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new Masters of Horror DVD 2 MOVIE JOE DANTE+LARRY COHEN

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Last updated on 10:39:24 AM PDT, Jul 24, 2009 View all revisions
Item specifics - DVDs
Format: DVDEdition: --
Leading Role: Fairuza Balk, Jon Tenney, Michael MoriartyRating: NR
Director: Joe Dante, Larry CohenGenre: Television Shows
UPC: 013131453096Sub-Genre: HORROR
Region: DVD: 1 (US, CA)Condition: Brand New
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Movie description
This set contains the contributions of two different horror directors to the MASTERS OF HORROR series. HOMECOMING: A horror film with a political message, HOMECOMING comes from director Joe Dante (GREMLINS, THE HOWLING). With a war going on abroad and an election coming up, the Republican party is anxious about getting enough votes. But when they wish for the soldiers who died in the war to come back to life and speak on their behalf, they never expect it to actually happen. Rising from their graves, the undead men and women set out to tell their own version of events, and to get revenge. PICK ME UP: Larry Cohen's chapter in the MASTERS OF HORROR series begins on a deserted road in the middle of nowhere. When a crazed hitchhiker is offered a ride by an equally insane truck driver, a young woman (Fairuza Balk) has the bad luck to become the victim of each. In order to make it out alive, she will have to outsmart both men by beating each at his own game.

Credits
Cast:David J. Schow, Fairuza Balk, Jon Tenney, Laurene Landon, Michael Moriarty, Robert Picardo, Thea Gill, Warren Kole

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ANCHOR BAY PICTURES and IDT present:

MASTERS OF HORROR
LARRY COHEN: PICK ME UP
JOE DANTE: HOMECOMING 

Joe Dante: HOMECOMING
Joseph James "Joe" Dante (born November 28, 1946) is an American film director and producer of films generally with humorous and scifi content.

His films include Piranha (1978) and The Howling (1981), both from scripts by John Sayles; Segment 3 of Twilight Zone: The Movie (1983); Gremlins (1984), his first major hit, and its sequel Gremlins 2: The New Batch (1990); Explorers (1985), Innerspace (1987), Amazon Women on the Moon (1987); The 'Burbs (1989), Matinee (1993), Runaway Daughters (1994), The Second Civil War (1997), The Warlord: Battle for the Galaxy (1998), Small Soldiers (1998), Looney Tunes: Back in Action (2003), and Homecoming (2005). In 1995-1996, Dante worked on The Phantom, and when he was removed from the film, he chose screen credit (as executive producer) rather than pay. He wished he had chosen pay when he saw the results[citation needed]. He was creative consultant on Eerie, Indiana (1991-1992) and directed five episodes. He played himself in the series finale.

Homecoming is the sixth episode of the first season of Masters of Horror. It originally aired in North America on December 2, 2005. It is loosely based on the 2002 short story "Death & Suffrage" by Dale Bailey.

Plot

An unnamed president (whose appearance is modeled after Bill Clinton and whose voice is modeled after George W. Bush) is running for reelection during a divisive war, and one of his speech writers, David Murch (Jon Tenney), goes on TV to speak with talk show host Marty Clark (Terry David Mulligan) and strident right-wing sexpot (and Ann Coulter-like) Jane Cleaver (Thea Gill). Another guest is Janet Hofstader (Beverly Breuer), the Cindy Sheehan-like mother of a fallen soldier, who demands to know what her son died for. Murch gets a bit teary-eyed and explains that he lost his older brother Philip (Ryan McDonnell) in Vietnam.

"Believe me," he tells the grieving mom, "if I had one wish, I would wish for your son to come back, because I know he would tell us how important this struggle is." Cleaver is so impressed with Murch's handling of the situation that she takes him out for a drink later, picks his brain, and eventually seduces him. The Karl Rove-like Kurt Rand (Robert Picardo) interrupts their tryst, calling to let Murch know that the president plans to make his line part of his stump speech.
A fallen soldier rising from the dead.

Soon, the soldiers killed in Iraq do start returning from the dead, and it doesn't go the way Murch predicted. They are not back to feast on the living, but unhappily for the president and his supporters, they just want a chance to vote in the upcoming election. "We'll vote for anyone who ends this war," one explains. The spin machine goes into overdrive, but the dead are determined to make their voice heard even going as far as one soldier killing Kurt Rand by acting out the zombie stereotype (gouging his eye and slamming his head into the table) when Rand tried to force him to sign an unwanted document by threatening the soldier's mother.

