CANON XL1s Professional DV Video Camera w/ Extras

One of the Best Cameras of All Time!!!

(PRICE REDUCED $$HUNDREDS OF DOLLARS$$! NEED TO SELL)

Canon XL1-s Professional DV Video Camera

• This is the one you see people using on TV all the time.
• Excellent camera for any use.
• Previously Owned by a Professional Studio
  
• Includes many expensive and useful accessories
• Great package for any pro!
• Canon XL1-s Camera
• Canon 16x II IS Optical Zoom Lens
• Varizoom Remote Lens Controller VZ-Pro-L
• Color Viewfinder DM-XL1s
• Studio1 XLR-Pro Adapter w/ Phono Plug Modification
• Lightwave Mini Mount MMXL1
• Lightwave Equalizer EQXL1
• 3 Canon Li Ion Batteries BP-930
• 3 Canon Li Ion Batteries BP-945
• Canon Single Battery Charger CA910
• Canon DC Adapter
• Rycote Softie, Med Hole 18cm Short Hair MHFO
• Kata CCC-1 Case for XL1-s
• Canon Dual Battery Charger CH-900A
• Canon XLR Mic Adapter Shoulder Pad
• RCA to BNC cable 25'
• Includes Original Box and Manuals
• Please check out all the pictures
• Many other little extras included!

• Great condition!  Only thing worth noting is the viewfinder has what I call some pixel dust on the right side of the view
• It in no way affects the video that is recorded and does not get in the way of what you are viewing, but it is there.
• You will not be disappointed with this deal
• Big Package ships via UPS Ground, quickly!
• Good Luck Bidding!!!

Small enough to carry around and costing not much more than a top-of-the-line consumer camcorder, the XL1S produces such high-quality results that it is sure to be the top choice for many independent filmmakers who demand full features and controls. Like its predecessor, the XL1, this camera uses three separate 270,000 pixel CCDs (one for each primary color) for the best picture quality. The XL1S records digital audio, with two channels of 16 bit/48 KHz sound or four channels of 12 bit/32 KHz sound. The body is based on a magnesium-alloy frame for maximum durability. It ships with a 16x optical zoom lens with optical image stabilization, but is also compatible with other XL camcorder lenses. With an optional adapter, you can use Canon EF (EOS) still-camera lenses--some of which also feature optical image stabilization.

The electronics of the XL1S have many advanced features, including a number of programmed AE modes, as well as both shutter and aperture priority modes. There are two different auto modes, one of which allows you to adjust any setting manually, if you want, and the other, which adjusts every setting automatically and lets you adjust nothing. A spotlight mode automatically compensates for difficulties when shooting a subject bathed in a spotlight. The computer-shooting mode gets rid of monitor flicker that happens when shooting a computer screen. There are also three different shooting modes: normal movie, digital photo, and frame movie. Normal movie mode is for any time you want to shoot video footage. Digital-photo mode records a still image for six seconds on the MiniDV tape and also captures any accompanying audio for a commentary track. The frame movie mode records 30 noninterlaced still images per second, instead of capturing 60 fps interlaced images. This mode isn't intended to be used for shooting video (playback may not look completely smooth). Rather, frame movie mode should be used as a burst, or continuous, shooting mode, like you'd find on a still camera.

The XL1S offers many new and updated features over the XL1. There is a 16:9 shooting mode where electronic lines draw are displayed through the viewfinder so you can compose your shots flexibly for later conversion to HDTV, where 16:9 is the standard. SMPTE color bars help establish a proper color reference for shooting and editing. Interval recording lets you shoot time-elapsed motion video with intervals from 30 seconds to 10 minutes. Zebra patterns help you determine overexposed areas in your shot so you can adjust the aperture and shutter accordingly.

The XL1S is a consummate professional creation tool that supports the established industry standards, MiniDV and IEEE 1394. Support of these standards make the XL1S a flexible video creation tool that interoperates with standard DV equipment and computer editing systems as accorded by engineering, scientific and broadcast communities.

The XL1S comes standard with a DV terminal that conforms to IEEE 1394 for digital transfer of video and sound, in addition to regular video and audio outputs. The IEEE 1394 (also known as FireWire®) standard allows editing, copying and recording of digital video over a single cable. This transfer format affords improved image and sound quality and is virtually free from generation loss.

The three CCD image sensors in the XL1S, each with 270,000 pixels, were specifically designed to capture as much image detail as possible and for shooting under extremely low light conditions. The size of each pixel is 72 square microns - 150% larger than the pixel-size on comparable DV models. The result is an approximate 4 dB improvement in sensitivity. This improved sensitivity means that each CCD can capture more information at all light ranges. In super low light, the XL1S still captures crisp and clear digital data. Under extremely bright conditions, the Pixel Shift capabilities of the XL1S greatly reduces vertical white streaks and smears, making it a consummate field recording device for all conditions.

Because human eyes see green more clearly and readily, the green component of a video signal contains 60% of the picture detail whereas the red and blue components together comprise the remaining 40%. With the advanced Pixel Shift on the XL1S, the green CCD is physically shifted the equivalent distance of 1/2 pixel horizontally from the red and blue CCD, and the green signal is electronically shifted 1/2 pixel vertically. This shifting of the green CCD increases the sampling points, resulting in a system that is comparable to 410,000 pixel CCD systems in terms of resolution. With a larger pixel size and the process of Pixel Shift, the Canon XL1S gives wider dynamic range, better low light recording, reduced vertical smears, and high quality still images without sacrificing the highest resolution DV available.

The XL1S offers a plethora of means by which to get audio and video in and out of the camcorder. The XL1S is designed to handle two types of analog video input and output: using audio/video cables (composite) or S-video. There are four audio inputs and outputs. All connections are on the camera body.