My Life as a Fake by Peter Carey -Mystery of Forgeries

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From the Inside Flap
Following the triumph of his Booker Prize?winning True History of the Kelly Gang, Peter Carey ventures into the Far East with a novel shot through with mysteries at once historical, literary, and personal.

Sarah Wode-Douglass, the editor of a London poetry magazine, had grown up knowing the famous and infamous John Slater. And because he figured prominently in the disaster that was her parents? marriage, when Slater proposes that she accompany him to Malaysia, Sarah embarks out of curiosity on a journey that becomes, instead, a lifelong obsession. Her discoveries spiral outward from Christopher Chubb, a destitute Australian she meets by chance in the steamy, fetid city of Kuala Lumpur. He is mad, Slater warns her, explaining the ruinous hoax Chubb had committed decades earlier. But lurking behind the man?s peculiarity and arrogance, Sarah senses, is artistic genius, in the form of a manuscript he teases her with and which she soon would do anything to acquire. The provenance of this work, she gradually learns, is marked by kidnapping, exile, and death?a relentless saga that reaches from Melbourne to Bali, Sumatra, and Java, and that more than once compels her back to Malaysia without ever disclosing all of its secrets, only the power of the imagination and the price it can exact from those who would wield it.

Astonishing, mesmerizing, and ultimately shocking, My Life as a Fake is the most audacious novel yet in Peter Carey?s extraordinary career.

About the Author
Peter Carey was born in Australia in 1943 and now lives in New York City with his family. The author of seven previous novels and a collection of stories, Carey has won the Miles Franklin Award, the Commonwealth Prize for Best Book twice, and the Booker Prize twice -- for Oscar and Lucinda and for his most recent novel, True History of the Kelly Gang, which was also a finalist for the 2002 IMPAC Dublin Literary Award.

“Carey has transformed sepia legend into brilliant, even violent, colour, and turned a distant myth into warm flesh and blood. Packed with incident, alive with comedy and pathos, True History of the Kelly Gang contains pretty much everything you could ask of a novel.”
-- The New York Times Book Review

“A tour-de-force. . . . Kelly’s rough-necked, tender, funny, lyrical and engaging personality shines through.”
-- National Post

“This is a book born of bone, blood and beauty, as well as piercing social and historical insight. If there is a better novel written in English this year, it will need to be very, very good indeed: for here is a voice that will not let go.”
-- Ottawa Citizen

"Complex and masterful . . . A few lines from Mary Shelley's Frankenstein preface Carey's novel, and the dark themes of that story pulse with fresh vigor through the veins of My Life as a Fake . . . Carey's prose is sparse but sharp throughout his story, never missing its target and not taking long to get there . . . Like Shelley so many years earlier, Carey has created a haunting story whose surreal events are as captivating and memorable as the misguided aspirations of its characters."
--Thomas Haley, Minneapolis Star-Tribune
 
"This hall of mirrors reads like the impossible offspring of a fictional ménage-à-trois involving Pale Fire, Lord Jim, and Our Man in Havana . . . Carey never lets anything fall, and he pitches us into an entirely implausible and yet compelling tale . . . a world of pirates, snakes, Japanese atrocities, poisoned melons, feudal rivalries, boarding schools, demons, bugs, and a carefully preserved manuscript . . . This is a fabulous book in the original sense of the term--and in the other one, too."
--Michael Gorra, The Atlantic Monthly
 
"Spellbinding . . . a shrewd and seductive inquiry into the diabolical dimension of the imagination . . . Carey is a wily and enthralling storyteller."
--Booklist
 
“Carey’s corker of a plot (with echoes of Conrad’s Heart of Darkness, Roman Polanski’s film Chinatown, and Mary Shelley’s Frankenstein) delivers surprise after surprise and peaks with a masterly extended set-piece that pits Chubb vs. “McCorkle” in the steaming hotbed of (then) Malaya under Japanese occupation. Issues of artistic interpretation, integrity, and authenticity are thus brilliantly allegorized in a wonderland of yam, of which (the note entirely veracious) Slater declares ‘He [i.e., Chubb] will drag you into his delusional world, have you believing the most preposterous things.
"So will Peter Carey, God bless him. A Nabokovian masterpiece.”
--Kirkus Reviews