RCA Type 77-DX Microphone
Original Vintage Beauty
DETAILS
This is a very nice condition, example of one of the most famous broadcast microphone models of all-time, the RCA Type 77-DX.
This microphone has been rebuilt, and fitted with an XLR type connector, she works & sounds great.
I believe this model/color is considered the "umber gray television version."
BACKGROUND / HISTORY
(info-pics borrowed from website: http://www.coutant.org/contents.html )
The RCA Type 77-C1
RCA introduced the 77 series of all-purpose ribbon microphones in 1932 (designed in 1929) to provide a uni-directional pick-up pattern and wide frequency response. The designer was Harry F. Olson. The early 77 series featured two ribbon microphones in series to create a uni-directional pattern. A switch provided operation of either mic individually or both in series. A labyrinth tube behind the pressure mic’s ribbon directed the air movement into sound absorbing material. When using only the pressure mic, the pattern was non-directional. When using only the velocity mic, the pattern was bi-directional. Later, the 77-D series utilized a single ribbon and inserted a moveable shutter assembly between the ribbon and the labyrinth tube which allowed various directional patterns to be realized. Also in the D series, a reactor could be placed into the signal path to reduce low frequency response and compensate for close talking. Frequency response with the 77-C series depended on the directional pattern selected but 50 Hz to 10 kHz was typical. The 77-C1 was made only in 1940 and was replaced by the 77-D, which evolved into the 77-DX.


The umber gray television version.

The RCA Type 77-DX Poly-directional Microphones MI-4045-F and MI-11006-C are high-fidelity microphones of the ribbon type which may easily be adjusted to obtain a variety of directional patterns. Since the MI-4045-F microphone is primarily intended for broadcast use, it is finished in satin chrome and a low-gloss umber-gray enamel. The MI-11006-C microphone is intended for television use and is therefore completely finished in a low-gloss umber-gray enamel which eliminates glaring reflections usually seen on highly polished microphones.
Instead of being open on both sides as in the conventional velocity microphone, the ribbon element in this microphone is coupled to an acoustic labyrinth which forms the body portion of the microphone. The tube connecting the back of the ribbon to the labyrinth is slotted directly behind the ribbon and fitted with an adjustable shutter to secure various areas of opening. When the opening is completely closed, the microphone operates as a non-directional pressure microphone; at the wide-open position the microphone becomes bi-directional. With the proper size opening the pattern becomes a cardioid by virtue of the phase shift which occurs. Openings smaller or larger than this critical size produce directional patterns with various sized rear lobes. Different amounts of low-frequency attenuation are obtained by a reactor shunting the output. These microphones are intended primarily for indoor use and if used outdoors may require some additional protection against the wind.

Directional Characteristics
The adjustable shutter over the slot in the tube leading to the acoustic labyrinth may be rotated by means of a screwdriver adjustment extending through the rear screen flush with a designation plate. The choice of directional patterns makes possible a considerable degree of control of the ratio of direct sound to reverberant sound as well as the possible reduction of unwanted sound such as audience noise in a studio. The wide angle of pick-up provided by the cardioid pattern is useful in covering large groups with a single microphone. For close-talking applications the non-directional characteristic is of considerable value since the low-frequency response is not accentuated as in the case of a velocity microphone. Numerous other applications of the various directional patterns as well as the different response curves will no doubt suggest themselves to the user.

Directional Pattern Selector—The plate is marked U, N and B, as symbols for the uni-directional, non-directional and bi-directional patterns. Three additional markings L-1, L-2 and L-3 are used as reference points for other directional patterns which may be obtained. Refer to Figure 4 for the patterns associated with each of the six symbols. Stops are provided on the continuously variable pattern selector at the six marked positions, although the shutter may be set at any intermediate position.

The directional pattern selector shutter.



Height comparison of the 77-C and the 77-DX.
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This item is being listed with a $1.00 opening bid and No Reserve
SHIPPING / PAYMENT INFO
The approximate shipped weight will be 6 lbs, and It will ship from the 93551 U.S. zip code.
Please email me ahead of time if you have any questions regarding shipping.
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There is a $10 packing/supply charge.
I reserve the right to cancel bids from anyone outside the USA or, with a negative feedback due to nonpayment.
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Thanks, and Good Luck.