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Item:Dave Holland Sextet: Pass It On (CD 2005)
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Dave Holland Sextet: Pass It On (CD 2005)

Item condition:Like New
Ended:Nov 13, 200915:13:32 PST
Bid history:0 bids
Starting bid:US $6.99
Shipping:$3.00US Postal Service First Class MailSee more services 

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Item number:350276686496
Item location:Tarpon Springs, Florida, United States
Ships to:Worldwide
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Item specifics - Music: CDs
Artist: Dave HollandRelease Date: Sep 23, 2008
Format: CDRecord Label: Emarcy (USA)
UPC: 600753106679Genre: Jazz
Duration: Album or EPSub-Genre: --
Condition: Like NewSpecial Attributes: --
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Detailed item info
Track listing
1. Sum Of All Parts, The
2. Fast Track
3. Lazy Snake
4. Double Vision
5. Equality
6. Modern Times
7. Rivers Run
8. Processional
9. Pass It On

Details
Distributor:Universal Distribution
Recording type:Studio
Recording mode:Stereo
SPAR Code:n/a

Album notes
Dave Holland: Dave Holland (upright bass); Antonio Hart (alto saxophone); Alex Sipagin (trumpet); Robin Eubanks (trombone); Mulgrew Miller (piano); Eric Harland (drums).
Using a sextet, upright bassist Holland sets the bar even higher than on his previous efforts, adding the always tasteful pianist Mulgrew Miller and a four-horn front line that is relentless. The jaunty opening number, "The Sum of All Parts," is a 5/4 African percussion-based piece led by Robin Eubanks with folded-in alto and trumpet and witty counterpoint. Adding a light samba feel during the upbeat "Fast Track" with the horns in perfect unison, the ensemble shifts up to hard bop. A 10/8 choppy and bouncy "Modern Times" also uses Brazilian inferences and sees Antonio Hart switching to soprano. On the soulful side, the title track recalls visions of Horace Silver - a groovy, fun boogaloo that has "radio hit" written all over it, while "Lazy Snake" takes the soul element deep underground and contrasts it with a suggestion of stark surrealism. Then there's the near 14-minute, free-based, diffuse "Rivers Run" (dedicated to Sam Rivers), which features the accented by the bowed bass of Holland, building in intensity as the horns step up the sonic density in darker hues. Of course, this band can easily drive music hard, as on the post-bopper "Equality," which turns sullen and funky, then swings angularly.

Editorial reviews
4 stars out of 5 -- [T]he rich consistency of his writing is deeply compelling.
Mojo  

With this group, Holland addresses material and musical relationships old and new. He and Eubanks share many sensibilities, including a taste for organic odd-time writing...
JazzTimes  

Portions of this page Copyright 1948 - 2010 Muze Inc. All rights reserved.

Product Description: Pass It On features newly-realized arrangements of some potent Holland compositions from past recordings, including "Lazy Snake" and "Equality" (from 1995's Dream of the Elders), the uptempo burner "Double Vision" (from 1984's Seeds of Time), the dynamic, mood-shifting suite "Rivers Run" (written for Dave's former duets partner from the mid-'70s, saxophonist Sam Rivers, and originally appearing on 1988's Triplicate), "Processional" (from 1989's Extensions) and "Modern Times" (from the 1995 Gateway recording, Homecoming). "Some of the compositions that I've written in the past evolve in my mind a little bit over time," says Holland, who is perhaps the most prolific bassist-composer since Charles Mingus. "When we first recorded some of these pieces, they were done in more stripped-down versions with different instrumentation, and I was starting to hear them as being possible for a larger ensemble. One of the advantages of the sextet is that it's still a smaller unit than big band or octet but it also gives you a lot of options in terms of orchestrating and utilizing backgrounds, either from the three horns or if one of the horns is soloing, from the other two horns. So I thought that was a good way to fill out these old compositions and expand on them a little bit where something new could happen. And, of course, this group of people brings some new creative ideas to the pieces." In addition to reinventing those previously recorded pieces, Holland also introduces two new compositions in the buoyant swinger "Fast Track" (based on the chord changes to George Gershwin's "The Man I Love") and the spirited, gospel-tinged title track which carries the kind of jubilant, uplifting feel inherent in the music of the Brotherhood of the Breath led by the South African-born Scottish musician Chris McGregor, an important mentor for Holland in the early part of his career. Eubanks also contributes the stirring, African-flavored opening track, "The Sum of All Parts." Says Holland, "I'm a big fan of Robin's compositions. I've featured him pretty much on every CD that I've done since 1987 and he's been a great asset, not just as a trombonist but as a composer." While Holland has eschewed piano with his long-standing quintet (featuring trombonist Eubanks, saxophonist Chris Potter, vibraphonist Steve Nelson, and drummer Nate Smith), he revels in the beautiful voicings and refined touch that pianist Miller brings to the sextet on Pass It On. "Of course, I have played with a lot of pianists over the years, including Hank Jones, Herbie Hancock, and others, but in my own projects I never really conceptualized a group with piano. Mulgrew certainly is within that tradition of great accompanists as well as being a wonderfully original soloist. He is such a rich and deeply-rooted musician in the great tradition of the piano but, of course, is always forward-thinking and forward-moving in his conception. What he brings to the ensemble is something that I'm always looking for, which is that dialogue and communication and interaction between the rhythm section and the horns when they're soloing. So Mulgrew was really the ideal pianist for me. It was a very great honor for me to have him involved in this music." Harland's ability to engage in dialogue with the rest of the musicians throughout the course of a given piece comes directly out of the great tradition of such highly interactive drummers as Roy Haynes, Tony Williams, and Jack DeJohnette, all of whom Holland has played and recorded with. "What Eric does is totally in touch with what's going on in the music and in touch with what I'm playing," says Dave. "Within the group there's always a dialogue going on within the rhythm section. I love that kind of thing. I love the sparring and the back and forth. For me, that's what it's all about. It's not just about a background rhythm section that's just laying down a sort of generic pad for soloists to play on. I like it to be a true conversation where the soloists get really inside the rhythm section." Note: this is an authorized, factory pressed CD set; I never sell CD-R’s. Open but the disc and inserts are in absolute mint condition (hole punch through barcode). US high bidder adds $3.00 for shipping/handling, Canadian high bidder adds $3.50 for s/h, anywhere else adds $6.00 s/h; multiple items will be packaged together to reduce shipping charges. Thanks for looking, and don’t forget to check out my other great auctions!



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Item location: Tarpon Springs, Florida, United States
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