new JAMES BOND 007 volume 1 DVD goldfinger+daimonds are

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MGM HOME VIDEO presents:

007: JAMES BOND: the ULTIMATE EDITION - the 10-DISC, 5 MOVIE BOX SET - VOLUME vol 1 ONE I  
The Man with the Golden Gun: The British superspy with a license to kill takes on his dark underworld double, a classy assassin who kills with golden bullets at $1 million a hit. Roger Moore, in his second outing as James Bond, meets Christopher Lee's Scaramanga, one of the most magnetic villains in the entire series, in this entertaining but rather wan entry in the 007 sweepstakes. Bond's globetrotting search takes him to Hong Kong, Bangkok, and finally China, where Scaramanga turns his island retreat into a twisted theme park for a deadly game of wits between the gunmen, moderated by Scaramanga's diminutive man Friday Nick Nack (Fantasy Island's Herv Villechaize). Moore balances the overplayed humor of the film with a steely performance and Lee's charm and enthusiasm makes Scaramanga a cool, deadly, and thoroughly enchanting adversary. --Sean Axmaker

Goldfinger: To own Goldfinger (1964) on DVD is to have at your fingertips the proof that Sean Connery is the definitive James Bond. No one but Connery can believably seduce women so effortlessly, kill with almost as much ease, and then pull another bottle of Dom Perignon '53 out of the fridge. Goldfinger contains many of the most memorable scenes in the Bond series: gorgeous Shirley Eaton (as Jill Masterson) coated in gold paint by evil Auric Goldfinger and deposited in Bond's bed; silent Oddjob, flipping a razor-sharp derby like a Frisbee to sever heads; our hero spread-eagle on a table while a laser beam moves threateningly toward his crotch. Honor Blackman's Pussy Galore is the prototype for the series' rash of man-hating supermodels. And Desmond Llewelyn makes his first appearance as Q, giving Bond what is still his most impressive car, a snazzy little number that fires off smoke screens, punctures the tires of vehicles on the chase, and boasts a handy ejector seat. Go! ldfinger's two climaxes, inside Fort Knox and aboard a private plane, have to be seen to be believed. --Raphael Shargel

The World Is Not Enough:Bond 5.0, Pierce Brosnan, undercuts his usually suave persona with a darker, more brutal edge largely absent since Sean Connery departed. Equally tantalizing are our initial glimpses of Bond's nemesis du jour, Renard (Robert Carlyle), and imminent love interest, Elektra King (Sophie Marceau), both atypically complex characters cast with seemingly shrewd choices, and directed by the capable Michael Apted. The story's focus on post-Soviet geopolitics likewise starts off on a savvy note, before being overtaken by increasingly Byzantine plot twists, hidden motives, and reversals of loyalty superheated by relentless (if intermittently perfunctory) action sequences.--Sam Sutherland

Diamonds Are Forever: Sean Connery retired from the 007 franchise after You Only Live Twice but was lured back for one last official appearance as James Bond in Diamonds Are Forever. He's in fine form--cool but ruthless--in a sharp precredits sequence hunting the unkillable Blofeld (a suavely menacing Charles Gray in this incarnation), but the MacGuffin of a story (involving diamond smuggling, a superlaser on a satellite, and Blofeld's latest plot to rule the world ) is full of the groaning tongue-in-cheek gags that Roger Moore would make his signature. Goldfinger director Guy Hamilton keeps the film zipping along gamely from one entertaining set piece to another, including a terrific car chase in a parking lot, a battle with a pair of bikini-clad killer gymnasts named Bambi and Thumper, and a deadly game with a bizarre pair of fey, sardonic killers who dispatch their victims with elaborate invention. Connery retired again after this one but he returned once more, for Nev! er Say Never Again 15 years later. --Sean Axmaker

The Living Daylights: Timothy Dalton made his 007 debut in the lean, mean mode of Sean Connery, doing away with the pun-filled camp of Roger Moore's final outings. He establishes his persona right from the gritty pre-credits sequence, in which he hangs from a speeding truck as it barrels down narrow cobblestone streets, battles an assassin mano a mano, and lands in the arms of a bikinied babe. This James Bond is ruthless, tough, and romantic. The Living Daylights, set during the thaw of the cold war, begins with the defection of Russian KGB General Koskov (Jeroen Krabb) and his revelation of a Soviet plot to eliminate Britain's secret agent force. Assigned to eliminate Koskov's Soviet boss (John Rhys-Davies), Bond uncovers a conspiracy involving Koskov and an American arms dealer (Joe Don Baker). Maryam d'Abo makes a fine Bond girl as Koskov's beautiful cellist girlfriend, a classy innocent who soon loses her naive blush and shows her pluck. Veteran series director John Glen's action scenes have never been better--especially the show-stopping mid-air battle on the net of a speeding cargo plane--and he returns the series to the smart, rough, high-energy adventures that made the Bond reputation. --Sean Axmaker

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