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The coffin is shaped as a mummiform Anubis figure, arms crossed on the chest holding ankhs, the Egyptian symbol of life. The Egyptians didn't worship the animals, but the forces of nature that they symbolized. Anubis, God of the Dead, represented with a head of a jackal or simply as a jackal opened the road to the other world and presided over embalming ceremonies. After a funeral, Anubis would take the deceased by the hand and introduce him into the presence of the sovereign judges where the soul of the deceased would be weighed. Anubis was the Guardian of Offerings brought to the ceremony by heirs of the deceased and he also guarded the mummy from evil forces in the night. When the body was embalmed, a priest wearing a jackal mask acted as Anubis's representative. He also was the guardian of the Sacred Esoteric Mysteries. The origin of this God lay in the fact that jackals could be heard howling in the desert to the west of the Nile at sunset-at the time when burials took place
About Us and The History of How its Done
HISTORY OF ART REPRODUCTIONS As far as we know, the history of art reproductions takes us back to Imperial Rome where bronze and marble reproductions of greek masterpieces served as decoration for lavish Roman villas and gardens.The art of casting is thousands of years old: terracottas, bronzes and ancient glass were cast from molds.Closer to our time in themid-18th century coinciding with the search for new artistic styles which took inspiration from the roots of classic art (neoclassicism) and the discovery of Herculaneumin 1738 and Pompeii in 1748, archaeological reproductions reappeared all over Europe. As a result of French expeditions to Egypt during the nineteenth century, a casting facility was set up next to the Louvre Museum where many important archaeological pieces from ancient Egypt were reproduced. Following the example of the Louvre, other leading European museums began to reproduce some of the masterpieces in their collections thus initiating a trend that continues until today.
OUR WORK For the making of art reproductions, our company has chosen masterpieces from the best museums all over the world–The Louvre, The British Museum, The National Museum of Athens, The Egyptian Museumat Cairo, The New York Metropolitan Museum of Art, etc.Working to obtain very fine pieces, up to the last detail,we only use materials and techniques that can achieve the best quality in reproducing original works of art. Our sculptures are cast ina variety of mediums –bonded stone, polyresins, bronze, etc.The finish of each reproduction, alway hand-made and showing craftsmanship and historical sense, is the work of an artisan. It is the task of our company to present to the people of today the legacy of those ancient civilizations with all the beauty and mystery of our ancestors, again in front of our eyes and at the reach of our hands
SCULPTING Most of our items are original artworks created by our sculptors, carved out of clay, stone, or wood. Here, one of our sculptors carves our T-16 Degas Little Dancer using sculpting clay.
MOLDMAKING Once the original is carved, a mold is made, usually out of silicon. Here a casting of the Egyptian Goddess Selket is taken from a silicon mold.
CASTING Crushed stone in a liquid resin medium is poured into a silicon mold where it solidifies into a hard stone that reproduces all the detail and texture of the original.
COLOR DETAILING All the finishes are done by hand. Many finishes include color detailing, a labor intensive process where colors are applied with small brushes by our skilled artisans.
HISTORY CARD STRING HISTORY CARD Almost all of our items come with a history card or string histry card that provides background on the history, mythology, location and main characteristics of the ancient original.
PACKAGING Many items come boxed in elegant color gift boxes. We are progressibly including more items in color boxes.
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ALASKA, HAWAII, PR and USVI CUSTOMERS our Fixed Shipping rates do NOT apply to you. Please email us FIRST before buying for the appropriate shipping rate.
CANADA NOTICE - Canadian customers must pay 14% Canadian Customs Duty charges when item arrives.
UPS Ground
Returns and Exchanges: Within 10 days from the date of the invoice, contact customer service via email to request a Return Merchandise Authorization number (RMA#). Describe why you would like to return the item(s) and whether you would like to exchange it. Once we receive the item(s) back in our warehouse and inspect it, we will refund your monies for the merchandise if it is in resellable condition. The merchandise must be returned in its original packaging, showing no signs of wear or shelf damage. We recommend insuring your return package since we are not liable to complete the refund or exchange unless the merchandise is in its original, resellable condition. No exchanges or returns after 10 days from the date of invoice.
Damage: If the product gets damaged during shipping, we'll do a damage claim with the carrier. We require that you report the damage to us no longer than 2 days after the you receive the package and that the original box with it's packaging materials be saved to repack the package since FEDEX will pick up the damage parcel to inspect it. Taking too long to report the damage or to no longer have the original box will result in the rejection of the damage claim by FEDEX which means that we wont be able to issue a refund or credit for the damage product. It's your responsibility to make sure that you follows these procedures. Normally, when damaged product gets reported on time, we either reship a replacement item or issue a refund of all charges.
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