A VG PLUS ORIGINAL LP ON RIVERSIDE RLP 12-220
FROM 1957 A RARE MONO DEEP GROOVE PRESSING IN SPECTROSONIC FORMAT WITH REEL TO REEL TAPE DECK AND MICROPHONE IN SILVER ON BLUE LABEL
PRODUCED BY ORRIN KEEPNEWS AND BILL GRAUER
WITH DON ELLIOTT ON TRUMPET, BOB CORWIN ON PIANO, ERNIE FURTADO ON BASS, JIM CAMPBELL ON DRUMS
10 TRACKS INCLUDE MY SHINING HOUR, ISN'T IT ROMANTIC, I'LL REMEMBER APRIL, I REMEMBER YOU, RICO-JICO-JOE, IT MIGHT AS WELL BE SPRING, I'LL TAKE ROMANCE, GONE WITH THE WIND, IT COULD HAPPEN TO YOU, PONY TAIL
COVER STOCK WITH RUB AND RING WEAR BOTH SIDES WITH LIGHT AGE DISCOLORATION. TOP AND BOTTOM EDGES WITH OLD CELLO TAPE. BOTTOM SPLIT DEAD CENTER ABOUT TWO INCHES. CORNERS AND REMAINING EDGES WITH ROUGH SPOTS AND SMALL OUTER LAYER LOSSES.
VIRGIN SPINDLE HOLE SIDE TWO, SIDE ONE HOLE WITH LIGHT RUB MARK BY THE HOLE. THE HIGH LUSTER VINYL BLANK WITH A FEW LIGHT SURFACE RUB MARKS UNDER ANGLED LIGHT. SIDE TWO A LIGHT SURFACE SCUFF MARK IN THE FIRST TRACK IN THE NINE O'CLOCK POSITION THAT DOES ELICIT A VERY LIGHT AND FAINT CLICK ON PLAY ON THE VPI TURNTABLE. OCCASIONALLY SOME LIGHT BACKGROUND NOISE WAS DETECTED, BUT NOT A DISTRACTION.
FROM THE ALLMUSIC.COM WEBSITE:
Biography
by Eugene Chadbourne
Bob Corwin's first half-century of jazz piano begins with him furtively following the swaying palms of progressive bebop mastermind Lennie Tristano but winds up in a more relaxed mode with Corwin seemingly taking it easy under the swaying trees in Palm Springs. Biographers are fond of mentioning the musical influences from within the Corwin family -- a father who played piano for silent movies, a brother who played in big bands -- without mentioning the actual name of either party. As for the brother, scholars attempting to establish the existence of family dynasties in the jazz scene may want to hold off. The only people named Corwin who show up on jazz discographies besides the pianist are Carl Corwin, a reed player in mostly Latin bands, and ... Read More...
Biography
by Ron Wynn
An extremely popular player in the '50s, Don Elliott was a fine soloist in swing mode. He first studied piano and accordion, then played baritone horn and mellophone in his high school band. He switched to trumpet whe playing in local dance bands, and as a teen worked with fellow teen Bill Evans. Elliott studied harmony at the Institute of Musical Art in New York in the mid-'40s, then played trumpet in an army band. Following that, he studied arranging and vibes at the University of Miami in 1947. When he returned to New York, Elliott played with George Shearing, Teddy Wilson and Benny Goodman. He later performed and recorded with Terry Gibbs and Buddy Rich before forming his own band. Elliott took "miscellaneous instrument" honors in Down Beat five straight years in the late '50s. During the '60s and '70s he did Broadway shows and composed film scores and songs for radio and television commercials. He returned to jazz in 1975, serving as a guest soloist with The New York Jazz Repertory Company at Carnegie Hall.
AND, LASTLY, PLEASE DO REMEMBER SOUND QUALITY IS AFFECTED BY WHAT THE VINYL IS PLAYED ON! IF YOUR STEREO SYSTEM HAS BEEN CAREFULLY CHOSEN AND ASSEMBLED FOR IT'S AURAL QUALITIES AND YOU PERFORM BASIC MAINTENANCE LIKE CLEANING YOUR VINYL, CLEANING THE NEEDLE AFTER EACH PLAY, AND REPLACING THE CARTRIDGE WHEN NEEDED, YOUR LPS SHOULD SOUND QUITE GOOD.
PLEASE READ THE FINE PRINT CONDITIONS OF SALE:
GRADING & POLICIES: ALL RECORDS ARE VISUALLY GRADED AND THE RED GRADE REFERS ONLY TO THE STATE OF VINYL......YOU PLAY THE VINYL AND NOT THE COVER....COVER IS NOTED SEPARATELY. IF I'VE LISTENED TO THE LP IT WILL BE NOTED. The following is a general overview about grades, subject to any above notations: MINT indicates pristine vinyl without any marks on surface. MINT MINUS may contain a few very light surface rub marks from play or sleeve wear under light. If you are a real collector, you'll know that even a factory sealed LP occasionally has some light sleeve or rub marks. Anything in the VG category would contain some light and fine surface play lines and or have some other visible signs of ring or hole wear. Rarely do I offer something in the "G" state. If I do, it's usually a rare LP and priced accordingly. Values are assigned according to market availability, rarity and my experience in the business for over 25 years, not a price guide or any other standard.
PAYMENT: PAYPAL ONLY ACCEPTED AND SHOULD BE MADE WITHIN 24 HOURS OF SALE END (IF YOU BID ON SOMETHING YOU SHOULD BE PREPARED TO PAY FOR IT). IF PAYING BY PAYPAL E-CHECK PLEASE ADVISE BEFORE BIDDING. I like to ship your records out within 2-3 days of payment, so using PAYPAL gets the records to you ASAP and concludes the transaction. Contact me after the auction if your PAYPAL payment will be delayed so I know what's going on. FOREIGN CUSTOMERS: The 1st LP is $16 for 1st class airmail, each additional LP is $4 (up to a total of four, five and over need priority and the price almost doubles). IF YOU CAN NOT EDIT THE EBAY OR PAYPAL CHECKOUT TO REFLECT FOUR DOLLARS FOR EACH EXTRA LP, PLEASE PAY THE $16 AIRMAIL CHARGE EACH TIME AND THE EXCESS POSTAGE WILL BE REFUNDED BACK TO YOUR PAYPAL ACCOUNT UPON RECEIPT OF YOUR PAYPAL PAYMENT.
SHIPPING: QUESTION: SHIPPING QUESTION: WHY ARE SHIPPING CHARGES SO HIGH? ANSWER: BECAUSE ALL LPS ARE SENT DOMESTIC INSURED WHILE FOREIGN POSTAGE IS NOW $12-15 FOR ONE RECORD. ALL LPS ARE SHIPPED WITH A NEW PLASTIC OUTER SLEEVE SURROUNDED BY 2 NEW CORRUGATED PACKING SQUARES(50 cents each) INSIDE A NEW CORRUGATED LP MAILER($1.50 each) WITH FRAGILE STICKERS OUTSIDE TO ENSURE THE LP ARRIVES JUST AS IT LEFT AND THAT IS $2.50 BESIDES POSTAGE!
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