WOW! BRONZE REPOUSSE TIBETAN BUDDHIST CHENREZIG MANDALA

There is neither a painting in the mind

Nor a mind in the painting:

And yet, where else can one find a painting

Than in the mind?

Avatamsaka Sutra

Measures 15 inches in diameter and would stick out about 2 inches from the surface it is mounted on.

Check out my other items!

Avalokiteśvara (known as Chenrezig in Tibetan) is an important deity in Tibetan Buddhism, and is regarded as a Buddha. The Dalai Lama is considered by the Gelugpa sect and many other Tibetan Buddhists to be the primary earthly manifestation of Chenrezig.

One prominent Buddhist story tells of Avalokiteśvara vowing to never rest until he had freed all sentient beings from samsara. Despite strenuous effort, he realizes that still many unhappy beings were yet to be saved. After struggling to comprehend the needs of so many, his head splits into eleven pieces. Amitabha Buddha, seeing his plight, gives him eleven heads with which to hear the cries of the suffering. Upon hearing these cries and comprehending them, Avalokiteśvara attempts to reach out to all those who needed aid, but found that his two arms shattered into pieces. Once more, Amitabha comes to his aid and invests him with a thousand arms with which to aid the suffering multitudes.

In the Tibetan tradition, Avalokiteśvara is seen as arising from two sources. One is the relative source, where in a previous eon (kalpa) a devoted, compassionate Buddhist monk became a bodhisattva, transformed in the present kalpa into Avalokiteśvara. That is not in conflict, however, with the ultimate source, which is Avalokiteśvara as the universal manifestation of compassion. The bodhisattva is viewed as the anthropomorphised vehicle for the actual deity, serving to bring about a better understanding of Avalokiteśvara to humankind.

Mandala (Sanskrit mandala "circle", "completion") is of Hindu origin and is also used in most Dharmic religions, such as Buddhism and Hinduism, to refer to various tangible objects. In Vajrayana they have been developed into sandpainting. In practice, mandala has become a generic term for any plan, chart or geometric pattern which represents the cosmos metaphysically or symbolically, a microcosm of the universe from the human perspective.

A mandala, especially its center, can be used during meditation as an object for focusing attention. The symmetrical geometric shapes tend to draw the attention towards their center. Psychiatrist Carl Jung saw the mandala as "a representation of the unconscious self,", and believed his paintings of mandalas enabled him to identify emotional disorders and work towards wholeness in personality.

A kyil khor (Tibetan for mandala) in tantric Buddhism usually depicts a landscape of the Buddha land or the enlightened vision of a Buddha: "a microcosm representing various divine powers at work in the universe." Such mandalas consist of an outer circular mandala and an inner square (or sometimes circular) mandala with an ornately decorated mandala palace placed at the center. Any part of the inner mandala can be occupied by Buddhist glyphs and symbols as well as images of its associated deities, which "symbolise different stages in the process of the realisation of the truth." Mandalas are commonly used by tantric Buddhists as an aid to meditation. More specifically, a Buddhist mandala is envisaged as a "sacred space," a Pure Buddha Realm and also as an abode of fully realised beings or deities. It is regarded as a place separated and protected from the ever-changing and impure outer world of Samsara.  It is thus seen as a Buddhafield or a place of Nirvana and peace. In many tantric mandalas, this aspect of separation and protection from the outer samsaric world is depicted by "the four outer circles: the purifying fire of wisdom, the vajra circle, the circle with the eight tombs, the lotus circle." The ring of vajras forms a connected fence-like arrangement running around the perimeter of the outer mandala circle. The mandala is also "a support for the meditating person," something to be repeatedly contemplated, to the point of saturation, such that the image of the mandala becomes fully internalised in even the minutest detail and which can then be summoned and contemplated at will as a clear and vivid visualised image. With every mandala comes what Tucci calls "its associated liturgy...contained in texts known as tantras," instructing practitioners on how the mandala should be drawn, built and visualised and indicating the mantras to be recited during its ritual use.

Satisfaction guaranteed, but I can't control the U.S. or foreign Postal Services, or make you read the item description carefully. If there is any problem, let me know and we will work it out.

I would appreciate it if you would read my “Me” page.  There is information there on how to help the Tibetan cause.