
This listing has ended. Item:JAMES BROWN - IN THE JUNGLE GROOVE [REMASTER] - CD NEW

JAMES BROWN - IN THE JUNGLE GROOVE [REMASTER] - CD NEW

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Nov 09, 200903:25:05 PST

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Item number:	290358279866
Item location:	Multiple Locations, United States
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Item specifics - Music: CDs

Artist:	James Brown	Release Date:	Jun 17, 2003
Format:	CD	Record Label:	Polydor (USA)
UPC:	044007617328	Genre:	R&B & Soul
Duration:	Album or EP	Sub-Genre:	--
Condition:	Brand new	Special Attributes:	--

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Detailed item info

Track listing
1. It's a New Day 2. Funky Drummer 3. Give It up or Turnit a Loose - (remix) 4. I Got to Move - (previously unreleased) 5. Funky Drummer - (bonus beat reprise) 6. Talkin' Loud and Sayin' Nothing - (remix) 7. Get up, Get Into It and Get Involved - (mono) 8. Soul Power - (mono, re-edit) 9. Hot Pants (She Got to Use What She Got to Get What She Wants) 10. Blind Man Can See It - (previously unreleased, extended)
Details
Playing time:	63 min.
Contributing artists:	Bobby Byrd, Bootsy Collins, Fred Wesley, Maceo Parker, The JB's
Producer:	James Brown
Distributor:	Universal Distribution
Recording type:	Studio
Recording mode:	Stereo
SPAR Code:	n/a

Album notes
Personnel: James Brown, Bobby Byrd (vocals, organ); Jimmy "Chank" Nolen, Alphonso "Country" Kellum, Phelps "Catfish" Collins, Hearlon "Cheese" Martin, Robert Coleman, Bobby Roach (guitar); Jimmy Parker (alto saxophone); Maceo Parker, L.D. "Eldee" Williams, Robert McCulloch (tenor saxophone); St. Clair Pinckney, Louis Tifford (baritone saxophone); Richard "Kush" Griffeth, Joe Davis, Darryl "Hasaan" Jamison, Clayton "Chicken" Gunnels, Jerone "Jasaan" Melson (trumpet); Fred Wesley (trombone); "Sweet Charles" Sherrell, William "Bootsy" Collins, Fred Thomas (bass); Melvin Parker, Charles Stubblefield, John "Jabo" Starks (drums); John Morgan, Art Lopez, Johnny Griggs (congas). Principally recorded at King Studios, Cincinnati, Ohio; Criteria, Miami, Florida; Bobby Smith Studios, Macon, Georgia; A & R Studios, New York, New York between 1969 & 1972. Includes liner notes by Cliff White. IN THE JUNGLE GROOVE documents one of the most important periods in the development of James Brown's music. In 1970, Brown's bandleader/sax player Maceo Parker departed to form his own band, taking much of Brown's group with him. This event heralded the arrival of the JB's, which included monster bassist Bootsy Collins, whose hyperkinetic style made Brown's funk harder, leaner, and meaner. This album gives listeners a bird's-eye view of the change, featuring the final sessions of the Maceo-led band as well as the first recordings of Bootsy and the JB's. Maceo and company were at their hardest and funkiest at this point, as seen on "The Funky Drummer," where Clyde Stubblefield lays down the drum break that would launch a thousand hip-hop samples. Stubblefield stuck around long enough to be part of the first JB's, whose tracks here are full of frenetic, barely controlled energy. The sense of joy and revelation in the groove is audible in these orgasmically polyrhythmic sessions. Collins and Stubblefield lay down some of the heaviest grooves in the history of recorded music. As Brown himself observes on the aforementioned Maceo-era "Funky Drummer," "it's a mutha!"
Editorial reviews
Included in Vibe's 100 Essential Albums of the 20th Century - He was already Soul Brother No.1 when he and his band were inventing funk, which makes early-'70s tracks like 'Give It Up or Turn It Loose' so amazing... Vibe (12/01/1999) 4 stars out of 5 - ...The remastered and remixed tracks on JUNGLE GROOVE revealed the infinite variety he and his band discovered in funk work-outs... Mojo (09/01/2003)

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In The Jungle Groove [Remaster] - CD *NEW

Artist: James Brown
Runtime: n/a

Retail Price: $13.95

	Tracks		Details		Notes		Reviews
Disc 1 1. It's a New Day 2. Funky Drummer 3. Give It up or Turnit a Loose - (remix) 4. I Got to Move - (previously unreleased) 5. Funky Drummer - (bonus beat reprise) 6. Talkin' Loud and Sayin' Nothing - (remix) 7. Get up, Get Into It and Get Involved - (mono) 8. Soul Power - (mono, re-edit) 9. Hot Pants (She Got to Use What She Got to Get What She Wants) 10. Blind Man Can See It - (previously unreleased, extended) Label: Polydor (USA) Release Date: 06/17/2003 Original Release Date: 1986 Recording Mode: Stereo Producer: James Brown Recording Type: Studio Distributor: Universal Distribution Personnel: James Brown, Bobby Byrd (vocals, organ); Jimmy "Chank" Nolen, Alphonso "Country" Kellum, Phelps "Catfish" Collins, Hearlon "Cheese" Martin, Robert Coleman, Bobby Roach (guitar); Jimmy Parker (alto saxophone); Maceo Parker, L.D. "Eldee" Williams, Robert McCulloch (tenor saxophone); St. Clair Pinckney, Louis Tifford (baritone saxophone); Richard "Kush" Griffeth, Joe Davis, Darryl "Hasaan" Jamison, Clayton "Chicken" Gunnels, Jerone "Jasaan" Melson (trumpet); Fred Wesley (trombone); "Sweet Charles" Sherrell, William "Bootsy" Collins, Fred Thomas (bass); Melvin Parker, Charles Stubblefield, John "Jabo" Starks (drums); John Morgan, Art Lopez, Johnny Griggs (congas). Principally recorded at King Studios, Cincinnati, Ohio; Criteria, Miami, Florida; Bobby Smith Studios, Macon, Georgia; A & R Studios, New York, New York between 1969 & 1972. Includes liner notes by Cliff White. IN THE JUNGLE GROOVE documents one of the most important periods in the development of James Brown's music. In 1970, Brown's bandleader/sax player Maceo Parker departed to form his own band, taking much of Brown's group with him. This event heralded the arrival of the JB's, which included monster bassist Bootsy Collins, whose hyperkinetic style made Brown's funk harder, leaner, and meaner. This album gives listeners a bird's-eye view of the change, featuring the final sessions of the Maceo-led band as well as the first recordings of Bootsy and the JB's. Maceo and company were at their hardest and funkiest at this point, as seen on "The Funky Drummer," where Clyde Stubblefield lays down the drum break that would launch a thousand hip-hop samples. Stubblefield stuck around long enough to be part of the first JB's, whose tracks here are full of frenetic, barely controlled energy. The sense of joy and revelation in the groove is audible in these orgasmically polyrhythmic sessions. Collins and Stubblefield lay down some of the heaviest grooves in the history of recorded music. As Brown himself observes on the aforementioned Maceo-era "Funky Drummer," "it's a mutha!" Vibe (12/99, p.158) - Included in Vibe's 100 Essential Albums of the 20th Century - "He was already Soul Brother No.1 when he and his band were inventing funk, which makes early-'70s tracks like 'Give It Up or Turn It Loose' so amazing..." Mojo (Publisher) (9/03, p.118) - 4 stars out of 5 - "...The remastered and remixed tracks on JUNGLE GROOVE revealed the infinite variety he and his band discovered in funk work-outs..."

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