Detailed item info | Synopsis | A 40-year-old housepainter named Dominick Birdsey, from a spectacularly dysfunctional family, is the narrator of this long novel about the search for self-acceptance. A "New York Times" Notable Book for 1998.
| | Size | | Length: | 901 pages | | Height: | 9.8 in. | | Width: | 6.5 in. | | Thickness: | 1.8 in. | | Weight: | 40.8 oz. |
| | Publisher's Note | Dominick Birdsey's entire life has been compromised and constricted by anger and fear, by the paranoid schizophrenic twin brother he both deeply loves and resents, and by the past they shared with their adoptive father, Ray, a spit-and-polish ex-Navy man (the five-foot-six-inch sleeping giant who snoozed upstairs weekdays in the spare room and built submarines at night), and their long-suffering mother, Concettina, a timid woman with a harelip that made her shy and self-conscious. Born in the waning moments of 1949 and the opening minutes of 1950, the twins are physical mirror images who grow into separate yet connected entities: the seemingly strong and protective yet fearful Dominick, his mother's watchful "monkey"; and the seemingly weak and sweet yet noble Thomas, his mother's gentle "bunny". From childhood, Dominick fights for both separation and wholeness - and ultimately self-protection - in a house of fear dominated by Ray, a bully who abuses his power over these stepsons whose biological father is a mystery. But Dominick's talent for survival comes at an enormous cost, including the breakup of his marriage to the warm, beautiful Dessa, whom he still loves. And it will be put to the ultimate test when Thomas, a Bible-spouting zealot, commits an unthinkable act that threatens the tenuous balance of both his and Dominick's lives. Through his grandfather's life, Dominick learns that power, wrongly used, defeats the oppressor as well as the oppressed, and now, picking through the humble shards of his deconstructed life, he will search for the courage and love to forgive, to expiate his and his ancestors' transgressions, and finally to rebuild himself beyond the haunted shadow of histwin.
Listen to Wally Lamb discuss and read from I Know This Much is True. With his stunning debut novel, Shes Come Undone, Wally Lamb won the adulation of critics and readers with his mesmerizing tale of one womans painful yet triumphant journey of self-discovery. Now, this brilliantly talented writer returns with I Know This Much is True, a heartbreaking and poignant multigenerational saga of the reproductive bonds of destruction and the powerful force of forgiveness. A masterpiece that breathtakingly tells a story of alienation and connection, power and abuse, devastation and renewal--this novel is a contemporary retelling of an ancient Hindu myth. A proud king must confront his demons to achieve salvation. Change yourself, the myth instructs, and you will inhabit a renovated world. When youre the same brother of a schizophrenic identical twin, the tricky thing about saving yourself is the blood it leaves on your bands--the little inconvenience of the look-alike corpse at your feet. And if youre into both survival of the fittest and being your brothers keeper--if youve promised your dying mother--then say so long to sleep and hello to the middle of the night. Grab a book or a beer. Get used to Lettermans gap-toothed smile of the absurd, or the view of the bedroom ceiling, or the influence of random selection. Take it from a godless insomniac. Take it from the uncrazy twin--the guy who beat the biochemical rap. Dominick Birdseys entire life has been compromised and constricted by anger and fear, by the paranoid schizophrenic twin brother he both deeply loves and resents, and by the past they shared with their adoptive father, Ray, a spit-and-polish ex-Navy man (the five-foot-six-inch sleeping giant who snoozed upstairs weekdays in the spare room and built submarines at night), and their long-suffering mother, Concettina, a timid woman with a harelip that made her shy and self-conscious: She holds a loose fist to her face to cover her defective mouth--her perpetual apology to the world for a birth defect over which shed had no control. Born in the waning moments of 1949 and the opening minutes of 1950, the twins are physical mirror images who grow into separate yet connected entities: the seemingly strong and protective yet fearful Dominick, his mothers watchful "monkey"; and the seemingly weak and sweet yet noble Thomas, his mothers gentle "bunny." From childhood, Dominick fights for both separation and wholeness--and ultimately self-protection--in a house of fear dominated by Ray, a bully who abuses his power over these stepsons whose biological father is a mystery. I was still afraid of his anger but saw how he punished weakness--pounced on it. Out of self-preservation I hid my fear, Dominick confesses. As for Thomas, he just never knew how to play defense. He just didnt get it. But Dominicks talent for survival comes at an enormous cost, including the breakup of his marriage to the warm, beautiful Dessa, whom he still loves. And it will be put to the ultimate test when Thomas, a Bible-spouting zealot, commits an unthinkable act that threatens the tenuous balance of both his and Dominicks lives. To save himself, Dominick must confront not only the pain of his past but the dark secrets he has locked deep within himself, and the sins of his ancestors--a quest that will lead him beyond the confines of his blue-collar New England town to the volcanic foothills of Sicily s Mount Etna, where his ambitious and vengefully proud grandfather and a namesake Domenico Tempesta, the sostegno del famiglia, was born. Each of the stories Ma told us about Papa reinforced the message that he was the boss, that he ruled the roost, that what he said went. Searching for answers, Dominick turns to the whispers of the dead, to the pages of his grandfathers handwritten memoir, The History of Domenico Onofrio Tempesta, a Great Man from Humble Beginnings. Rendered with touches of magic realism, Domenicos fablelike tale--in which monkeys enchant ...
| | Industry reviews | "Within Wally Lamb's second book...there's a fine novel shouting to get out.... It's a novel of too little style and too much substance. ....Perhaps sweeping male anger is less fresh than its female equivalent. Or perhaps this 912-page tome simply needed an editor bold enough to persuade a talented novelist whose first book sold 3 million copies (thanks in large part to Oprah Winfrey's benediction) to trim the fat from the meat of its melodrama."
Salon - Joyce Hackett (05/26/1998)
"A probable commercial bonanza, but both twice as long and not as much as it should have been."
Prokopow
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