While voting results are being counted during the election, people within the current administration decide to skew the results so the current administration remains in power. After the election results are broadcast, more soldiers begin to return from the dead. But not just ones from Iraq. Soldiers begin to return from World War I and II, the Vietnam War, the Civil War, and etc. Eventually all of the people who died during war time to protect the United States of America have returned from the dead.

The progress of the movie also reveals a shadowy mistake from Murch's past. He believed that his brother Philip was murdered in the Vietnam War only to discover that it was he who unintentionally killed him long ago with a gun in a game of "friend or foe". After Cleaver attacks the soldiers with her shotgun, Murch kills her and fails to kill himself. Murch is countered by a soldier that asks him to join them, saying "we're looking for a few good men". Philip is among those returning from the grave and he forgives Murch for killing him and then snaps Murch's neck.

Now one of the zombies, Murch announces that he will show anyone who sends their brothers and sisters to die for a lie the true face of hell.

Episode no.     Season 1
Episode 6
Written by     Teleplay:
Sam Hamm
Short Story:
Dale Bailey
Directed by     Joe Dante
Guest stars     Beverly Breuer
Jason Emanuel
Thea Gill
Ryan McDonnell
Terry David Mulligan
Robert Picardo
Jon Tenney
Production no.     106
Original airdate     December 2, 2005

Larry Cohen: PICK ME UP
Lawrence G. "Larry" Cohen (born July 15, 1941) is an American film producer, director, and screenwriter. Although he writes and produces for others, he is best known for directing his own low-budget, satirical, and inventive horror films and thrillers that are laced with scathing social commentary about modern society[citation needed].

Biography

Cohen was born in Kingston, New York, USA. Cohen moved to the Riverdale section of the Bronx at an early age, eventually majoring in film at the City College of New York. He started his career in television, writing on many shows and creating the cult classics Branded and The Invaders. He wrote, produced, and directed his first feature film, Bone, in 1972. He came to prominence with It's Alive (1974), a horror film about a mutant killer baby. Though cheaply produced, it is notable for its satirical black humor (the hero's son slaughters the medical staff at birth) and for its exploration of the parents’ dilemma: the hero, who has fathered one of the creatures, at first disowns it but later tries to protect it despite its obvious anti-social tendencies. It's Alive is also noted for being scored by Bernard Herrmann. Cohen made two sequels, It Lives Again (1978) and It's Alive III: Island of the Alive (1987).

Cohen's films are full of quotable dialogue. In Full-Moon High (1981), a teenage werewolf puts off his girlfriend's advances with the excuse that it's “his time of the month.” In Q (aka The Winged Serpent, 1982), the Aztec god Quetzalcoatl is resurrected and flies about New York City snatching human sacrifices off the skyscrapers. Cohen was able to employ the talents of Michael Moriarty, David Carradine, and Candy Clark, and the film is one of his most sophisticated, but it still manages to include such lines as “Maybe his head got loose and fell off.” and "I want a Nixon-type pardon!" The Stuff (1985) concerns a parasitic goo from beneath the Earth's crust that manages to get itself marketed as a dessert. The film's hero announces proudly at the beginning, "Nobody could be as dumb as I appear," and later delivers the maxim "Everybody has to eat shaving cream once in a while."

Perhaps Cohen’s most complex film, as well as his darkest, is God Told Me To (a.k.a. Demon, 1976), in which a troubled Catholic detective is faced with an epidemic of murders carried out by apparently normal people who claim, with quiet satisfaction, that God told them to do it. The film mixes science fiction and horror with religious satire.

In 1987, Cohen made an unofficial sequel to Stephen King's 'Salem's Lot. With typical chutzpah, Cohen threw out all of King’s characters and kept only the basic premise of a small American town inhabited by vampires. A Return to Salem's Lot starred Michael Moriarty (a Cohen regular) and Samuel Fuller, and satirizes small-town snobbery and hypocrisy: a little old woman vampire refers coyly to her drinking problem while the evil king vampire is shown to be, at bottom, little more than a rather nasty conservative politician.

