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Item:1 CENT CD: Al Green 'I Can't Stop' 2003 RnB
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1 CENT CD: Al Green 'I Can't Stop' 2003 RnB

Item condition:Like New
Ended:Nov 06, 200918:02:04 PST
Bid history:5 bids
Winning bid:US $0.61
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Item number:170401805081
Item location:Sierra Madre, California, United States
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Item specifics - Music: CDs
Artist: Al GreenRelease Date: Nov 18, 2003
Format: CDRecord Label: Blue Note Records (USA)
UPC: 724359355627Genre: R&B & Soul
Duration: Album or EPSub-Genre: Soul
Condition: Like NewSpecial Attributes: --
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Detailed item info
Track listing
1. I Can't Stop
2. Play to Win
3. Rainin' in My Heart
4. I've Been Waitin' on You
5. You
6. Not Tonight
7. Million to One
8. My Problem Is You
9. I'd Still Choose You
10. I've Been Thinkin' About You
11. I'd Write a Letter
12. Too Many

Details
Producer:Willie Mitchell
Distributor:EMI Music Distribution
Recording type:Studio
Recording mode:Stereo
SPAR Code:n/a

Album notes
Personnel: Al Green (vocals); Mabon "Teenie" Hodges, Charles "Skip" Pitts (guitar); Lester Snell (piano); Robert Clayborne (organ); Leroy Hodges (bass); Steve Potts (drums, congas, percussion); Donna Rhodes, Charlie Chalmers, Sandra Rhodes (background vocals).
The Royal Horns: Andrew Love, Lannie McMillan (tenor saxophone); Jim Spake (baritone saxophone); Scott Thompson (trumpet); Jack Hale (trombone).
The New Memphis Strings: Joan Gilbert, Daniel Gilbert, Gregory Morris, Liza Zurlinden (violin); Anthony Gilbert, Beth Luscombe (viola); Peter Spurbeck, Jonathan Kirkscey (cello).
The big news on Al Green's first proper album of the 21st century is that he finally reunited with producer/arranger Willie Mitchell, the man behind Green's classic '70s albums. Accordingly, Mitchell brought in some of the key musicians from those albums, such as "Teenie" and Leroy Hodges (guitar and bass, respectively), Memphis Horns saxman Andrew Love, and the distinctive vocal trio Rhodes, Chalmers, and Rhodes. Together with Green, they conspire to create a welcome return to the glory days of Memphis soul, full of fire and elegant arrangements in equal measure. As the horns blast out and Green wails, moans, and croons like a man half of his 57 years, the recording missteps of the previous decade seem to vanish into thin air. It seems that Green intends the title of this undeniable comeback album to be quite literal, and we should all be grateful for that.

Editorial reviews
Included in Rolling Stone's 50 Best Albums of 2003
Rolling Stone  (12/25/2003)

4 stars out of 5 - [I]t's great. Green's voice still does insanely beautiful things, and he knows it, and so does them often.
Uncut  (01/01/2004)

4 stars out of 5 - [I]t's a terrific return with two sublime ballads that raise the goosebumps like it's 1972.
Mojo  (12/01/2003)

4 stars out of 5 - I CAN'T STOP is almost classic Green: lush, watertight and sexily understated, with that goosepimply falsetto.
Q  (01/01/2004)

...[Features] a rhythm section that could make Lazarus get up and grind....the interplay is faultless: Horns bob and weave with the reverend's feathery falsetto. Green doesn't just straddle the sacred/secular divide, he joyfully demolishes it. - Rating: A-
Entertainment Weekly  (11/21/2003)

3.5 stars out of 5 - ...A true landmark: the first secular collaboration between [Green and producer Willie Mitchell] in 27 years....A deep groove, jazzy keyboards, smooth backing vocals, syrupy strings and hard-driving horns frame Green's lustrous voice...
Rolling Stone  (11/27/2003)

Ranked #71 in Mojo's 100 Modern Classics -- [I]t's green's expressive phrasing that really makes this so special.
Mojo  

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1 CENT CD: Al Green 'I Can't Stop' 2003 RnB

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Condition of CD: MINT CONDITION!  (Teddy Pendergrass is not on this CD, EBay's description is mistaken).

 

One review reads '`I Can't Stop' is a surprisingly great comeback album by Al Green. I still can't get over the thrill of having Al back in the game and making music like he did in the old days. Al has stayed true to himself & legitimate R&B. He's not trying to sell out or appeal to a pop audience, instead he hooks back up with his old producer Willie Mitchell, dusts off his old session players and cut this album in the exact same studio he recorded classics like `Al Green Gets Next To You' and `Lets Stay Together' back in the day.

This is a real cool set, The songs ride those great old gritty-sounding grooves layered with real instruments (rare these days), and Al's vocals have aged like fine wine, he can still get down & dirty on the mic but also varies up his gruff yet smooth style. The title track is The Jam! One of Al's finest cuts ever, I've been spinning that one ever since I copped the album. All the material is fresh and salutes the ole school pioneers, if you are tired of contemporary R&B then check out `I Can't Stop' to hear how a Master does things. Al Green its great to have you back, don't ever go away like that again! '

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9.25% Sales Tax Collected In California




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Item location: Sierra Madre, California, United States
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