. MacIsaac’s artistic genius.
Indicative to his outstanding individuality
as an artist, the charming ocean subject of this painting is highly
unique.
MacIsaac portrayed an
imaginative, original invention of a whimsical, colorful mermaid figure.
The texture of the wood panel, of which the
picture is painted, also contributes to the appearance of the painting,
developing a warm canvas tone.
MacIsaac’s playful choice of color conveys an uplifting and light
hearted spirit, which is certain to delight anyone and also proves to be a
truly remarkable one of a kind.
This
splendid painting is finished with an exceptional, complimentary, high quality
frame, measuring a total of 28 3/4” x 24 3/4”.
The unique framing, which greatly enhances the painting, was
individually and artistically created and painted by Le Chateau’s renowned
master framer, Jeanette Shoenrock. The
art is signed and dated by MacIsaac, visible in the lower right corner.
The eminent artist, Robert MacIsaac,
was born in Detroit, Michigan in October of 1925. From a very early age he exhibited outstanding
artistic genius and attended art school and apprenticeships in Detroit. MacIsaac served overseas in the American Army
in World War II, in both the Philippine and New Guinea theatres of war. Upon
his return to Michigan, he gained widespread recognition for his innovative
works, including landscapes and his unique, artistic realism in maritime
paintings. MacIsaac was also a renowned graphic designer, with his work
including the Seal of the City of Novi.
In mid-life, MacIsaac moved to
North Carolina where he further enhanced his skills, reputation and found great
influence to his paintings by his rural surroundings. In his later years, he moved to Clearwater,
Florida and continued to develop his extraordinary talent producing unrivaled
oils and watercolors in favorite genre of abstract, landscapes and maritime
seascapes. The artist is celebrated for
his incredibly outstanding artistic work.
His lifetime output was limited to seven to eight hundred classics,
which accordingly increase in value as a result.