Besides monster movies, Cohen has also made thrillers such as The Private Files of J. Edgar Hoover (1977), which portrays the FBI chief as a sexually repressed and paranoid megalomaniac; Special Effects (1984), the twisted tale of a policeman, a murderous film director, and the woman who gets turned into the double of his leading lady; and The Ambulance (1990), a Hitchcock-style entertainment in which Eric Roberts investigates the sudden disappearance of a young woman.

Because of their frequently hurried guerrilla production style and their bargain-basement budgets, Cohen's films are sometimes murkily shot or messily edited, but Cohen’s freewheeling approach (and complete independence from studio interference) enables him to attack a number of satirical targets that often get off lightly in the mainstream—for example, ruthless food companies in The Stuff. In the third film of the Alive trilogy, Cohen even manages to work in some telling swipes against the American demonization of Cuba.

Cohen was influenced by director Samuel Fuller and now lives in a house formerly owned by Mr. Fuller. In recent years, Cohen has curtailed his directing and producing activities, and has focused mainly on writing. His work was primarily for low-budget films and television until 1998, when Cohen's spec script Phone Booth triggered active interest and aggressive bidding from major Hollywood players. Joel Schumacher directed the resulting 2002 film, which starred Colin Farrell. Cohen was also credited with the story for the 2004 release Cellular, another thriller with a telecommunications theme. However, in 2006, Cohen returned to directing briefly with the episode “Pick Me Up” of the Showtime series Masters of Horror.

Pick Me Up is the eleventh episode of the first season of Masters of Horror. It originally aired in North America on January 20, 2006. It was based on the short story by David Schow.

Plot

On a two-lane highway that resembles Route 28 in upstate New York (appropriate, since Cohen was born in Kingston, New York, the road’s southern terminus), two serial killers clash in a turf war: one is named Wheeler (Cohen regular Michael Moriarty) who kills hitchhikers he picks up in his truck, and the other is named Walker (Warren Kole) who is a hitchhiker who murders whomever gives him a ride. Stacia (Fairuza Balk), a recently divorced woman, falls in between the clash of the killers.

After a transport bus breaks down, the driver and passengers, save for Stacia who left previously, are murdered by either of the two twisted killers. Fascinated, Wheeler and Walker examine each others' kills. Wheeler murders a woman (Laurene Landon) and hangs her body in the truck, and pistol whips and decapitates a man with the sliding door of the luggage compartment. Walker garrotes the bus driver with a dead snake, shoots a passenger, slaughters a stoner punk and sexually assaults and skins his stoner girlfriend (in addition to drawing a mouth on her by using a tube of lipstick on her duct-taped mouth) before killing her, and leaves the dead passenger's wife/girlfriend to die in the woods, tied by her wrists around a tree branch and covered with barbed wire. Wheeler finds her alive, taunts her and leaves her to die.

Later, at a roadside motel, the two psychopaths play head games with each other and Stacia, clashing over who will be Stacia's killer. As she is leaving the motel, Wheeler offers her a ride then assaults and handcuffs Stacia while driving. He comes across Walker on the highway, standing in the lane, and brakes to a stop just before hitting him. Walker accepts a ride and the two bicker and draw their pistols, ready to kill Stacia and each other. Stacia, sitting in the middle, slams on the brakes and sends the two murderous men through the windshield onto the road as well as causing the truck's cab to fall on its side. Stacia unsuccessfully struggles to get Wheeler's gun, while the wounded Wheeler and Walker fight to determine who will kill her as an ambulance siren sounds.

In the end, Wheeler and Walker are side by side in the ambulance, still fighting and cursing at one another. Finally, they cease, as Walker points out how much 'fun' the two off them could have with an ambulance, revealing that he still has his craft knife he used to torture the stoner's girlfriend. However, one of the EMTs rams syringes into their chests, are apparently killing them both, as the new killer tells the driver that they plan to save Stacia for later.

Episode no.     Season 1
Episode 11
Written by     David Schow
Directed by     Larry Cohen
Guest stars     Paul Anthony
Fairuza Balk
Malcolm Kennard
Warren Kole
Laurene Landon
Michael Moriarty
Production no.     111
Original airdate     January 20, 2006

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