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TOM VERLAINE s/t solo debut WH LABEL PROMO TelevisionNM

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Item number:320224401385
Item location:Rowlett, TX, United States
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Last updated on 09:57:42 PM PDT, Aug 27, 2009 View all revisions
Item specifics - Music: Records
Speed: 33 RPMGenre: Rock
Record Size: 12"Sub-Genre: Punk
Duration: LPSpecial Attributes: --
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TOM VERLAINE   S/T DEBUT  FORMER TELEVISION LEADER

ELEKTRA 6E-216   1979

COVER-NM MINUS

DISC-NM WHITE LABEL PROMO

Biography by Jason Ankeny

Famed for his trailblazing work as the singer and guitarist for the seminal New York punk band Television, Tom Verlaine also carved out an acclaimed and eclectic solo career. Born Thomas Miller in Wilmington, DE, in 1949, Verlaine (who borrowed his name from the French symbolist poet) was trained as a classical pianist, but gravitated toward rock music after an encounter with the Rolling Stones' "19th Nervous Breakdown." In 1968, he and bassist Richard Meyers (later Richard Hell) moved to New York's Lower East Side, where they and drummer Billy Ficca formed the group the Neon Boys. After the addition of second guitarist Richard Lloyd, the band renamed itself Television.

Beginning with their landmark 1975 debut single, "Little Johhny Jewel," Television became one of the most renowned groups on the burgeoning New York underground scene; though lumped together with the punk phenomenon, the band's complex songcraft — powered by Verlaine's strangled vocals, oblique lyrics, and finely honed guitar work — clearly set them apart from their peers. However, after only two albums, 1977's classic Marquee Moon and the disappointing 1978 follow-up, Adventure, Television disbanded, and Verlaine started a solo career.

Review by David Cleary

Tom Verlaine scores a solid winner on his first solo release. Not surprisingly, many of the songs here suggest the music of Television, his former band, especially in the use of vibrant and full guitar textures and frequent solo break sections in which to feature them. Verlaine's fey vocals surprisingly do not detract from the gutsiness of these numbers. Several of the songs here utilize hooky initial guitar riffs in the tradition of 1960s bands like the Rolling Stones, the Kinks, and the Beatles, most notably on "Flash Lightning," "Kingdom Come," and especially "Grip of Love." Two selections, "Red Leaves" and "Mr. Bingo," show mild swamper influence; the former also has subtle psychedelic touches in the chorus, while the latter (when Verlaine's vocal enters) suggests a Lou Reed number. Even more Lou Reed/Velvet Underground-oriented is the lengthy and wonderful "Breakin' in My Heart." "Last Night" is a noble slow-tempo number with unusually noticeable keyboard usage. And "Yonki Time" is a daffy, loping, bluesy selection with bizarre tongue-in-cheek lyrics and quirky production touches — a fun work to hear. This is a top-notch solo debut that bears repeated listenings.

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