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Report item1. Gaga-Janus ~ Introitus ambigüa by the Ono Kai Gagaku Electric ~ 3:32
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This listing has ended. The seller has relisted this item or one like this. Item:LASZLO HORTOBAGYI TERRA DEI ~OCCULT~TRANCE~PSYCHEDELIA |
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TERRA DEI
LASZLO HORTOBAGYI
(IMPORT)
~~~~
ANNALES OF GAYAN UTTEJAK SOCIETY ~~~~
TRANCE ~ WORLD ~ ELECTRONICA ~ MYSTIC ~ OKKULT ~ EXOTIC PSYCHEDELIA ~~~~~~~~~~~~~~~~~~~ CD IS NEW ~ FACTORY SEALED ~ 1996 EDITION - LABEL: ERDENKLANG, GERMANY
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TRACKS
2. Hemis-Mela ~ Mushroom ceremonial music by the Beings of Zeta Reticulum;scattering of the spore to Earth according to the Mazatec Tradtion ~ 3:35
3. Sangha-Kirtan ~ A congregational song by the Black Knights of Kyniarwanda Communionat the Mahaganja Feast ~ 3:39
4. Terra Dei ~ This is the Land of the Human Beings' artefact God ~ 5:08
5. Hindigeetála ~ A Bhakti-geet by the Intelektrik Vādya-Vrinda of Varanasi,
a recording from the "Hindusthāni Gharānā" file, a server of Agra-Polis Collection ~ 4:58 6. Mong-Riddum ~ A magdal (praise song) followed by the Halha Tradition if Gobi ~ 8:31
7. Sol-Acidhun ~ the Pygmie Magician's song from the Heaven of Dodon People ~ 6:37
8. Trance Macabre ~ in seve phase of Māyā: (1). Preces (2). Aid-choral; "al-Kaffaljidhma" (3). Trance Macabre (4). Cathedral Sūtra; "Zuben Hakrabi" (5). Gradule; "Mirfak al-Toliman" (6). Trance Communio (7). Ite missa est...15:20 TOTAL PLAYING TIME ~ 51:20
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Recorded and mixed at the Gayan Uttejak Studio, Budapest
Titles of the paintings on front and backside "Terra Dei". Painting on CD "Sol-acid men in materialization" "Terra Dei is the Earth of our God. It belongs to the God who has been created by us. Therefore our Earth and its world are exactly the same as our God. This world is not the one that was originally created, it is a smashed version of it. Therefore, seen from this percpective, the most beautiful thing is destruction itself, and its art. This kind of art is that of alienation of the human race and its fake consciousness which has been artificial conditioned. In this world music has changed direction and the oscillation of its slewing rhythm crushes again and again the traditional form of music. So the music of Terra Dei ~ although it wants to be a spiritual exodus from the world that was made uninhabitable by us ~ is only a faithful reflection of the worl of our God's planet". -L. Hortobágyi ~~~~~~~~~
Gāyan Uttejak Society Modern industrial societies and their overwhelming superiority in technology and dynamic expansion are totally reorganizing the world. All traditional cultures that are alien to these technologically "homogeneous" societies are doomed to extinction. This means that there's a real possibility that traditional cultures will expire before they can enter "world-culture" circulation. Bearing all of this in mind, Lāszlō Hortobāgyi set up the "Gāyan Uttejak Society" in Budapest, Hungary 1981. Since then it has been active - among other things - as a music studio and maintains a remarkable library of oriental music. It was named after the Hindu-Moslem musician's society founded by Navraojji Kabraji in 1870 (it was the school of the great musicologist, V.N Bhātkhānde ) .The members of the Gāyan Uttejak Society and The Gāyan Uttejak Orchestra in Budapest have made it their duty practice and to study the world heritage of the traditional cultures - among them the classical Language of the Hindu-Moslem Tradition of the Hindusthani Music - but also the bioastronomy, Kathakali, songs of the whales ("whale-canto"), Tinctoris'compositions, nigromania,computed fractal engines, Raga-mala paintings, cyborgs, Kuandalini sex, reports from the Arecibo Radiotelescope's Post Ozma Project, Tantic mandalas, Skinny Puppy tracks, tortures techniques of the Inquisition, Vedanta, brainwave synthesizers, building techniques of the cathedrals, Dolphin's Language, Seti-Phoenix Project, Bergen-Belsen, works of Lyn Margulis, Ajanta paintings, the softwares of the Nasdaq derivatums, Cavaille Coll Organs, techno-bio-morphology, Gagaku compositions, reptiles from the Reticulum constellation, Kondratyev cycles, transplantation of the human consciousness into Internet, architecture of Bhuwaneshwar, navigation softwares of the Ohio submarines, works of Stanislaw Lem, piknolepsia, Ustad Imdad Khan's compositions, animals'rights, sociology, Max Reger's composition, the nature of the human alienation, works of Richard Dawkins, the Polynesian polyrythmia and migrations' history of the islands, logistic softwares of the transnational corporations, bol-matrix of the Delhi-Farukhabad-Ajrada schools of Tabla playing, the cast-system of the capitalism, ectoplasma, Louis Vierne's compositions, works of Ilya Prigogine, death factory networks of the human societies, works of Zoltan Ganti, recreations of the ancient Bali banjar's gamelan compositions and the types of gongs, sci-fi visions of Wolfgang Jeschke and the Strugackij Brothers, arithmetric of integers, Persian tonality, Facteur Cheval’buildings, history of the trade unions, creating polyphonic digital instruments based on Shruti system, etc,etc, - ~~~~~~~~~~~~~~~~ Lāszlō Hortobāgyi
Since 1967 he has organised and made private expeditions - in the first place - to North-India for making recordings on the spot, studying philological-musicological sources, archives, libraries and pursuing practical studies. Play instruments: rūdra-vinā, surbahār, sitār, tablā, etc. In 1980 he established the musical society called Gāyan Uttejak Mandal It was named after the Hindu-Moslem musician's society founded by Navraojji Kabraji in 1870 (it was the school of the great musicologist, V.N Bhatkhande ). It's members consider it to be their obligation to practice and to study the traditional cultures - as a planet-world heritage - of the Eastern branch of the history of music, primary the traditional Hindu-Moslem music, - within the framework of lectures, comparative music studies, making compositions sometimes concerts and performances. In 1984 he founded "The Oriental Music Archives" which is unique in Middle-Europe and which operates parallel with the music studio called "Gāyan Uttejak Studio" and the "Gāyan Uttejak Orchestra". His music pieces composed in the classical Indian musical structure, together with other traditional and futuristic compositions are issued in the Netherlands, Germany, Greece, USA, France, England, Russia, Poland, Hungary, etc. Musicological and theoretical publications in the field of "Music of Hindusthān and Karnātaka", "Computer Music Systems", "Virtual Mēmesis of the Music", "Frames of the Fictitious Societies", Paintings about "cyber rāga-mālā" and “mēm”delineations, tryptichons,etc Member of the Advisory Council of the Research Project of Computer Music at the Institute of Musicology, Hungarian Academy of Sciences.
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