| Strange To Your Ears: The Fabulous World Of Sound with Jim Fassett |
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| label & cat. no.: Columbia ML 4938 | pressed in: USA | date: 1953 | format: LP |
| condition: Vinyl: vg+ (minor scuffs) Cover: ex (amazingly intact for its age with just a few small wrinkles and a stamp on back) | description: Excellent and scarce lp exploring the weird and wacky side of early electronic tape manipulations/musique concrete, presenting an array of sped-up, slowed-down, reversed, cut-up, and montaged found sounds. This is the rarely-seen pre-6-eye label first pressing. Fassett (of Symphony Of The Birds fame) narrates this demonstration of the then-astounding capabilities of the newly invented magnetic tape recorder, using a whimsical approach to introduce listeners to the territory pioneered by more serious academic composers like Pierre Henry, Vladimir Ussachevsky, Otto Luening, and Karlheinz Stockhausen. Fassett shows how familiar sounds can be made to oddly sound like totally different ones, how multiple sounds from disparate locations can be collaged together to create utterly alien soundscapes, and how entire universes of sound can be derived from the most unlikely sources, with several truly bizarre moments (perhaps the most hilarious being when he attempts to pronounce his name backwards in order to hear what it sounds like when played in reverse). But beneath the novelty surface of this recording, Fassett is actually making a revolutionary statement about how we hear, joining with avant garde contemporaries like John Cage in radically calling for a new appreciation of sound as music and music as sound (the liner notes by High Fidelity Magazine editor John M. Conly name-drop Edgard Varese, Pierre Boulez, and Pierre Schaeffer). This album's content was originally a radio documentary that Fassett produced with engineer Mortimer Goldberg. It is highly recommended as a fascinating period document, as a trove of sound effects, and as a beautiful specimen of outsider musique concrete.
artist info from album notes: Fassett was the director of CBS Radio, a radio show host, music critic, audiophile, and early magnetic tape experimentalist who in the 1950s released several novelty musique concrete recordings which are recommended for those interested in Jean-Jacques Perrey, Bruce Haack, Raymond Scott, Luc Ferrari, Tony Schwartz, Andre Popp, etc. |
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